Legit Bosses: The 143 Best Songs of 2024

Hey, look, I’m getting better at this. Recently, I went on a massive cull of the 2024’s greatest songs to make this list as tight and as concise as possible, so that it would be sure to represent the absolute best of the best and would be as brief and easy to write as possible. And look! There are only one hundred and forty three tracks this year!! That’s a whole seventeen less tracks than last year! This post is going to be a breeze!

spoiler: this song is going top five. It INVENTED GAY POP, show some respect

OK, three weeks laternow, and I’m almost done! This post will be longer than most books you read, but to be fair most of the ‘books’ you read are Dr Who fanfic.

So, yeah, these songs are really good. And they get better as the list goes on. That’s how these lists work.

Here’s the YouTube playlist, which I know is the only thing most of you care about.

How much of an intro do you need, seriously?

A/79/232

2024’s New Gold Star Artists

You know the rules by now: an entire album discography comprising of at least three albums, every single one of their albums featured on a Necessary Evil album of the year countdown on the Most Trusted Blog in Music. There were a few Legacy Gold Star Artists who added to their repertoire in 2023, but on this post I’m going to be concentrating on the five artists who earned their wings in 2023. Or rather, who were already glorious winged beasts of musical sapience, but got those motherfuckers gold plated in 2023.

Ah, Ms. Zauner! I see you have chosen to commemorate your achievement! As wee you should, my dear.

Oh, and these particular entrants will just be copied and pasted into the master post as well. I’ve just created this new post highlighting the new entries so you wouldn’t have to go back to the original entry every year to see who has earned promotion. So don’t come at me with that “You never think of us! You treat us so bad!” bullshit, alright? I treat you just fine. If anything, I treat you too well, so that might not be a string you want to pull too hard on. To see how new albums by Legacy artists like Wednesday and Janelle Monae did? Yeah, you’ll have to check the rankings on the master post. Like I say, I already treat you too well, so be careful what you ask for. And did you read what I thought about that Janelle album?? Probably not breaking into that top three, is it?

Anyway, without further ado:

all that glitters

21 Lykke Li: Wounded Rhymes

Don’t pull your pants, before I go down
Don’t turn away, this is my time
Don’t make demands, I don’t take none
Just say a prayer that it gon’ get done
Don’t pull your pants before I go down
Don’t turn away, this is my time
Like a shotgun needs an outcome
I’m your prostitute, you gon’ get some
Like a shotgun needs an outcome
I’m your prostitute, you gon’ get some

Get Some

Hooooooooooooooooooooo mama! That’s some spicy meatballs! Is it hot in here? I know it’s not my central heating, as I haven’t been able to afford that for around two years now.

I still remember my reaction on first hearing the introductory single from Lykke Li’s second album. I had fallen in love with their debut record (#3 in 2008) and had a extremely memorable personal experience/sexual awakening while seeing her live that year. “Sexual awakening”? I dunno, but I vividly remember watching her interpret her agonisingly beautiful and perversely anthemic music through hip movements and overwhelming stage presence and thinking to myself “I would die for this person”. That thought came from deep in my soul. And also my penis. Not entirely my penis, you understand, I’m not a monster. But my penis was still on the board of directors of my soul. It was at least allowed to have a say.

TO THE BENTLEY TO THE HOTEL TO MY OWN WAYS

2022’s Statictus the Fitness: The Numbers Behind the Year’s Greatest Albums

Remember when I used to do these posts right after I did the albums of the year? So it’d be the Necessary Evil albums of the year, the scientifically proven best album fawned over at length, the stats, and then we’d be officially done for another year?

Boom! You just been Mandela Effected, boyeeee! I actually only think I ever did that schedule once, for Necessary Evil 2019. I’ve always been far more often waaaaaaay late with these statistical breakdowns. What I actually used to do really early is (pfff!) do the stats just before the number one album! I could never (be arsed these days! These days the writing of the list itself is such a huge emotional toil that it takes me a long time to even consider thinking about these fucking albums again. Also, it’s getting harder and harder to think of puns on the word ‘stat’.

But these posts are basically just pictures, so I may as well just freakin’ do it. Let’s glance back at the wonderful year od 2022 when we all collectively thought, as always, “Well at least the next year can’t be as bad as this one…”.

Watch me drift and watch me struggle, let me go

#45 Taylor Swift: Midnights

This post might actually be my last. It’s been fun. Occasionally.

OK, if you haven’t been following the news recently, I might have to give you a quick primer. I get it, don’t worry, it can be a nasty world out there and sometimes we have to attempt to protect our own mental health by not even engaging with the horror, I completely understand if you aren’t up on possibly the biggest story of late 2022. Trigger warning, this might be the most upsetting. Remember a few days ago when I posted my Pusha T post? Fifty second best album of the year? Not bad, right? Sure not as high as the near top five placing that Rolling Stone had (bafflingly) deemed it worthy of, but then I’ve certainly been questioning if it’s actually better than Alvvays, Lykke Li, The Smile or Big|Brave, so… it all works out? I dunno, whatever, that’s where the album fell. Was it a particularly good post? Hmmmmmmnot especially. I didn’t spend anyway near the time on it that I dedicated to Tanya Tagaq or Arcade Fire, for instance, but likely because there weren’t any sexual assaults or cultural genocides to discuss. I mentioned how Pusha’s lyrics often don’t convey what he thinks they do, which I would have liked to delve into more given the time. As a post in general though, particularly when compared to my best work, it was definitely m-m-m-m-m-m-m-m-m-m-m

Yes! It’s getting more and more difficult to use that MJF meme, but – bah Gahd! – I still manage it!

THIS IS ALREADY AMONG YOUR BEST WORK

#56 Lykke Li: EYEYE

Lykke Lykke Lykke! EYEYEYE!!!

Sponsored by anti-acne treatment, because wrestling is for adults

Sweden’s absolute and inarguable queen of pop heartbreak might be another artist on this year’s list suffering from their insane decision to be consistently brilliant throughout their career and making the risky move of simply releasing another brilliant record. Like, well done, you’re still incredible. ‘Ave a fackin’ biscuit.

I WOULD ACTUALLY APPRECIATE A BISCUIT RIGHT NOW

Stats Through the Heart (and you’re to blame) 2018

Hooray for me. A winner is me. I’m the king of the world. I am a golden God. I put the bomp in the bomp bah bomp bah bomp. I’m that star up in the sky. I’m that mountain peak up high. Hey, I made it. I’m the world’s greatest. I assume that allows me to enslave any underage girl I want, with occasional pissing privileges. What a time to be alive.

celebration
That’s me, that is

This week 2019 officially outstripped 2018 on Necessary Evil, with the site getting more views and more individual visitors than ever before. This despite me not even starting the end of year list, which has always been the only reason any of you miserable cunts (love you!) ever visit this piece of shit site. This is, of course, an outstanding achievement which you no doubt would have heard on the news. Whatever it is that I do on this blog is more popular than ever.  Perhaps it’s due to me writing many more non-list entries this year. In 2019, I’ve written

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I’ve written a number of non-list entries, which beats my previous record of ‘a lot less’ at best and, more commonly, ‘fuck all’. I’m not going to waste much time trying to analyse why I’m so popular- just luck at that fucking face. Adorable- but such a momentous occasion deserves something of a celebration. And I couldn’t think of a better one than this. Or, more accurately, I could think of a million better ways to celebrate than this, but this is the only one I could be arsed doing. Good? Good.

You could probably guess what I’m aiming to do. As we edge towards the end of the year, it’s obvious what needs to be done, and the fact that we are about to close on a decade that has seen the arrival SnapChat, Pope Francis, Boko Harem, Transformers: Age of Extinction and Miley Cyrus & Her Dead Petz only makes things more imperative.

That’s right: a statistical breakdown of the best albums of 2018!!

Yeah, I know, I should have done this in January when I finished the countdown, much like I published detailed breakdowns soon after 2016 and 2017 finished. But you know what? I’ve just been busy, man, y’know? Did you not notice that it took me three entries to list the greatest Money in the Bank matches ever? If I’m spending so much time on bullshit like that how am I ever going to find time for bullshit like this? Are you going to be one of those people who doesn’t like it when things they don’t like happen?? Grow up, this is neoliberalism and you’ll accept whatever we tell you that you’re happy with.

Love you!

Continue reading “Stats Through the Heart (and you’re to blame) 2018”

The Legit Bosses:136 Best Tracks of 2018

This is officially the end of 2018! And it’s only the 5th January [EDIT: Still only the 6th!]! Although there’s freaking one hundred and thirty six  tracks to get through, so this may well take until mid May! Happy Cinco de Mayo! No time to talk! A shit load of songs to get through!!

136 Candace: Rewind

Gorgeous, innit?

135 Epic Reflexes: Cha Cha

While Z-Tape’s ‘Spring’ collection was veritably busting at the seems with Legit Bosses, as you’ll soon see, this is the only similarly legitimate position of authority from their ‘Summer’ collection. They’re all still great though, as is the Epic Reflexes’s album ‘ChaChaChinatown‘.

134 The Carters: Apeshit

I had a lot of problems with ‘Everything is Love’, the surprising debut release from Beyonce and Jay-Z. Part of the reason I struggled with it was that I wasn’t sure how canonical it is. Like, is this it, Bee? Is this underwhelming collection of occasionally very entertaining rap boasts officially your actual follow-up to one of the most acclaimed albums of the 21st century? It’s an album about how two very rich people love each other but probably love their money more, that includes the line “My grandchildren’s grandchildren already rich” which, despite Kanye’s crisis of publicity, is by far the line from 2018 that Donald Trump is most likely to high five in a men’s locker room. Also, there’s a moment on the opening track where Mr Carter drawls out “Let it breaaaathe, let it breaaaathe” like JB Rockefeller basking in the glory of a fart he’d just released under the bedsheets, which marks the first time in more than two decades that I’ve thought to myself that I don’t think I really like Jay-Z. However, he often wins me back with the later claim that he’s “Good on any MLK boulevard”. This song’s pretty great though

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Fucking hell, Jay, that haircut though… One hundred and thirty three more after the jump!

Continue reading “The Legit Bosses:136 Best Tracks of 2018”