4 SZA: SOS

This ain’t no warning shot, in case all of you hoes forgot, they know we’ve been more than lost. Us punk-asses tried to replace them but the stakes were too high, we weren’t able to live off some SZA mini-me. In December 8th 2022 they dumped this album like a press squeeze, they were horny like “Suck these”, daring like “Touch me”. They just want what’s theirs, after spending more than five years watching countless people try and fail to replicate the magic of their debut album.

And it’s hard to be a SZA mini-me. Their incredible 2017 debut album felt like a true moment in the history of recorded music. It’s one of the handful of 21st century records – as our tastes become more and more individualised and the latest stage of capitalism involves eliminating community and creating more dividing lines along identity – that is near unanimously considered an all-time classic. It spent more than 300 weeks on the Billboard top 200, selling millions of copies. You gotta rip that off, right??

OUT OF REACH, OUT OF TOUCH, TOO NUMB, I DON’T FEEL NO WAY

31 awakebutstillinbed: chaos take the wheel i am a passenger

Fucking yes! Fucking yeeeeeeeeeeeeeees! Three and a half fucking years I’ve held on to this screenshot!

People laughed at me when I saved that Tweet from 2020. Laughed at me! Of course, back then it had only been two years since the release of their incredible debut album ‘what people call low self-esteem is really just seeing yourself the way other people see you*’, a furious and intoxicating powder keg of intense self-hatred infectiously narrated. All us ‘Bedheads’ ate it the fuck up, because we are all reprehensible vultures. We had tasted the blood of Shannon Taylor as they eviscerated themselves for our entertainment, greedily sucking it down as they slit their wrists above our mouths and let it flow so beautifully down our gullets. Yum yum yum yum. Please, Mommy, can we have some more?

IN FACT, I DON’T WANNA FEEL, SO I STICK TO SIPPIN’

32, 33 The National: Laugh Track/First Two Pages of Frankenstein

There’s recently been a lot of talk over what jobs will be the first to be replaced by AI, as all of humanity furrows its brow in the staff break room after the massive buy out of the company by robots. Part of the reason behind the 2023 actors and writers strike was the studios admitting that with AI it now took them no talent at all to make movies, with one studio exec admitting that “Mate, I caught Taylor Lautner’s face in my dashcam* while driving through Hollywood last week, now I have enough footage to release a dozen more Twilight movies. Watch out for ‘Twilight 8: Imprinting on Elves‘ this Christmas! Does anyone have any cocaine? Don’t print that last part”.

are Mandy, Indiana the version of Anna Indiana that caught a computer virus?

(*he was asking to clean the exec’s windows at a traffic stop. Taylor Lautner is… not in a good place, man… Partially because of AI! But, yes, mostly because of the PCP)

The UK government has “pledged to ask responsibility” on AI weapons, with a government source quoted as saying that “We would never enact the use of our kick ass, super cool war robots with anything less than absolute seriousness”. The source then did a robot dance with a toy gun in each hand while making ‘P-choo! P-choo! P-choo!’ laser sounds, before stopping, putting the toy guns back in their briefcase, clearing their voice and announcing “So, yeah, that’s pretty much how it works”. The government pledging to ‘act responsibility’ in the production of autonomous weapon systems – widely known as ‘killer robots’ – is like your weird uncle Danny pledging to ‘drink responsibly’ after lining up a dozen Jägerbathbombs (like a standard Jägerbomb with a sprinkling of bath salts) on the bar in front of him.

AND I DON’T WANNA FEEL HOW MY HEART IS RIPPIN’

Necessary Evil 2020 pt.9 (35-31)

#35 Waxahatchee: Saint Cloud

That’s what ah want-eeeeeeh-yed, it’s not as if we cried a ri’ver called it rai-ee-yay-ain..

If you’ve ever read this blog- like at all, you ingrate philistine- you know how I spend roughly 40% of my time elucidating how special Katie Crutchfield’s musical project is. I am very much a Waxahitcher, which is a term I’ve just made up for the sort of Waxahatchee fan who’s dedicated/deluded enough to invent a term for the level of insanity that their fandom warrants. She made the most important album of 2013 to me, which, yeah, I didn’t admit at the time, but respect the retcon!

#HanShotWheneverMrLucasSaysHeDid #ThisIsADumbFilmForChildren #GrowUp.

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Legit Bosses: The 112 Best Songs of 2019

OK OK OK! There were 112 amazing songs released in 2019 (or, erm, released earlier but I just listened to them a lot this year), and here is the definitive, objective and scientifically proven ranking. You can disagree all you want, just remember your disagreement is merely an opinion and this list is fact.

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Or maybe not. I made a big change of tablet and therefore music player this year, and I might not have remembered all of the songs I deemed to be Legit Bosses earlier in the year. But whatever, here are 112 amazing songs, here’s the YouTube list and here’s the Spotify playlist, now please leave me alone, yeah?

Starting at number 112 wiiiiiiiiiiiiiiiiiiiiiiiiiiiiith…

Continue reading “Legit Bosses: The 112 Best Songs of 2019”

Necessary Evil 2019 (53-49)

53 Govier: No More Frontiers

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Hey! I wrote a big review of this album when it came out! What, you want me to cut and paste all those words here?? Jesus, your sense of entitlement is actually rather worrying. I’m not angry, I’m just… learning things about you…

I’ll just add one little story. One of my friends actually subscribes to my blog. Like, literally I think, one of my friends. That’s how fucking useless my friends are. Honestly, if you take away the option of offering them an excuse to get drunk (even if you keep stressing to them that, even if you don’t drink, you really fucking want them to, because they’re such overwhelming dullards when they’re sober!) you’ll find that many of your friends don’t actually care that much about you. Anyway, my one true friend, the one who actually reads this piece of shit blog, noticed that my latest masterpiece was titled ‘Govier Forces a Little Exception of His Own’ and asked me if I was making political posts now. I just said ‘No’, that ‘Govier’ was the name of the artist, and we moved on. Much, much later, I started to get puzzled by what exactly about that particular title might have led him to believe that it was political, and I think by now too much time has passed for me to reopen the inquiry to attempt to discover…

Michael Gove!! He thought it was about Michael Gove. Well, that’s been solved, and I hope the Michael Gove reference in my latest Miley Cyrus review helped quench that particular thirst. Wow, turns out I really didn’t have anything to talk about for this entry…

Metacritic: n/a

56 in 2018

Wow, at this rate he’ll finish number one in 2041

Continue reading “Necessary Evil 2019 (53-49)”

Necessary Evil 2019 (92-84)

92 Chance the Rapper: The Big Day

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Seriously, what the fuck is this? It’s almost depressing that this is technically the debut album from arguably one the most influential and critically adored rappers of the past ten years. Previously only releasing music through free mixtapes, it’s a little baffling that Chance has decided the album that sees him starting to go after that Bruno Mars crowd should be the one that people should have to pay for.

Continue reading “Necessary Evil 2019 (92-84)”

The Legit Bosses:136 Best Tracks of 2018

This is officially the end of 2018! And it’s only the 5th January [EDIT: Still only the 6th!]! Although there’s freaking one hundred and thirty six  tracks to get through, so this may well take until mid May! Happy Cinco de Mayo! No time to talk! A shit load of songs to get through!!

136 Candace: Rewind

Gorgeous, innit?

135 Epic Reflexes: Cha Cha

While Z-Tape’s ‘Spring’ collection was veritably busting at the seems with Legit Bosses, as you’ll soon see, this is the only similarly legitimate position of authority from their ‘Summer’ collection. They’re all still great though, as is the Epic Reflexes’s album ‘ChaChaChinatown‘.

134 The Carters: Apeshit

I had a lot of problems with ‘Everything is Love’, the surprising debut release from Beyonce and Jay-Z. Part of the reason I struggled with it was that I wasn’t sure how canonical it is. Like, is this it, Bee? Is this underwhelming collection of occasionally very entertaining rap boasts officially your actual follow-up to one of the most acclaimed albums of the 21st century? It’s an album about how two very rich people love each other but probably love their money more, that includes the line “My grandchildren’s grandchildren already rich” which, despite Kanye’s crisis of publicity, is by far the line from 2018 that Donald Trump is most likely to high five in a men’s locker room. Also, there’s a moment on the opening track where Mr Carter drawls out “Let it breaaaathe, let it breaaaathe” like JB Rockefeller basking in the glory of a fart he’d just released under the bedsheets, which marks the first time in more than two decades that I’ve thought to myself that I don’t think I really like Jay-Z. However, he often wins me back with the later claim that he’s “Good on any MLK boulevard”. This song’s pretty great though

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Fucking hell, Jay, that haircut though… One hundred and thirty three more after the jump!

Continue reading “The Legit Bosses:136 Best Tracks of 2018”

The Legit Bosses: Best 65 Tracks of 2017

EDIT: a full 16 days after publishing this piece, I finally got round to making a Spofify Playlist. The best songs of 2017. In May 2018)

00 (alexanderlpalmer@hotmail.co.uk)

OK, 20th April and we’re almost done. Never apologise for your own timing: genius cannot be standardised by your plebeian calendar. Good things are always worth waiting for. Patience, motherfuckers, patience.

Remember (kayfabe) last year, when I broke the Legit Bosses down into about a million parts? Ten freaking YouTube videos every post?

That was a really dumb idea. You’re getting all 65 songs in one list this year.

There were exactly sixty five amazing songs released last year. If you believe that there were any more or less then you are either massively mistaken or just plain stupid. Listen and learn:

65 Vince Staples: Alyssa Interlude

00 (alexanderlpalmer@hotmail.co.uk)

Finding out that the voice sample explaining the pain that’s sometimes needed to inspire creativity is actually Amy Winehouse pushed this interlude into ‘AMAZING’ classification.

Barely two minutes long, but exhibiting the kind of experimental genius that was slightly lacking on the rest of the album. More of this in the future please, Mr Staples, and less of… erm…

Less of, like, whatever I said in my review. It was quite a long time ago…

64 Young M.A: M.A Intro

Freaking perfect introduction to the record, which I can’t help but shout along to the “Who dat?/Who dat?/Never who dat” intro with all the gusto and passion a middle aged white guy is legally allowed.

63 St Vincent: Los Ageless

Despite what my review may have led you to believe, not actually about my ex-wife wrongly claiming credit for my suicide.

My ex-wife read that review, by the way, and got in touch to correct a lot of my false assumptions. Yeah, I’ll definitely talk about that at some point. Make sure to click ‘subscribe’…

62 Tove Lo: Hey You Got Drugs

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A lovely ballad about a subject that I think is vastly underrepresented in sad songs. I may have slightly overrated it in my review of the album, which shows how relatively underwhelming the rest of the album is.

Also: invest in a comma maybe, Ms Lo?

Continue reading “The Legit Bosses: Best 65 Tracks of 2017”

11 The National: Sleep Well Beast

Write Poorly, Swine

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Erm…

Jeez.

Now, this album’s called ‘Sleep Well Beast’, and although I used to consider myself an insomniac, I actually sleep far better now ever since I was prescribed…

No. No, that’s really dull.

Beast. Beast. Beastbeastbeastbeast. Beast.

The Beast of Bodwin Moor! We all know about the Beast of Bodwin Moor, don’t we? Yeah, definitely, a keenly observed reference point that, aye? I may be about to blow your tiny minds, but did you know that actually the Beast of Bodwin Moor

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Probably… probably doesn’t exist. If you suggested it did you would be laughed out of the dinner party in which you are reciting the anecdotes by all surrounding scientists.  They will derisively reject your claims due to many factors such as the improbably large numbers necessary to maintain a breeding population and because climate and food supply issues would make such purported creatures’ survival in reported habitats unlikely. I mean of course it doesn’t exist. No ‘beast’ has ever existed: from the one on the Bodmin Moor, to those Fantastic ones that people are looking to find, to Adebayo Akinfenwa, to The Beast from the East that we heard so much about recently. Did you ever see this mythical ‘beast’?? No, of course you didn’t, probably because the bad weather ‘coincidentally’ happening at the same time made it difficult to so see much of anything recently.

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Continue reading “11 The National: Sleep Well Beast”