Legit Bosses: 2021’s 121 Greatest Songs

You know it’s all about that boom! Legit Bosses, baybay!*

(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)

So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.

No, no, hey, maybe it’s you that’s too gross, ever considered that??

Anyway, let the festivities begin, here are the playlists:

Spotify

YouTube

Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”

23 Little Simz: Sometimes I Might Be Introvert

2020 #65, 2019 #4

Naija women, got the melanin dripping

L-O-N-D-O-N, city girl living

In the back, looking like fire, chili pepper

Yoruba girl tougher than imperial leather

Woman

The Necessary Evil Nigerian element expands. Don’t worry though, I’m not just going to talk about my ex-wife again. Seriously though, entry #20, there’s some real good stuff gonna happen there, promise. Don’t forget to like, share and subscribe. Hit that ‘subscribe’ button as hard as you can. All of that, yeah?

Let’s talk about Little fucking Simz though, yeah? This woman is more than a talent, she’s more than merely a star, she’s an absolute presence. It’s what allows her to so easily combine and feature such disparate and unique styles and genres – as she does to her most audacious level yet on ‘Sometimes…’ – and still have them gel together so seamlessly. Track three could be a Barry White-esque excessively orchestrated soul song, track four a relentless trap/grime hybrid, track five a progressive oompah band concept piece, track six an ABBAesque medley, and track seven could be a Simpsonwave thrash metaller produced by Ryan Adams. It wouldn’t matter, they’d all be connected by that voice, that charisma, that God damn presence.

sometimes i might read more

Because I Like Stats (and That’s the Way It Is)

This is probably the only reason i still do this stupid fucking list that nobody reads and the one post that I actually enjoy writing (because it’s basically just me making lots of pretty pictures), statistical motherfucking analysis!! The numbers, the records and the science, yo! behind Necessary Evil 2019. Let’s start with with what (spit) other music journalists thought.

Metacritic Scores

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OK, we all actually agree on the nest album of the year, so the critics are actually correct for once. Chill out on Jamila Woods and Michael Kiwanuka though, yeah?

Continue reading “Because I Like Stats (and That’s the Way It Is)”

1 Nick Cave and the Bad Seeds: Ghosteen

“I also realised that I was not alone in my grief and that many of you were, in one way or another, suffering your own sorrows, your own griefs. I felt this in our live performances. I felt very acutely that a sense of suffering was the connective tissue that held us all together”

Nick Cave, The Red Hand Files #1

At the Little Simz entry at number 4, I worried that the ceaseless and heartless explosion of ‘news’ and ‘takes’ and ‘bullshit’ that is modern life only succeeded in confirming rather than challenging our prejudices and turning us against even family members as we’re convinced that political allegiances are the one thing that dictates whether human life is worth even considering.

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Then there was Elbow at number 3, throwing their hands up in the air and wailing as they wondered what’s even the point of Elbow anymore?! There’s no sense of togetherness for them to soundtrack! The world hates itself now, and to espouse the sort of optimism and confidence that they used to would risk making them sound ridiculously out of touch! 2019 is grim, it’s paranoid, it hates it’s fellow human because, chances are, the fellow human hates them just as much so it’s best to return a shot! Then there was Sudan Archives making the second best album of the year by essentially mainstreaming her sound and making as many bangers as possible. So yeah, hear that Nick Cave? Make sure your album has as many bangers as possible, yeah?

Surely Nick Cave would be most affected by this new era of mistrust and negative assumptions. Not only has he previously made a career over detailing bad motherfuckers who would “Crawl over fifty good pussies just to get to one fat boy’s asshole“, but he would surely be more angry than most at life’s unfair and brutal nature after his 15 year old son died in 2015. He had already released ‘Skeleton Tree‘ in 2016, a broken and grim album interjected with occasional explosive pulses of agony, over which Cave sounded emotionally bereft and often numb. It was mostly a dark, hopeless reaction to a tragedy that today’s climate demands. Wallow in your misery! You’re all aloneNobody gives a shit and anyone who does is probably racist, or something!! Mmmmm, yes, Nick Cave, feed me on your despondent tears!!

Continue reading “1 Nick Cave and the Bad Seeds: Ghosteen”

4 Little Simz: Grey Area

I say it with my chest and I don’t care who I offend, uh huh, ha

Just to let you know, dear reader, at times in this article it may sound like I’m derogating the general situation or decrying a loss of civility in wider society or lame things like that, but I am actually complaining about you personally, as your own behaviour is at the centre of what I’m talking about and it is completely within your power to address it. And, I’m sorry, but if you consider yourself left wing then you really are chiefly what I’m thinking of. We cool? We cool??

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If you are left wing, you are (generally, generally, generally!!) concerned with supporting the community rather than the individual but also want the state to make it as easy as possible for a human being to express themselves freely and with a truly equal framework of opportunity. That’s cool and- you know what?- I probably agree with you. If you are right wing you are (generallyGen-er-motherfuckin’-ly!!!) concerned more with allowing the more successful people as little impediments to their achievements as possible, you think the best state is one that interferes as little as possible, that things like high taxes and overzealous bureaucracy only discourages human potential. You (GENERALLY!!!!) thank that to support the less successful financially is actually just encouraging people to ‘do nothing’ and removes the impetus for them to truly excel. That’s cool. I don’t agree, but we both honestly believe that our positions on society are what’s best for either the good of the community/country/world or just, y’know, yourself and your own family. Maybe the latter’s more important to you. Maybe the former’s more important to me only because it will increase the good of the latter. Maybe we both think that the former plays a part in improving the latter but without the latter being dealt with the former has no chance but without the former being stabilised we don’t even have a latter but then what is the former if not just a larger collection of latters and the latter and the former both need to somehow work in synergy? Yes, that’s probably the one statement we can all agree with.

Continue reading “4 Little Simz: Grey Area”