44 MIA: AIM

Oh! It’s MIA backwards! I’ve literally only just got that

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oral

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Hey ladies, hey fellas (you know you’re doing good because they’re jealous)

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I’m afraid I’ve got some bad news: Mildred Ingrid Addison, whom you all may know as MIA, once one of the most exciting, ingenious, influential and visionary artists making music, is now around 86% ridiculous

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Continue reading “44 MIA: AIM”

49 Jamila Woods: Heavn

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I am a tiny little bit racist, and believe most white people are

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I’m not consciously racist: I don’t go on 4Chan message boards and eulogise how James Bond could never be played by Idris Elba because black people are genetically poor at espionage; I don’t complain about ‘multiculturalism gone mad’ because in the new Sainsbury’s advert there’s a 0.6 second shot of a brown person; I don’t vote Conservative; after the pub’s last orders me and my equally pathetic and ugly white friends don’t chase down people of different ethnicities and beat them to death in a failed attempt to compensate for the gigantic hole in my existence where self-worth and happiness is supposed to go. These people put a lot of work into their racism and we should respect them for that: they’re the real heroes

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dyslexican

Dat not how you spell heavan!!!!!!!!!!!!!!

Continue reading “49 Jamila Woods: Heavn”

50 Solange: A Seat at the Table

Top 50! This is almost a normal list!

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Firstly, Pitchfork- that self-congratulating vomitorium that regards itself biblical text for hipster edgelords*- naming ‘A Seat at the Table’ as 2016’s best album is absolute bullshit

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Not ‘in my opinion’ this or ‘controversial choice’ that, actual inarguable and scientifically objective bullshit

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They realised that Solly’s sister Be-Be

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was going to land high on many critics’ lists, so decided to swerve everyone with a hot take

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Continue reading “50 Solange: A Seat at the Table”