21 Moonchild Sanelly: Full Moon

I’m a walking billboard, bunny
And I make a lot of money
Yeah, I make a lot of money
And that’s on period, honey
It’s all the travels, bunny
And chasing summer’s money
I do not flex, my darling
I’m stating facts, don’t worry

I got God-given cushion
And some God-given pushing
It’s your God-given duty
To appreciate my booty
I, I, I got God-given cushion
And some God-given pushing
It’s your God-given duty
To appreciate my booty

Scrambled Eggs

I was going to do a bit of an introduction for the readers with such spiritually impoverished lives as to not be aware of Moonchild Sanelly, but the opening track from ‘Full Moon’ pretty much sums it up. She’s speaks truths and is very successful doing so, and also has a natural talent (her bum) of which it is your God-given duty to appreciate.

Not enough? I can go as far as her preferred diet if you want:

You’re in pain, bitch , ‘Cause I’m paid, bitch

Necessary Evil 2025: The Ragin’ Climax

The stage curtains open, revealing 40 lovely ladies in bathing suits, wearing sashes that denote which of 2025’s greatest albums they represent, blinding the front row with quite how dazzlingly white their full toothed grins are, in danger of taking someone’s fucking eye out with quite how resplendently squeezed tight their open cleavages are.

I come out through the floor on an elevating platform, full suit and bow tie, hair slicked back and microphone in my hand:

“There she iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiis, Miss Necessary Eviiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiil…!”

“…and I said ‘Lady, that ain’t no gear stick!!!’ Seriously though, if you don’t let me videotape me pissing on you then I’ll eject you from the competition

Considering this will be the seventeenth time that I’ve collated the Scientifically Proven Best Albums of the Year™, I’m pretty sure I know what I’m doing by this point, yeah? I had only just graduated from university when I started writing this dumb list that nobody reads, and I’ll be freaking forty two when I finish the 2025 vintage! Considering my physical health (which, in 2025, has definitely started to take on a whole ‘end of days’ start of feel), it’s looking more and more likely that I will die before I ever retire this list. Mate, I would love to stop, this is a massive pain in the arse that ruins Christmas and my birthday for me every year. But if I go, then who seriously is there to take my place?? Pitchfork?? Give me a break. Fantano?? Bald fraud. Smash Hits??? Mate, I don’t like having to break this to you, but Smash Hits Magazine shut down in 2006. To quote a far less talented (but bizarrely more feted, which is often how it goes) personality who has been able to actually retire this year: I’m still here because you can’t do your job!

the last time ISN’T now

Legit Bosses: The 143 Best Songs of 2024

Hey, look, I’m getting better at this. Recently, I went on a massive cull of the 2024’s greatest songs to make this list as tight and as concise as possible, so that it would be sure to represent the absolute best of the best and would be as brief and easy to write as possible. And look! There are only one hundred and forty three tracks this year!! That’s a whole seventeen less tracks than last year! This post is going to be a breeze!

spoiler: this song is going top five. It INVENTED GAY POP, show some respect

OK, three weeks laternow, and I’m almost done! This post will be longer than most books you read, but to be fair most of the ‘books’ you read are Dr Who fanfic.

So, yeah, these songs are really good. And they get better as the list goes on. That’s how these lists work.

Here’s the YouTube playlist, which I know is the only thing most of you care about.

How much of an intro do you need, seriously?

A/79/232

27 Sharon van Etten: Tramp

Sharon? Imma get to you in a minute, OK?

This going to be one of those narcissistic overshares that I occasionally dip into, so if you’re not interested in that maybe just skip to the end. And then tell all your friends and family how disappointed you are and make sure they all too click on the article and don’t read it. And get them all to subscribe as well. It’s the only way I’ll learn. I also accept how it heavily features somebody else as a main character, and though I’m going to obscure identities and nobody reads this blog, there’s always a chance that it will get back to them and they will recognise the situation being written about and find it triggering or traumatic. If that happens, I’ll just fucking delete it, whatever, it’s not worth causing someone else that kind of grief. This isn’t a blanket policy by the way: my ex-wife asked me to take down a post I wrote in 2021 and it’s still there, and this post is going to be way softer than that! Oh, and I should probably mention that they’ll be no suicidal ideations in this post. Sorry to disappoint you.

So anyway, it started with a photo:

still makes me laugh…🤦
IN THE BACK OF THE NIGHTCLUB, SIPPIN’ CHAMPAGNE

Legit Bosses: 2021’s 121 Greatest Songs

You know it’s all about that boom! Legit Bosses, baybay!*

(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)

So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.

No, no, hey, maybe it’s you that’s too gross, ever considered that??

Anyway, let the festivities begin, here are the playlists:

Spotify

YouTube

Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”

Because I Like Stats (and That’s the Way It Is)

This is probably the only reason i still do this stupid fucking list that nobody reads and the one post that I actually enjoy writing (because it’s basically just me making lots of pretty pictures), statistical motherfucking analysis!! The numbers, the records and the science, yo! behind Necessary Evil 2019. Let’s start with with what (spit) other music journalists thought.

Metacritic Scores

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OK, we all actually agree on the nest album of the year, so the critics are actually correct for once. Chill out on Jamila Woods and Michael Kiwanuka though, yeah?

Continue reading “Because I Like Stats (and That’s the Way It Is)”

Legit Bosses: The 112 Best Songs of 2019

OK OK OK! There were 112 amazing songs released in 2019 (or, erm, released earlier but I just listened to them a lot this year), and here is the definitive, objective and scientifically proven ranking. You can disagree all you want, just remember your disagreement is merely an opinion and this list is fact.

rUaLHXGK9N0yZEsw

Or maybe not. I made a big change of tablet and therefore music player this year, and I might not have remembered all of the songs I deemed to be Legit Bosses earlier in the year. But whatever, here are 112 amazing songs, here’s the YouTube list and here’s the Spotify playlist, now please leave me alone, yeah?

Starting at number 112 wiiiiiiiiiiiiiiiiiiiiiiiiiiiiith…

Continue reading “Legit Bosses: The 112 Best Songs of 2019”

19 Equip: CURSEBREAKER X

On ‘CURSEBREAKER X’*, Equip step shit up massively. Previously, the less forgiving may have accused them of being more gimmick than legitimate artist. Every album, like 2018’s ‘Synthetic Core 88‘, came with the hook that it was the soundtrack to a video game that existed nowhere but inside Equip’s imagination. This inspired some incredible music, but for many the conceit would be far too ‘cute’ and even ‘eye rollingly hipster’ to bridge that gap between ‘concept you might appreciate’ and ‘music you unreservedly love’. ‘CURSEBREAKER X’ doesn’t just bridge that gap, it clears it in a single bound by casting a +50 COMPOSITIONS spell and fills the cavern beneath it with buffed power ups as it flies over. Equip breaks the game with WWE 2K20 level glitches that make it unplayable, because they’re playing something else entirely with ‘CURSEBREAKER X’.

wwe-2k20.original

(*we’ve seen far too many artists recently, from awakebutstillinbed to Ariana Grande to repeat offender american poetry club, show such a flagrant disregard for proper capitalisation that I’m pleased to see Jamila Woods, Michael Kiwanuka and now Equip have fought against this by, if anything, overcapitalising their records. I’m pleased to officially announce 2019 as The Year We Won Our Capital Back)

Continue reading “19 Equip: CURSEBREAKER X”

55 Don’t Do It Neil: B/X

“Descend deep in my body
Ascend me from my body
From my body tonight
Free me from my body tonight”

OK, fair warning- maybe even a trigger warning, but I’ve got to be careful because some people get so fucking angry when you word a content warning that way*- but this post might go to some pretty dark places. I mean, I’m just going to talk about my life a bit, which is always going to be a bit dark, isn’t it? For you, I mean. I’m alright with it, I fucking live with it, but I appreciate how some people might get a bit uncomfortable. These people can just read my Princess Nokia bit again, that was pretty funny. I’m going to use the brilliant ‘B/X’ album as a jumping off point to talk about how I was ‘freed from my body’, then masterfully bring it back at the end to Don’t Do It Neil. It’ll be a fucking amazing post, and I don’t know why more people don’t read this blog, it’s fuckin’ straight fire.

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(*because some people- and I can’t stress this enough- are fucking dumb)

Continue reading “55 Don’t Do It Neil: B/X”