Tag: capitalism

#38 Mitski: Laurel Hell

~ Lex Leeson ~ 2 Comments

Sometimes I think I am free
Until I find I’m back in line again

Everyone

Ma dudes, Mitski’s sixth record is really fucking depressing. We’ve already seen plenty of records on this year’s list that deal with weighty and emotionally devastating subjects. But ‘Laurel Hell’ is different. It doesn’t just contain sad lyrics, but it’s very sound is beaten, dejected, empty. Like, total bummer, you get me?

It might just be me. I am, as you might have noticed, a total bummer merchant. I’m sure most people would still find it depressing just knowing the general story behind it. Mitski had sacrificed everything in order to do music for a living (“I will neglect everything else, including me as a person, just to get to keep making music”), and with the wider acclaim and success of ‘Be the Cowboy‘ she seemed to have lived her dream to the extent that she no longer needed to do it. And, having realised the sacrifices such success entails, she decided to chuck it all in. She wrote one of her greatest ever songs Working for the Knife in late 2019 as a spectacular and self-explanatory goodbye to the business (“I always thought the choice was mine/And I was right, but I just chose wrong”). Whereupon her label said, erm, no, you’re still contracted for one more album. Get back out there and dance for us. ‘Laurel Hell’ is that album. I’m sure Mitski was overwhelmingly happy to make it

I START THE DAY HIGH AND IT ENDS SO LOW

Rumble in the Bumble pt.9

~ Lex Leeson ~ 1 Comment
Previous parts

I don’t mind telling you, sports fans, I really hate this blog right now. In fact, I’d even go as far as to say that this fucking blog has very much replaced alcohol in my life, in that it might be good for a few laughs and occasionally leads to opportunities of great fun and the odd sexual encounter*, but more generally it is the source of basically every fuck up that I ever make. Notice how I seemed to become far less concerned with this dumb Bumble series last week, and yet now I’m obviously keen to write it again in order to take my mind of something?? Well, come to your own conclusions.

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(*I should be clear here that this statement was mostly a joke, less than a dozen women have had sex with me because of this blog)

Recent incidents in my life have really forced me to question ‘What kind of a fucking person am I?’. Well, luckily, if you remember way back in part 8 we were introduced to people who described themselves as things like ‘INJF‘ and ‘INJP‘ and ‘INXS‘ and ‘INTEL INSIDE‘, which I obviously initially read as cool street talk for certain sexual peccadilloes, such as ‘Inner Neck Japanese Fun’ or ‘I Negate Jordan Peterson’ (that’s basically just existing as a transgendered or nonbinary person), but it turns out these were actual personality types!!

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Rumble in the Bumble pt.3

~ Lex Leeson ~ 4 Comments
Part 1, Part 2

Today we embark on strictly a scouting mission. My profile is, yes, fucking mindblowingly good, but it’s merely an unfinished husk at the moment and unlikely to truly emotionally manipulate any woman into sending me pictures of their boobs. That is, after all, all this online ‘Zero Hour Dating’ is really about. Today, we’re just looking at the options, seeing what kind of bear bating meat market the crust of the Earth has split open to reveal. I’m not physically rating these people- and you’re certainly not seeing pictures, you disgusting leches- everyone is beautiful, and not everyone possesses the psychological wherewithal to paint half their face blue. We’re all about people’s personal bio. And in that case it really doesn’t turn out that everyone is beautiful at all. In fact, many people are freaking munters.

So, into the depths we dive, I open up Bumble and…

Wait, what the fuck is that?

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42 Daughters: You Won’t Get What You Want

~ Lex Leeson ~ 4 Comments

One of the greatest/worst aspects of life in 2019 is how we all have the power to fine tune and curate exactly what world we live in, edit and personalise what news we hear and what bent ideology it pours from. When I was a bairn, the whole country basically had the same experience, all the time. We all heard Love Is All Around until we all wanted to ruthlessly and repeatedly embed a screwdriver deep into our own eardrums until the flowing blood hopefully drowned out Marti Pellow’s smirk (not me though, Love is All Around is a fuckin’ choon). We all watched Coronation Street last night, so could debate the meaning of Mavis Whooptuck performing a blood sacrifice in order to bring Harold Hupptickle back from the dead (my memories of Coronation Street are a bit cloudy, I’ll admit). Most importantly, we all got the same news. Sure, many people would still buy utter horseshit like the Sun or the Daily Mail- or The Guardian if they were a little more middle class and, let’s face it, a bit twatty- but we kind of all agreed that if it made it to BBC News, then it was likely correct. Likely due to laws restricting the bias of TV news in this country and the very charter of the BBC forbidding any bias or political inclinations in the news reporting. It’s, of course, not perfect*, it’s not always 100% observed, but it’s at least enshrined into law and aimed for, meaning that everyone always tuned into the TV news at the end of the day expecting them to brush the propaganda from the day’s events and tell us what really happened.

“Julie, for fuck’s sake, can you put the brandy down for five minutes??”

(*there were shocking scenes earlier this year when a BBC news reporter had the temerity to suggest that, growing up with an Indian mother and Mauritian father, racism was actually really gross and that Trump’s racist comments actually sounded very familiar. That’s how seriously we take impartiality- a woman of Asian descent isn’t allowed to call out the racist president for saying racist things and say that racism was bad. Apparently, a lot of viewers were still undecided on racism and didn’t want the crazy hippy idea that it was somehow a negative thing shoved down their throat. A white BBC news guy said similar things, but nobody complained about that, because… y’know…).

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48 Drowse: Light Mirror

~ Lex Leeson ~ 7 Comments

Drowse are a pretty special band. I’m not sure any other artist working today has the same ability to produce such accurate sonic reflections of what the mind feels like when it’s being battered and shook by the illogical and harsh whims of depression. I mean, yeah, sure, you had Swagger Jagger by Cher Lloyd, but that was eight years ago now, and after listening to it nonstop for the past 100 months* I feel like I could really do with another option for when I want to close my eyes and wallow in the distressing cacophony of my own head being echoed back to me. Seriously, I can’t tell when this album stops playing, the noises I hear keep going on!!

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(…)

(*it was released in July 2011, so it actually has been exactly 100 months. I hate that! The very rare occasion that I do a bit of fucking research and it looks like I’ve just picked a randomly high number! Maybe I should have gone for days. 3’054 days. Yeah, that sounds better. Ah well, too late to change it now)

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2019’s Best Movie: Sorry We Missed You

~ Lex Leeson ~ 2 Comments

Yeah, I know, continuing my proud tradition of naming the year’s best movie alongside the albums of the year countdown. ‘Under the Skin‘ was named 2014’s movie of the year, but the award went unclaimed in 2015, 2016, 2017, 2018, and indeed every year before 2014. However, the (latest) masterpiece by Ken Loach, ‘Sorry We Missed You,’ was such a powerful piece that inspired such painful bolts of recognition and sheer fucking anger that I had to make space in 2019 to talk about it.

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Oh, and by the way, this isn’t going to be one of those “Ooooooh, look at the camera angles! isn’t the mise en scène lovely?! Hints of Akira Kurosawa’s vagina dentata, perhaps??” reviews, as I have no interest in actually talking about the movie. Instead, these is mainly going to be a thousand words or so of me ranting about the twisted nature of capitalism in 2019. Like I said, it’s gonna be a lot of fun.

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The Best Albums of the Tennies (kind of…) Part One

~ Lex Leeson ~ 7 Comments

Has this even been a decade? Like, other decades were definitely decades, weren’t they? The 70s were definitely a decade, I’ve seen pictures. It was all flared jeans and Ashton Kutchers. I remember the 80s, it was all primary colours and He Man toys. Except I’m 29 years old, which now unfortunately means I was born in 1990, so I don’t actually remember the 80s. Shame.

Yeah, I know, the Megadrive version was better…

The NINETIES though! Remember the NINETIES?! That was an unarguable ‘decade’! There was a undeniable vibe to the 90s. The 90s was the Fresh Prince of Bel-Air doing the Macarena after scoring the winning penalty against Ginger Spice in the Euro 96 quarter finals. Remember that? It definitely happened and was definitely 90s!!

I turned 16 (or possibly 10) three days before the year 2000, and since then life doesn’t really deal in decades or conveniently distinct periods of time anymore. Every decade, every year, every day is now a seemingly unending trudge through hideous adulthood. Life and popular culture just trundles off in a different direction and your major marking points become all the more onanistic and self-centred. I started getting fucking old. And when you’re fucking old you’re beaten down by capitalism’s endless rat race that you don’t even fucking care what year it is.

Continue reading “The Best Albums of the Tennies (kind of…) Part One” →