(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)
So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.
No, no, hey, maybe it’s you that’s too gross, ever considered that??
Anyway, let the festivities begin, here are the playlists:
Yep, Princess Nokia states that ‘Everything is Beautiful’ and only makes it to number 70, but when she simply throws up her arms and declares that ‘Everything Sucks’ she opens our top 40. What does this prove? That’s right- absolutely fuck all, as this list is an absolutely meaningless vanity project by some egotistical, fat, ginger, middle aged man frivlously listing albums he’s listened to this year in no real order despite knowing next to nothing about music.
I joke, of course, this list is an entirely scientific exercise. The real reason that the other album that The Princess Regent of Nokia and its Territories released in 2020 ranks so much higher is because, yeah, maybe everything does suck.
This blog has never been the place for timely, contemporary and up to the minute fresh takes. In normal circumstances, if something notable happens during the year I simply put it aside in that special part of my brain that I hope to access around December, then at the end of the year I rant about it in a blog post about my 25th best album of the year, or whatever, when every other person in the world has long stopped caring about it. Or, most likely, I’ll simply forget all about it and instead go off on a tangent about rape fantasies or utter fucking nonsense. It was all we wanted. All we needed. We were happy.
Well, COVID-19 got me doing all sorts of crazy shit that I’ve never done before- last Tuesday I ate an unsalted pistachio*- so I guess I may as well add to the insanity by commenting on something that only just happened this last week. Partly this is because a particularly obnoxious crow outside my window has woken me up at two thirty in the morning, like I’m a 15th century wheelwright working in the tower of his master’s monastery or some shit, but partly because Lana Del Rey’s 21st May Instagram postreally got under my skin. Yeah, mostly the former. Sniff, sniff, what’s that smell? Oh yeah! Precious motherfucking content!!
Yeah, I’m in a good mood, what of it? Wanna fight about it? Bring it on, I bet I’ll have you kissing me before the first punch lands, because how can you stay angry at this face?? My good mood mainly arises from three reasons. Firstly, longtime reader Beryl got in touch to tell me how she enjoyed the last post, and only made the polite suggestion that this series could be improved if it…
…incorporated more hardcore scat pornography?? Jesus fucking Christ, Beryl. Honestly, whenever I’m that close to relaxing that restraining order, you come out with something that sends us back to square one. Maybe I’m at fault here for expecting more from someone I met on the online scatological fetish dating app ‘ScatrBraind‘, but I just always assumed she was interested in the person around the fecal matter, y’know?
Anyway, the second reason is that this will definitely be the final part in this series, allowing me to abandon my blog again to return to my three real loves (masturbating, crying, and masturbating while crying. Mainly the third, if I’m being completely honest). Thirdly, and perhaps most importantly, we are now actually into the years where I made a point of listing the best albums, so this part should be an absolute piece of piss! Look at the header of this blog- I’ve already got my best albums of 07-19 listed! I just need to copy those albums down again for this entry! It’s 8:53 now, and I’ll have all this done and dusted in time for my traditional 9am cry! Let’s do this shit!!
I absolutely adore Hannah Cohen. I would go as far as saying I love her. As an artist, of course, I think she’s amazingly talented and has that certain something special that you can’t quite put your finger on. She may well be a fucking nightmare as a person. Maybe she spends half the time complaining about how dumb people are for watching Love Island, and the other half actually watching Love Island “Just to see how shit it is”. Maybe she’s a staunch believer in aromatherapy and whenever you bring up the questionable science behind it she simply states that there’s “A lot we don’t know about the world”. Maybe she prefers Jurassic Park 2 to Jurassic Park. I mean, it’s not a bad film, don’t get me wrong, but come on! Maybe she hates feminism because she “doesn’t hate men”, which leads to so many circular arguments that you know it’s a guaranteed evening wasted if you bring it up so have learned not to. Maybe, when she rides the bus on her own, she sits on the seat next to the aisle and leaves an empty seat next to the window just to make sure nobody sits next to her. Do you know these people?? Worse than fucking Hitler. Maybe- in fact, statistically, very probably– Ms Cohen is the absolute worse person in the world, that doesn’t matter, it’s the artist that I love.
‘Pleasure Boy‘ was all kinds of amazing. One of the best albums of
Y’know what? This really didn’t need to be a two parter. Sure, Part One spilled over 4’000 words, but’s that’s just because Arctic Monkey’s shameful behavior presented me with the chance to go off on a wrestling tangent, and that’s a guaranteed extra twenty five hundred words right there. I reckon I’ll bang through the rest of these in around 2’000 words, as I’m almost certain The Sport of Kings is unlikely to make an appearance. 6’000 words is a not at all ridiculous length for an entry. My ‘50 Song Memoir‘ entry was, if memory serves, 7,296,586 words, and that’s one of my most popular posts of all time. You. Whores. Love. Length.
But, twice the content, yeah? Twice the clicks, twice the sweet, sweet advertising dollar. I mean… technically, yeah… Double zero is still zero, maths fans. Could be worse, I could be giving each entry it’s own individual page and forcing you to click ‘next’ each time, like those fucking awful lists you see on the internet, like… like… well, like this dumb blog that nobody reads every year end, I suppose. We’ve got some motherfucking stonkers coming up, mind, so ready your tiny minds to be blown like you were the window cleaner’s penis and this list was your mum (oooooooooooooooh!!). This pointless intro only exists because I hate the entries being scissored by a page break. Besides, I couldn’t let you know what no.5 is before I’ve got your delicious clicks. Clickety-click!
This is officially the end of 2018! And it’s only the 5th January [EDIT: Still only the 6th!]! Although there’s freaking one hundred and thirty six tracks to get through, so this may well take until mid May! Happy Cinco de Mayo! No time to talk! A shit load of songs to get through!!
While Z-Tape’s ‘Spring’ collection was veritably busting at the seems with Legit Bosses, as you’ll soon see, this is the only similarly legitimate position of authority from their ‘Summer’ collection. They’re all still great though, as is the Epic Reflexes’s album ‘ChaChaChinatown‘.
I had a lot of problems with ‘Everything is Love’, the surprising debut release from Beyonce and Jay-Z. Part of the reason I struggled with it was that I wasn’t sure how canonical it is. Like, is this it, Bee? Is this underwhelming collection of occasionally very entertaining rap boasts officially your actual follow-up to one of the most acclaimed albums of the 21st century? It’s an album about how two very rich people love each other but probably love their money more, that includes the line “My grandchildren’s grandchildren already rich” which, despite Kanye’s crisis of publicity, is by far the line from 2018 that Donald Trump is most likely to high five in a men’s locker room. Also, there’s a moment on the opening track where Mr Carter drawls out “Let it breaaaathe, let it breaaaathe” like JB Rockefeller basking in the glory of a fart he’d just released under the bedsheets, which marks the first time in more than two decades that I’ve thought to myself that I don’t think I really like Jay-Z. However, he often wins me back with the later claim that he’s “Good on any MLK boulevard”. This song’s pretty great though
Fucking hell, Jay, that haircut though… One hundred and thirty three more after the jump!
I know, I know, she’s not number one. This was all set up to be perfect, wasn’t it? Nobody has ever won Necessary Evil more than once, and after her outstanding debut won it way back in 2010 before anyone important was even born, it seemed as if it was all set up for her to make history. But she’s at number two. I’m as shocked as you are.
It’s something I’ve been struggling with since April. The reason somanyalbums were seriously considered as being 2018’s best is because for near eight months I was furiously searching for a reason to not hand it to Janelle Monae.
I can’t imagine I’ll have any other reason to write on this Blog of Nonsense until I start Necessary Evil 2018 sometime in December, so I may as well leave you with recognition of previous winners of this prestigious award. Now leave me alone.