Money in the Ranked part 1 (22-11)

All 22 WWE Money in the Bank ladder matches ranked. Listen, I thought the title would work better than it does, just go with it, OK?

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The Money in the Bank (from hereon in referred to as ‘MITB’, because I’ve got a lot of writing to do and I am a very, very lazy man) ladder match is the best idea that WWE have had since Steve Austin’s turn to the dark side at the end of Wrestlemania 17 in 2001 signalled the end of the Attitude Era and drew the curtain on the last period which wrestling seemed in any way relevant or widely notable. It’s arguably the only good idea they’ve had in that 18 year period. Save perhaps having The Miz replace Ted DiBiase jnr. as the lead actor in ‘The Marine’ franchise from ‘The Marine 3: Homefront’ onward. Yeah, WWE make movies now. And yeah, they’re all terrible.

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There have seriously been 6 of these fuckers

The premise- 5-10 wrestlers battle to use ladders to reach a contract swinging over the top of the ring which allows them a shot at any title they choose at any time they want over the next 12 months- is simple but ingenious, and allows for great storytelling potential and the chance to quickly promote a wrestler into the main event picture. Of course, this potential is more often than not completely squandered, because WWE are generally incompetent and we’re not allowed to have nice things.

Ranking the matches is difficult, because save a handful of amazing bouts and a smaller, Jeremy Beadle sized handful of slightly poorer ones, they’re almost always a similar level of ‘alright, pretty good, I suppose’. However, I am perhaps the greatest blogger of my generation- the ‘Heart Blog Kid’ Blog Michaels, or ‘Stone Blog’ Steve Blogstin, if you will- so I knew I had the ability to do it. I had initially planned to write this list in the build up to the 2018 Money in the Bank pay per view, back when there had been exactly 20 matches, and it would have made so much more sense. Alas, now there are 22 and, to be completely honest, I can’t even promise to finish it in time for 2019’s event exactly two weeks from today. But it’s a cash cow that the WWE are unlikely to put down for a long time yet, so there’s always the chance of a top 24 in 2020. Or perhaps a top 26 in 2021. I mean, I’ve started it now and I’ve already realised it’s going to have to be two parts…

Let’s see how long this takes!!

Continue reading “Money in the Ranked part 1 (22-11)”

34 Santigold: I Don’t Want: The Gold Fire Sessions

I went to Marrakesh last Christmas. Don’t believe me?? Then what do you call this??

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Yeah, that’s actually just a photo of my brother Johnny talking to a suirrel. I really thought I’d be able to find photos he took last Christmas, but I couldn’t. Admittedly, it’s getting late so I quit the search relatively quickly, but the chances are this photo is far better than any shit he took in Morocco. You’ll just have to take my word for it, OK? Or don’t believe me, who cares? We live in the post-truth era and this post is still going to exist whatever you believe.

Continue reading “34 Santigold: I Don’t Want: The Gold Fire Sessions”

39 Ariana Grande: Sweetener

“Once I have you, I will never let you, never let you”

I feel quite sorry for Ariana Grande. ‘Sweetener’ is an absolutely brilliant album, and the jokes about my ‘TDE’ (Tiny Di… yeah, you got that joke, didn’t you?) would write themselves. It sees Grande finally locate an identity for herself, and honestly contains some of the best and most subtly experimental mainstream pop music released this year. I’m just going to use this review to talk about Hejjy again though. First ISIS, now this: poor girl just can’t catch a break.

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Buckle up!

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52 Waxahatchee: Great Thunder

Yaaaaaars! Mainstay! Mainstay! Mainstay! I say ‘main’, you say ‘stay’! Main!

…!

…!

…!

Guess I’ll have to take your word for it

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Katie Crutchfield appears on this list near enough every horrid year we float through on our irreversible decline towards death. Because she’s amazing. I’ve explained how she’s amazing again and again and again in the past, but did you listen? No! You still discount all of my advice, don’t wash your hands after eating tacos and voted in the Parti Socialiste in the 2018 Brussels elections! Admittedly, to the layman it’s not immediately apparent that was what I was expressing you not to do in those reviews, but why should I be punished for having such a high opinion of my readership and expecting them to be able read between the lines?? Don’t hate me for thinking so much of you!!

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72 Phew: Voice Hardcore

The 1976 movie ‘Snuff’ is a pretty by the numbers meat and potatoes early slasher flick, revolving around the exploits of some n’er do well bikers in South America. The leader of the bikers is called ‘Satan’, which you have to imagine they planned to change at one point. The movie becomes rather notable at its end though.

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The film ends with a pregnant actress being stabbed (it was very much that kind of movie), but then we hear the director shout ‘cut’ and the camera pulls away from the action and back to reveal the full movie set. Cameras, crew and director. As the crew pack up their shit, happy with the results of the obvious $72 that went into making the film, a script girl approaches the director and confesses what an admirer she is of his work. She also, predictably, tells him how the violent scene turned her on, because bitches be craaaaaaazeeeeeee!

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The Legit Bosses: Best 65 Tracks of 2017

EDIT: a full 16 days after publishing this piece, I finally got round to making a Spofify Playlist. The best songs of 2017. In May 2018)

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OK, 20th April and we’re almost done. Never apologise for your own timing: genius cannot be standardised by your plebeian calendar. Good things are always worth waiting for. Patience, motherfuckers, patience.

Remember (kayfabe) last year, when I broke the Legit Bosses down into about a million parts? Ten freaking YouTube videos every post?

That was a really dumb idea. You’re getting all 65 songs in one list this year.

There were exactly sixty five amazing songs released last year. If you believe that there were any more or less then you are either massively mistaken or just plain stupid. Listen and learn:

65 Vince Staples: Alyssa Interlude

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Finding out that the voice sample explaining the pain that’s sometimes needed to inspire creativity is actually Amy Winehouse pushed this interlude into ‘AMAZING’ classification.

Barely two minutes long, but exhibiting the kind of experimental genius that was slightly lacking on the rest of the album. More of this in the future please, Mr Staples, and less of… erm…

Less of, like, whatever I said in my review. It was quite a long time ago…

64 Young M.A: M.A Intro

Freaking perfect introduction to the record, which I can’t help but shout along to the “Who dat?/Who dat?/Never who dat” intro with all the gusto and passion a middle aged white guy is legally allowed.

63 St Vincent: Los Ageless

Despite what my review may have led you to believe, not actually about my ex-wife wrongly claiming credit for my suicide.

My ex-wife read that review, by the way, and got in touch to correct a lot of my false assumptions. Yeah, I’ll definitely talk about that at some point. Make sure to click ‘subscribe’…

62 Tove Lo: Hey You Got Drugs

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A lovely ballad about a subject that I think is vastly underrepresented in sad songs. I may have slightly overrated it in my review of the album, which shows how relatively underwhelming the rest of the album is.

Also: invest in a comma maybe, Ms Lo?

Continue reading “The Legit Bosses: Best 65 Tracks of 2017”

24 Waxahatchee: Out In the Storm

Love is Undefinable

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“See, I always gravitate toward
Those who are unimpressed
I saw you as a big fish
I saw you as a conquest”

It would have been late 2010. I had spent the day drinking, because in 2010 my only three states were

  1. Drinking in order to get drunk
  2. Drunk, and drinking in order to get more drunk
  3. Asleep, possibly passed out after drinking

Now it was late at night at the choice of pubs in Dushanzi were extremely limited. Sean suggested we get a taxi to nearby Kuitun and go to a club. I was still in my 20s, so going to a club didn’t automatically seem like the most horrendous idea in the world. And I was drunk, so going to a club seemed like the most awesome idea in the world.

We jumped in a taxi, we got to the pub, we ordered a bottle of vodka for about £10 to exhibit to the rest of the club quite how big a deal we were. And we danced, convinced that we were the coolest fuckers these people had ever seen!

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Best Albums of 2013: Necessary Evil’s Chris Benoit

I’ve tried to put this off for a long time: the 2013 best albums list that I originally emailed off to ‘friends’ and ‘allies’ around Christmas that year is the final collection to be posted onto the webisphere and officially archived. I considered never doing it, denying its existence and never admitting to the shameful mistakes it contains. However, when I write my NE2017 list (soon, I promise) I want to make a point of referring to artists’ past entries in the Necessary Evil Blogging Universe (NEBU), so I’ve relented and made it available to read.

I was mainly worried about two things: firstly, I spent 6 months of 2013 in hospital, occasionally politely coughing and making my existence known to death’s door, so the fact that I managed to still mash out a top 50 at year’s end- while being an astonishing achievement warranting some achievements in disability award- makes me assume that a large portion of it will be unreadable madness.

Yes, very funny: more so than usual

Secondly, Arctic Monkey’s award for best album was soon revoked in light of their tax dodging selfishness, and the records for 2013 now show Hjaltalin’s astonishing ‘Enter 4′ as the greatest album, as despite it only finishing 5th in this initial list, by the time Arctic Monkey’s were stripped of the award it had grown into my favourite release of the year. Arctic Monkey’s win in 2013 is now viewed in the Necessary Evil Online Community (NEOC) with the same divisiveness as Benoit’s Wrestlemania 20 Heavyweight Championship win, and doubtless the posting of this list will be viewed as an extremely controversial move by victims of the Arctic Monkeys’ crimes. I apologise for any offence caused, but you must understand the importance of establising the legitimacy of NEBU.

So, I re-read the list for the first time in years and…

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It’s…

…not bad. Not bad at all. In fact, I’d say that 2013 might contain some of my best and most incisive actual music writing, and I didn’t cringe nearly as much as I feared. Jesus, some of the entries (The Strokes, Arcade Fire, Kanye West…) are some of the best normal writing I’ve ever done! From death to coherence: I’m such a fucking inspirational figure

It’s far from perfect- I make a quip about Bowie not dying, I’m a little too subtly sexist in my Haim review, Steve Mason is number fucking two…- but I’m not completely overwhelmed by shame posting them

Also: Daft Punk are only no.42, Vampire Weekend 34, that’s pretty gangsta

NE2017 soon, I promise

I love you all

Except you

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Continue reading “Best Albums of 2013: Necessary Evil’s Chris Benoit”

18: Waxahatchee: Ivy Tripp

Waxahatchee is such a wonderful reason to be alive. One of the (many, many, many) pleasing aspects of listening to her music is how you can hear her growing with confidence and even ability with each record, this is the sound of an artist who was always great slowly evolving into something spectacular. Katie Crutchfield’s third album as Waxahatchee has a generally ‘bigger’ sound than her previous releases, though it’s hardly ‘Tales From Topographic Oceans’ and none of Crutchfield’s enchanting and approachable intimacy is lost: each time the album is on Crutchfield is in the very room with you. The lyrics wonderfully capture the slightly apathetic ennui of being in your mid-20s in 2015, while ‘<‘ (yes, that’s actually what it’s called) contains 2015’s best put down with ‘You are less than me and I am nothing’. As brilliant as the album is though, you can’t help but feel that it’s merely a stepping stone to the even more fabulous music Waxahatchee promises to deliver in the future.

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‘Fun’ Fact: I love Waxahatchee so much I actually went out and bought this album on CD!!

This is turning into a bit of an awkward Waxahatchee love-fest now, do you want to just take a cheap shot at the Pixies now to lighten the mood somewhat? Good idea: imagine if the Pixies’ comeback album had anything on it half as good as ‘La Loose

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