Because I Like Stats (and That’s the Way It Is)

This is probably the only reason i still do this stupid fucking list that nobody reads and the one post that I actually enjoy writing (because it’s basically just me making lots of pretty pictures), statistical motherfucking analysis!! The numbers, the records and the science, yo! behind Necessary Evil 2019. Let’s start with with what (spit) other music journalists thought.

Metacritic Scores

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OK, we all actually agree on the nest album of the year, so the critics are actually correct for once. Chill out on Jamila Woods and Michael Kiwanuka though, yeah?

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Legit Bosses: The 112 Best Songs of 2019

OK OK OK! There were 112 amazing songs released in 2019 (or, erm, released earlier but I just listened to them a lot this year), and here is the definitive, objective and scientifically proven ranking. You can disagree all you want, just remember your disagreement is merely an opinion and this list is fact.

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Or maybe not. I made a big change of tablet and therefore music player this year, and I might not have remembered all of the songs I deemed to be Legit Bosses earlier in the year. But whatever, here are 112 amazing songs, here’s the YouTube list and here’s the Spotify playlist, now please leave me alone, yeah?

Starting at number 112 wiiiiiiiiiiiiiiiiiiiiiiiiiiiiith…

Continue reading “Legit Bosses: The 112 Best Songs of 2019”

Necessary Evil 2019 (16-11)

Boooooooooooooooooooooooooo-yar!! This will actually take us up to the top ten! And it’s not even Christmas yet!! Just to be clear, you should all be very impressed.

16 Pickle Darling: Bigness

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Just… gorgeous. ‘Bigness’ seems almost like it was intended as something of a wry, ironic name, as Mr Darling deals in ostensibly small scale music. His songs can initially seem so slight, polite, inoffensive and casual, all linked with a voice so hesitant and unassuming that it’s the volume and urgency that a fruit fly might adopt if it wanted to get the waiter’s attention at Costa Coffee to inquire as to what was taken its Hazelnut Praline & Cream Latte so long but didn’t want to make too much fuss. The tags that the album is identified with on Bandcamp are alternative; bedroom pop; christchurch; new zealand; pop; indie; indie pop; Christchurch, which tells you one thing… Well no, it firsts lets you know that Pickle Darling is from Christchurch, New Zealand, as he’s so keen for you to realise that that he states it twice, but the second thing that the tags tell you is that ‘Bigness’ is a bit of a cheery, unassuming and- in the words of Helltown– ‘bedroom bullshit‘ kind of record. It’ll be fine. It’ll be cheery, a little bit twee but well meaningfully pleasant. Most of all though, it’ll be small.

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(…)

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Necessary Evil 2019 (53-49)

53 Govier: No More Frontiers

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Hey! I wrote a big review of this album when it came out! What, you want me to cut and paste all those words here?? Jesus, your sense of entitlement is actually rather worrying. I’m not angry, I’m just… learning things about you…

I’ll just add one little story. One of my friends actually subscribes to my blog. Like, literally I think, one of my friends. That’s how fucking useless my friends are. Honestly, if you take away the option of offering them an excuse to get drunk (even if you keep stressing to them that, even if you don’t drink, you really fucking want them to, because they’re such overwhelming dullards when they’re sober!) you’ll find that many of your friends don’t actually care that much about you. Anyway, my one true friend, the one who actually reads this piece of shit blog, noticed that my latest masterpiece was titled ‘Govier Forces a Little Exception of His Own’ and asked me if I was making political posts now. I just said ‘No’, that ‘Govier’ was the name of the artist, and we moved on. Much, much later, I started to get puzzled by what exactly about that particular title might have led him to believe that it was political, and I think by now too much time has passed for me to reopen the inquiry to attempt to discover…

Michael Gove!! He thought it was about Michael Gove. Well, that’s been solved, and I hope the Michael Gove reference in my latest Miley Cyrus review helped quench that particular thirst. Wow, turns out I really didn’t have anything to talk about for this entry…

Metacritic: n/a

56 in 2018

Wow, at this rate he’ll finish number one in 2041

Continue reading “Necessary Evil 2019 (53-49)”

The Legit Bosses: Best Tracks of the Year (60-51)

60 Car Seat Headrest: Drunk Drivers/Killer Whales

God, I love this song, as underneath all it’s cool and intensely legitimate indie credentials it’s a great epic rock song the like of which G’n’R themselves would be proud to put their names to. I liked it when I first made this list too…

59 ANOHNI: Execution

Heeeeeey! Dis woz on dat list too! I still love it at least as much as I did when I wrote that mid-year list back when I would post things at relevant times

Continue reading “The Legit Bosses: Best Tracks of the Year (60-51)”