Legit Bosses: The 125 Best Songs of 2020 (pt.2 #80-#41)

You want an intro? We you ain’t getting an intro! Unless, of course, you consier this little bit of writing where I explain there isn’t an into to actually be the intro, in which case… Jesus, I can’t help you, friend, just move along… We’ve already had entries #126-#81, now let’s chomp down on part two of the list.

‘Chomp down’? The fuck am I talking about? Not a good start, Alex. Not. A good. Start.

#80 Banoffee: Tennis Fan (feat/ Empress Of)

Invited you to the cinema

You said you didn’t wanna go

But I saw it on your story

As you watched Mission Impossible

Ouuuuuuuuuuuuuuuuuuch. It’s one thing to be palmed off with a lie, but to lose out to Tom Cruise using his mysterious Theten powers to somehow convince the watching public to give ‘Dianetics’ another chance by hanging out of aeroplanes and later cackling to Loraine Kelly about how he does all his own stunts, I really think you have to assume this is a problem with you, Banoffee.

Which Mission Impossible was it though?? You know there’s, like, a hundred of them now, right? Was it the best one (Mision Impossible 1-100) or even the worse one (Mission Impossible 1-100)? Don’t pretend you have any idea.

Continue reading “Legit Bosses: The 125 Best Songs of 2020 (pt.2 #80-#41)”

Necessary Evil 2020 pt.10 (30-26)

#30 Luke Haines & Peter Buck: Beat Poetry for Survivalists

Luke Haines is always going to earn a place on this list. Aside from his near legendary cantankerousness these days best evidenced through his Twitter account now that he doesn’t sell anyway near enough records for any journalist to want to bother talking to, but he might actually be one of the most influential and important British music artists of the last 30 years without anyone really noticing or caring (least of all Haines himself). Unfortunately, a lot of that influence and importance isn’t really valued in 2020, like Haines has spent a large part of his career building up a collection of several billion Yugoslav Dinar. His previous band, The Auteurs, didn’t just release the greatest album of 1996, but are widely considered to have been the first Britpop band and their 1993 debut ‘New Wave‘ is considered the first album and perhaps the ultimate example of the genre. Unfortunately, crowing about an artist’s importance to Britpop in 2020 is like raving about one of the most important engineers ever because of their revolutionary idea to build houses using asbestos. People are unlikely to share your enthusiasm, and will likely debate whether it should be considered a ‘good thing’. Regardless of the nonsense that Britpop quickly descended into though, it still can’t be denied that Haines played a central part in solidifying the importance and artistic/financial viability of British guitar music at the beginning of the 90s, and without him we may never of had… erm… what British guitar band are they nowadays? Royal Blood. Without Luke Haines we may never have had Royal Blood. Can you even imagine? But, yeah, he doesn’t care, he’s happy enough by ow (all relative, of course) releasing extremely decent but lower scale and borderline comedy solo albums.

Continue reading “Necessary Evil 2020 pt.10 (30-26)”

Legit Bosses: The 112 Best Songs of 2019

OK OK OK! There were 112 amazing songs released in 2019 (or, erm, released earlier but I just listened to them a lot this year), and here is the definitive, objective and scientifically proven ranking. You can disagree all you want, just remember your disagreement is merely an opinion and this list is fact.

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Or maybe not. I made a big change of tablet and therefore music player this year, and I might not have remembered all of the songs I deemed to be Legit Bosses earlier in the year. But whatever, here are 112 amazing songs, here’s the YouTube list and here’s the Spotify playlist, now please leave me alone, yeah?

Starting at number 112 wiiiiiiiiiiiiiiiiiiiiiiiiiiiiith…

Continue reading “Legit Bosses: The 112 Best Songs of 2019”

Necessary Evil 2019 (92-84)

92 Chance the Rapper: The Big Day

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Seriously, what the fuck is this? It’s almost depressing that this is technically the debut album from arguably one the most influential and critically adored rappers of the past ten years. Previously only releasing music through free mixtapes, it’s a little baffling that Chance has decided the album that sees him starting to go after that Bruno Mars crowd should be the one that people should have to pay for.

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Stats Through the Heart (and you’re to blame) 2018

Hooray for me. A winner is me. I’m the king of the world. I am a golden God. I put the bomp in the bomp bah bomp bah bomp. I’m that star up in the sky. I’m that mountain peak up high. Hey, I made it. I’m the world’s greatest. I assume that allows me to enslave any underage girl I want, with occasional pissing privileges. What a time to be alive.

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That’s me, that is

This week 2019 officially outstripped 2018 on Necessary Evil, with the site getting more views and more individual visitors than ever before. This despite me not even starting the end of year list, which has always been the only reason any of you miserable cunts (love you!) ever visit this piece of shit site. This is, of course, an outstanding achievement which you no doubt would have heard on the news. Whatever it is that I do on this blog is more popular than ever.  Perhaps it’s due to me writing many more non-list entries this year. In 2019, I’ve written

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I’ve written a number of non-list entries, which beats my previous record of ‘a lot less’ at best and, more commonly, ‘fuck all’. I’m not going to waste much time trying to analyse why I’m so popular- just luck at that fucking face. Adorable- but such a momentous occasion deserves something of a celebration. And I couldn’t think of a better one than this. Or, more accurately, I could think of a million better ways to celebrate than this, but this is the only one I could be arsed doing. Good? Good.

You could probably guess what I’m aiming to do. As we edge towards the end of the year, it’s obvious what needs to be done, and the fact that we are about to close on a decade that has seen the arrival SnapChat, Pope Francis, Boko Harem, Transformers: Age of Extinction and Miley Cyrus & Her Dead Petz only makes things more imperative.

That’s right: a statistical breakdown of the best albums of 2018!!

Yeah, I know, I should have done this in January when I finished the countdown, much like I published detailed breakdowns soon after 2016 and 2017 finished. But you know what? I’ve just been busy, man, y’know? Did you not notice that it took me three entries to list the greatest Money in the Bank matches ever? If I’m spending so much time on bullshit like that how am I ever going to find time for bullshit like this? Are you going to be one of those people who doesn’t like it when things they don’t like happen?? Grow up, this is neoliberalism and you’ll accept whatever we tell you that you’re happy with.

Love you!

Continue reading “Stats Through the Heart (and you’re to blame) 2018”

The Legit Bosses:136 Best Tracks of 2018

This is officially the end of 2018! And it’s only the 5th January [EDIT: Still only the 6th!]! Although there’s freaking one hundred and thirty six  tracks to get through, so this may well take until mid May! Happy Cinco de Mayo! No time to talk! A shit load of songs to get through!!

136 Candace: Rewind

Gorgeous, innit?

135 Epic Reflexes: Cha Cha

While Z-Tape’s ‘Spring’ collection was veritably busting at the seems with Legit Bosses, as you’ll soon see, this is the only similarly legitimate position of authority from their ‘Summer’ collection. They’re all still great though, as is the Epic Reflexes’s album ‘ChaChaChinatown‘.

134 The Carters: Apeshit

I had a lot of problems with ‘Everything is Love’, the surprising debut release from Beyonce and Jay-Z. Part of the reason I struggled with it was that I wasn’t sure how canonical it is. Like, is this it, Bee? Is this underwhelming collection of occasionally very entertaining rap boasts officially your actual follow-up to one of the most acclaimed albums of the 21st century? It’s an album about how two very rich people love each other but probably love their money more, that includes the line “My grandchildren’s grandchildren already rich” which, despite Kanye’s crisis of publicity, is by far the line from 2018 that Donald Trump is most likely to high five in a men’s locker room. Also, there’s a moment on the opening track where Mr Carter drawls out “Let it breaaaathe, let it breaaaathe” like JB Rockefeller basking in the glory of a fart he’d just released under the bedsheets, which marks the first time in more than two decades that I’ve thought to myself that I don’t think I really like Jay-Z. However, he often wins me back with the later claim that he’s “Good on any MLK boulevard”. This song’s pretty great though

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Fucking hell, Jay, that haircut though… One hundred and thirty three more after the jump!

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25 Princess Nokia: A Girl Cried Red

“It get lonely at the top and I do it by myself
I got everything I want without anybody help
Do you think I give a fuck? Only care about myself
I’m a stone-cold killer, couple notches on my belt”

How much do you think your life is governed by your own actions? How much do you believe it’s actually under the jurisdiction of outside forces that are not of your making, or even understanding? That’s right, it’s Boxing Day and, as Thomas scoffed at Jesus as he sceptically rolled his eyes, it’s time to talk about your locus of control.

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See that picture there? Yeah, that pretty much explains what a ‘locus of control’ is. I’m going to explain it again here though because, I dunno, you might have a very specific type of blindness, or maybe your version of Netscape doesn’t support pictures. It’s important for me to explain it myself, because I don’t like to feel that a blog this insightful, inspirational and- dare I say it?- woke, could just as easily be written by pasting appropriate pictures from Google images. Also, my sponsor pays me by the word, so this completely superfluous paragraph has already made me a very rich man. Anyway, locus of control:

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