#78 Jordana: Face the Wall

Allow me, if you will, to present a tale. A tragedy, really. One that took place in 2022. The biggest thing to take place in 2022. Yeah, I know, I previously said that some other shit was bigger, but I was just fronting, this was the tale that truly defined the year.

May I please be as bold as to take you back to last year’s Legit Bosses list, upon which Jordana appeared five times?

Pretty ballsy of me to state that Jordana not agreeing to an interview meant that she automatically hated me and everyone reading? Perhaps for other people, but I have always been confident in my writing skills and the affection that Jordana has for her fans, especially one who has been with her from the start such as me. Also, I have generally been good at judging this kind of thing in the past: I haven’t done many interviews for this blog in the past, but every person I’ve asked has agreed.

That includes you as well, reading this now, by the way. If she didn’t agree to an interview it meant she hated me, hated everyone reading that original post and also everyone who ever read this blog, and also everyone who ever read anything, on or off this blog, in the present, in the future, and in the past. Pretty hateful thing to do, I’m sure you’ll agree. But! Like I said! No worries! I knew we had each other’s backs.

but you drive me insane

Legit Bosses: 2021’s 121 Greatest Songs

You know it’s all about that boom! Legit Bosses, baybay!*

(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)

So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.

No, no, hey, maybe it’s you that’s too gross, ever considered that??

Anyway, let the festivities begin, here are the playlists:

Spotify

YouTube

Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”

26 Olivia Rodrigo: SOUR

I’m so insecure, I think

That I’ll die before I drink

Brutal

Ha! Trust me, Ms Rodrigo, if I died before I first drank, it would have made a lot of people’s lives easier! Your not missing anything, I promise. Have you ever tried Methyl​enedioxy​methamphetamine though? That’s some good stuff, get it down you.

Christ, it’s a minefield trying to search for Olivia Rogrido photos. Like, is she twelve years old in that one?? I’m I accidentally turning this whole post into paedofodder? There’s also a lot of gifs of her doing something like sticking her tongue out but looped, which I’m pretty sure are just weird masturbation fodder for 40 year old men. OK, not many years until I’ll greatly appreciate all that pandering, but right now it’s still officially gross, OK? Jesus, this woman turned eighteen in February of this year, and this is her life now. Listen, maybe just read my Jordana piece and, like, amplify it.

I guessed you moved on really easily

30 Jordana: Something to Say to You

2020 #59 (Jordana), 2021 #56 (with TV Girl)

Jesus, everyone, Jordana was twenty one years old when she released this incredible record back in December 2020 (Making it. Eligible. For this year’s. List. So sick of having to explain how this works), isn’t that just terrifying?

For her, I mean. This isn’t one of those “Whaaaaa! They’re so young and I’ve comparatively failed in life!” takes. Partially because – Jesus fucking Christ – those mournings are so boring. We’ve all failed in life, that’s what connects us so beautifully as people, and even the ones we assume haven’t still think they have, let’s not create divisions by imagining any one of us is making a better go of this shitshow we call existence. Mostly because, seriously, you eventually get to an age where fucking everyone is younger than you (except Caroline Shaw, of course), you stop being such a big baby about the whole thing (“Malala Yousafzai was only fifteen years old when she was shot in the face by Tehrik-i Taliban Pakistan gunmen?! Lucky!! What had I done by that age??”) and instead switch to being in constant mortal dread of your own imminent demise. It’s honestly a cool transition.

I’ve got something more to say to you

Necessary Evil 2021 (60 – 51)

60 Justin Blackburn: Unlearning White America

Jesus Christ, people, Justin Blackburn, Justin fucking Blackburn.

Firstly, and perhaps most importantly, is ‘Blackburn’ even a surname in America?? It’s such a dour, cold & windy, shovelling-cow-shit-into-a-tractor-just-outside-Durham, depressingly prosaic English name that it really doesn’t fit the glitzy imperialism and Hollywood gunplay of the US. It’s like finding out Shawn Michaels’s real second name is Hickenbottom. Has he ever even been to Blackburn? What are his opinions on Alan Shearer?

Secondly, was there a more arresting, more intentionally obnoxious, more on the nose outraged in 2021 than ‘Unlearning White America’? In the last decade?? You should certainly be able to gauge the general thesis of the record by its splenetic title, but I’m telling you now, you have no fucking idea. It’s important to note that Justin Blackburn is a white American himself, so rather than angrily tearing down the racist power structure that prevents perceived outsiders like himself from even a fair chance, he is on the inside (even more angrily) rejecting the inbuilt privileges that the people who grew up around him receive, refuse to acknowledge and even turn to resentment against the USA’s non white inhabitants. Many of the rage is directed toward Justin’s (diegetic? genuine?) father. All the rage is directed towards white America’s assumptions, inattentiveness and, yes, racism. Justin is so centred on the ridiculous state of race relations in his country that he even goes as far as to manage to make ‘Jesus’ rhyme with ‘racist’.

Continue reading “Necessary Evil 2021 (60 – 51)”

Necessary Evil 2020 pt.5 (60-51)

#60 Halsey: Manic

Halsey sits in that awkward position of being an extremely, very, absolutely great artist, but at the same time being weighed down by almost being suffocatingly overrated by some corners. Also, she’s often really annoying.

Now that last (factual) statement may actually be problematic. Would I refer to Halsey’s objective annoyingness if she were a man? Truthfully, if she were a man I’d probably call her a ‘cunt’, but I’m always aware of how vicious it can sound to use such violent language when referring to a woman, so I’m slightly more polite. Is that sexist? To self censor my language and treat women more ‘gentlemanly’? Am I actually doing it because I feel that the curse is hilariously infuriating to a man but actually hatefully offensive when said to a woman? Is that idea sexist?? Should I maybe not be calling anyone a ‘cunt’??

Jump in any time, these are good topics.

If you show me that you understand this reference, I will honestly send you £50
Continue reading “Necessary Evil 2020 pt.5 (60-51)”

Necessary Evil 2019 (92-84)

92 Chance the Rapper: The Big Day

102754ce389c900531057dd11508c674.1000x1000x1

Seriously, what the fuck is this? It’s almost depressing that this is technically the debut album from arguably one the most influential and critically adored rappers of the past ten years. Previously only releasing music through free mixtapes, it’s a little baffling that Chance has decided the album that sees him starting to go after that Bruno Mars crowd should be the one that people should have to pay for.

Continue reading “Necessary Evil 2019 (92-84)”