8 Kids See Ghosts: Kids See Ghosts

Guys, it’s absolutely fine to have a full album revolve around one song. Already on this list, we’ve had fantastic albums by Laurie Anderson and Kronos Collective (which basically centres around the strings kicking in on Nothing Left But Their Names) and Son Lux (so obviously centred around ensuring All Directions impact is maximised) carefully and artfully centre their records around ensuring one particular genius song hits the listener just there.

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This isn’t a slight on the albums. Just because a record centres its impact around one particular song it doesn’t mean the rest of the record isn’t utter genius. It doesn’t even have to necessarily be the best song on the record. ‘OK Computer’ is obviously designed to build up the euphoria when that guitar solo hits in Lucky, much like Best Record Of 2009™ ‘Tarot Sport‘ is constructed so that you lose your shit when Olympians kicks in almost exactly at the record’s middle, while Hotel California is obviously centred around Hotel California because it’s the first track and only song off the album that I or anyone else actually knows*, and ‘Bad Intentions’ by Dappy just wouldn’t be one of the most reverred albums of the 21st century were it not for the musical break in Yin Yang where Dappy recites the stages in the five step Razgar test and wryly questions what Roland Barthes would have said such constrictions on Appendix FM in the immigration law.

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8 LCD Soundsystem: american dream

LCD Go Down Cistern

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…is what I’d call this piece if the album was rubbish. Honestly, I’ve been waiting for ages to use that pun.

Down the toilet, see? Like crap. Because the album’s crap. Utter faecal matter.

Unfortunately, LCD are yet to afford me an opportunity to use it, and I’m really starting to think they might not ever. They are an irritatingly consistent band.

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33 Various Artists: Tegan and Sara Present The Con X: Covers

Leave the Memories Alone?

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‘The Con’, Tegan and Sara’s fifth album, was a very important album to me personally, not just simply at the time of its release but for many years afterwards. This should have had given me a hint to how significant a release it was- considering the lasting effect it still managed to have on a man so tediously heteronormative that he seriously refused to like Bret Hart as a child because he wore pink- but I honestly didn’t realise the wider world had similar and even equal affections to me (but never more, never possibly more: nobody could love ‘The Con’ more than me. Nobody!) until I learned that there would be a tenth anniversary celebrated with a collection of covers of each of the album’s 14 tracks by 14 different artists, some newer acts that were directly influenced and even enabled by T&S’s and this album’s success, and some older affiliates (Ryan Adams: who knew? He’s a man that I imagine would consider even me an outrageous fop).

Firstly, this is always a great idea, and always preferable to just lazily re-releasing a classic album with an extra disc of b-sides and demos (damn you, Manic Street Preachers, stop taking my money!!). Two albums on this countdown are by artists first introduced to me through this album (Muna and… another one…)

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and it’s by far the best way to exhibit an album’s importance.

Secondly, rather than spending 800 words again moaning about how I think Tegan and Sara aren’t as good as they used to be, I thought that it would be far more interesting and relevant to revisit my original ‘review’ of the album when it, in keeping with my usual punctuality, was No.4 in my 2008 list (and make it 2’100 words). The original piece only captures a small part of the bond I would eventually form with the record, but this is still proof that I was into this album way before anyone on this list. And yet was I invited to contribute? Was I buffalo!!

More after the jump (I’ve always wanted to write that, makes the blog sound so legit)

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You’re Looking at the Real Deal Now

 

In 2010 Spin Magazine listed the greatest albums released since the magazine’s conception in 1985, since I’ve been (ahem) alive for a large part of that time I’m going to quickly list the top 20 and briefly state why they’re now way near as good as the top record of 2016*:

*erm, assuming that all the records released between 2010 and now were comparatively garbage

 

20 My Bloody Valentine: Loveless

Speak up, mate, speak up! I can’t bloody hear you over all this racket! Also: know how many albums Ireland contributed to this year’s Necessary Evil? None! Your country’s a musical nonentity!

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19 Jay-Z: The Blueprint

Oooooh! Look at my big cigar! A guy smoking a cigar this big couldn’t possibly be subconsciously compensating for something else could he?? Pathetic!

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2 Bon Iver: 22, A Million

Let’s get the important stuff out of the way first: I’ve always pronounced it ‘Bon Ivor’

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Because of this I set up a Google Alert to tell me when somebody finally made a ‘Bon Iver the Engine’ meme, as I truly believed that such a witty reference to both an ultra hipster musical act and an old children’s’ show would truly bring the world together in these troubled times

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No, but apparently he’s one of those ultra-hipster tossers who chooses to pretentiously pronounce his name the way it’s spelled, so the reference is lost

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50 Solange: A Seat at the Table

Top 50! This is almost a normal list!

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Firstly, Pitchfork- that self-congratulating vomitorium that regards itself biblical text for hipster edgelords*- naming ‘A Seat at the Table’ as 2016’s best album is absolute bullshit

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Not ‘in my opinion’ this or ‘controversial choice’ that, actual inarguable and scientifically objective bullshit

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They realised that Solly’s sister Be-Be

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was going to land high on many critics’ lists, so decided to swerve everyone with a hot take

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62 Run the Jewels: RTJ3

I think it’s fair to say that I’ve never quite been swept up by the Runny Jews freight wagon

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Perhaps it’s because they’ve made a habit of releasing their albums late in the year, leaving me next to no time to properly consider them for the year end Necessary Evil. This logically titled (beautifully so +2) third effort came out on Christmas day 2016, which would render any selection in the 2016 list near impossible under normal circumstances

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Hmmmm, though it would qualify for the 2017 list under old rules though… and be one of the most listened to albums due to its early release…

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Continue reading “62 Run the Jewels: RTJ3”