10 Bon Iver – 666 ʇ
What is that? Like, an upside down ‘t’? I like it, Mr Engine, I really like it…
Continue reading “The Legit Bosses: The 10 Best Songs of 2016”
What is that? Like, an upside down ‘t’? I like it, Mr Engine, I really like it…
Continue reading “The Legit Bosses: The 10 Best Songs of 2016”
Perfect, perfect, perfect, perfect
Continue reading “The Legit Bosses: Best Tracks of the Year (20-11)”
When you next see me, please ask me to sing you Child’s Play. I’m not saying I do it particularly well, I just love singing it… Bounce that shit like ‘whoah’…
Continue reading “The Legit Bosses: Best Tracks of the Year (30-21)”
Continue reading “The Legit Bosses: Best Tracks of the Year (40-31)”
As soon as you hear that first ‘Ooh!’ a few seconds in you’re more than likely dropping your ears’ knickers
(what the fuck does that mean?)
I feel that in 20 years time when late night art talk shows on BBC4 are discussing how odd it was that Wild Beasts are widely accepted as one of the greatest bands of the 21st century yet completely unheralded in their time I’ll be showing blog entries like this to unbelieving post-millennials to prove how far ahead of the curve I was
Continue reading “The Legit Bosses: Best Tracks of the Year (50-41)”
God, I love this song, as underneath all it’s cool and intensely legitimate indie credentials it’s a great epic rock song the like of which G’n’R themselves would be proud to put their names to. I liked it when I first made this list too…
Heeeeeey! Dis woz on dat list too! I still love it at least as much as I did when I wrote that mid-year list back when I would post things at relevant times
Continue reading “The Legit Bosses: Best Tracks of the Year (60-51)”
Remember: this is probably actually the best album of the year, I’m just too afraid to say so
I Exhale is amazing: it blatantly and shamelessly rips off The Clash’s Train in Vain, Bowie’s Sound and Vision AND The Fall’s Hit the North, yet still manages to be a cast-iron banger. I couldn’t include the surrounding album on the Necessary Evil countdown, as they can’t go unpunished for such things, but this song is wonderful (especially the album’s 8 minute cut)
Continue reading “The Legit Bosses: Best Tracks of the Year (70-61)”
Every time I hear this amazing song for the first two and a half minutes I wonder whether I’ve overrated it slightly, and perhaps it’s merely brilliant rather than the AMAZING required to be considered one of the year’s Legit Bosses, but then that musical break explodes into life and I remember how much I love the song
http://videos.sapo.pt/OBl0pRzRKF92LIpQwbAe
Yeah, you’re right, this’ll probably be the only Beyoncé song on this list. As an opening track, and intro to the album’s concept, style and tropes, it’s an utterly perfect song
Continue reading “The Legit Bosses: Best Tracks of the Year (80-71)”
I’ve no idea why I love this song so much, it’s mostly just a reworking of that irritating ‘Hello Operator’ kids song with more racially conscious lyrics. But it has something, from the alluring wavey intro to the euphoric chorus of ‘I’m very black, black, black/Can’t send me back, back, back/You take my brother, brother, brother/I’ll fight back, back, back’ that gets me evry tm
Fuck me, that chorus though…
Continue reading “The Legit Bosses: Best Tracks of the Year (90-81)”
It’s the album’s opening track– yeah?- only played on ukulele. That kind of shit is always going to play well to me
That freaking riff though! How do we not all hate this song due to it being inescapable?? What is wrong with the world!!
Continue reading “The Legit Bosses: Best Tracks of the Year (104-91)”