


Hey, remember a few weeks ago when I basically just took far too long just to tell you that Nick Cave’s transcendent ‘Ghosteen‘ was the best album of 2019? Well, with that still fresh in your mind, I thought we should take the opportunity to kick back and…
Continue reading “Necessary Evil 2020”Put my mind at ease, pretty please, I need your hands on me, sweet relief, pretty please…
Yeah, I’m in a good mood, what of it? Wanna fight about it? Bring it on, I bet I’ll have you kissing me before the first punch lands, because how can you stay angry at this face?? My good mood mainly arises from three reasons. Firstly, longtime reader Beryl got in touch to tell me how she enjoyed the last post, and only made the polite suggestion that this series could be improved if it…

…incorporated more hardcore scat pornography?? Jesus fucking Christ, Beryl. Honestly, whenever I’m that close to relaxing that restraining order, you come out with something that sends us back to square one. Maybe I’m at fault here for expecting more from someone I met on the online scatological fetish dating app ‘ScatrBraind‘, but I just always assumed she was interested in the person around the fecal matter, y’know?
Anyway, the second reason is that this will definitely be the final part in this series, allowing me to abandon my blog again to return to my three real loves (masturbating, crying, and masturbating while crying. Mainly the third, if I’m being completely honest). Thirdly, and perhaps most importantly, we are now actually into the years where I made a point of listing the best albums, so this part should be an absolute piece of piss! Look at the header of this blog- I’ve already got my best albums of 07-19 listed! I just need to copy those albums down again for this entry! It’s 8:53 now, and I’ll have all this done and dusted in time for my traditional 9am cry! Let’s do this shit!!
You want an intro? You got that in part one! Let’s get down to the dirty, sticky and dangerously unhygienic business:
This was an important year for me, this was when shit got real. Yeah, Labour won the election, which I was aware I was supposed to celebrate but not yet conscious enough to know exactly why, just that ‘our team won*. Princess Diana died, inspiring a nationwide reaction that even 13 year old Alex Palmer recognised as being a bit fucking much**. All that was meaningless background noise though, as most importantly 1997 was the year that I became really switched on to new music. Before this point, most of the albums I’ve listed would have been discovered by me later and posthumously lusted after in the kind of nostalgic necrophilia that I would later grow to despise. Yeah, sorry if you’ve already imagined me as an incredibly cool seven year old bopping his head to Soon by My Bloody Valentine. From this point on, these important albums in my life and personal development were pretty much all discovered as contemporaries. Seriously though, ‘It’s Great When You’re Straight… Yeah’ was the first CD that I ever owned. Yeah. I’m that cool/weird.

OK, first off we all have to admit how ridiculous it is to rank The Bad Seeds’ albums, chiefly because of the fact that the form demands that certain albums need to be ranked toward the bottom of the list and be therefore deemed the band’s ‘worst’ albums or in some way ‘substandard’. Albums you or other weirdos like you might deem their favourites may well prop up the list and you may receive a jolting shock to your cultural sacks that you likely won’t recover from. The reason this list is likely to offend more than similar ones is because over the course of their nearly 30 years career The Bad Seeds have never released a bad album. I’d argue that they’ve never released even a subpar one. No, that one you’re thinking of? Get over yourself, that has brilliant moments and is number thirteen. The worst/least brilliant albums by The Bad Seeds would still be career highlights of lesser contemporaries like Pearl Jam or The Cure or The Beastie Boys. Just see this as 16 Bad Seeds albums ranked in order of their amazingness. If number 16 is your personal favourite, then your personal favourite is still an amazing album. Just be aware that ‘your personal favourite’ is subjective, while this list is official and objective. So it’s the 16th best. As long as you’re cool with that.

Perhaps my own personal perspective has to come into this. I first encountered Wavey Cavey and his Stinky Eggs as a precocious and hormonally operated thirteen year old with 1997’s The Boatman’s Call. This has probably meant that my entire idea of Nicholas and his Naughty Nuts has been through the frame of an achingly beautiful smack addict singing delicate odes to PJ Harvey (and probably, let’s face it, smack). If you’re disgustingly old enough to first come across The Bad Seeds when they first set sail in the 1980s- or even through Cave’s previous band The Birthday Party– then…
Well, then first of all you really are too old and decrepit to possess any worthwhile opinions. Your should be ashamed of your advancing years and retreat into functional alcoholism. I’m not explicitly saying that you should kill yourself, I’m just making sure that you’re aware that your death will have no real impact on the wider world and on a functional level you may as well kill yourself. OK? Good. Glad that we all understand.
Also, approaching The Bad Seeds from an ‘OG’ perspective may lead you to rate his earlier none more goth albums- the ones that are occasionally punctuated with distorted screams of “THE ORGAN GRINDER’S MONKEY FUCK’S THE VIRGIN MARY BLOODY CUNT WITH A RUSTY CRUCIFIX!”, and the like- a lot higher than I have. That’s cool. We’re all friends. But, scientifically, I’m correct and you’re wrong. And horrendously old. Seriously, what’s that smell? Oh. It’s you. That’s just what old people smell like. Ew.
Before we start, a few rules:
Continue reading “From ‘From Her to Eternity’ to…?Nick Cave & the Bad Seeds’ Albums Officially Ranked”This is probably the only reason i still do this stupid fucking list that nobody reads and the one post that I actually enjoy writing (because it’s basically just me making lots of pretty pictures), statistical motherfucking analysis!! The numbers, the records and the science, yo! behind Necessary Evil 2019. Let’s start with with what (spit) other music journalists thought.

OK, we all actually agree on the nest album of the year, so the critics are actually correct for once. Chill out on Jamila Woods and Michael Kiwanuka though, yeah?
Continue reading “Because I Like Stats (and That’s the Way It Is)”
At the Little Simz entry at number 4, I worried that the ceaseless and heartless explosion of ‘news’ and ‘takes’ and ‘bullshit’ that is modern life only succeeded in confirming rather than challenging our prejudices and turning us against even family members as we’re convinced that political allegiances are the one thing that dictates whether human life is worth even considering.

Then there was Elbow at number 3, throwing their hands up in the air and wailing as they wondered what’s even the point of Elbow anymore?! There’s no sense of togetherness for them to soundtrack! The world hates itself now, and to espouse the sort of optimism and confidence that they used to would risk making them sound ridiculously out of touch! 2019 is grim, it’s paranoid, it hates it’s fellow human because, chances are, the fellow human hates them just as much so it’s best to return a shot! Then there was Sudan Archives making the second best album of the year by essentially mainstreaming her sound and making as many bangers as possible. So yeah, hear that Nick Cave? Make sure your album has as many bangers as possible, yeah?
Surely Nick Cave would be most affected by this new era of mistrust and negative assumptions. Not only has he previously made a career over detailing bad motherfuckers who would “Crawl over fifty good pussies just to get to one fat boy’s asshole“, but he would surely be more angry than most at life’s unfair and brutal nature after his 15 year old son died in 2015. He had already released ‘Skeleton Tree‘ in 2016, a broken and grim album interjected with occasional explosive pulses of agony, over which Cave sounded emotionally bereft and often numb. It was mostly a dark, hopeless reaction to a tragedy that today’s climate demands. Wallow in your misery! You’re all alone! Nobody gives a shit and anyone who does is probably racist, or something!! Mmmmm, yes, Nick Cave, feed me on your despondent tears!!
Continue reading “1 Nick Cave and the Bad Seeds: Ghosteen”I’ve tried to put this off for a long time: the 2013 best albums list that I originally emailed off to ‘friends’ and ‘allies’ around Christmas that year is the final collection to be posted onto the webisphere and officially archived. I considered never doing it, denying its existence and never admitting to the shameful mistakes it contains. However, when I write my NE2017 list (soon, I promise) I want to make a point of referring to artists’ past entries in the Necessary Evil Blogging Universe (NEBU), so I’ve relented and made it available to read.
I was mainly worried about two things: firstly, I spent 6 months of 2013 in hospital, occasionally politely coughing and making my existence known to death’s door, so the fact that I managed to still mash out a top 50 at year’s end- while being an astonishing achievement warranting some achievements in disability award- makes me assume that a large portion of it will be unreadable madness.
Yes, very funny: more so than usual
Secondly, Arctic Monkey’s award for best album was soon revoked in light of their tax dodging selfishness, and the records for 2013 now show Hjaltalin’s astonishing ‘Enter 4′ as the greatest album, as despite it only finishing 5th in this initial list, by the time Arctic Monkey’s were stripped of the award it had grown into my favourite release of the year. Arctic Monkey’s win in 2013 is now viewed in the Necessary Evil Online Community (NEOC) with the same divisiveness as Benoit’s Wrestlemania 20 Heavyweight Championship win, and doubtless the posting of this list will be viewed as an extremely controversial move by victims of the Arctic Monkeys’ crimes. I apologise for any offence caused, but you must understand the importance of establising the legitimacy of NEBU.
So, I re-read the list for the first time in years and…

It’s…
…
…
…not bad. Not bad at all. In fact, I’d say that 2013 might contain some of my best and most incisive actual music writing, and I didn’t cringe nearly as much as I feared. Jesus, some of the entries (The Strokes, Arcade Fire, Kanye West…) are some of the best normal writing I’ve ever done! From death to coherence: I’m such a fucking inspirational figure
It’s far from perfect- I make a quip about Bowie not dying, I’m a little too subtly sexist in my Haim review, Steve Mason is number fucking two…- but I’m not completely overwhelmed by shame posting them
Also: Daft Punk are only no.42, Vampire Weekend 34, that’s pretty gangsta…
NE2017 soon, I promise
I love you all
Except you…

Continue reading “Best Albums of 2013: Necessary Evil’s Chris Benoit”
Perfect, perfect, perfect, perfect
Continue reading “The Legit Bosses: Best Tracks of the Year (20-11)”

When you next see me, please ask me to sing you Child’s Play. I’m not saying I do it particularly well, I just love singing it… Bounce that shit like ‘whoah’…

Continue reading “The Legit Bosses: Best Tracks of the Year (30-21)”