19 Equip: CURSEBREAKER X

On ‘CURSEBREAKER X’*, Equip step shit up massively. Previously, the less forgiving may have accused them of being more gimmick than legitimate artist. Every album, like 2018’s ‘Synthetic Core 88‘, came with the hook that it was the soundtrack to a video game that existed nowhere but inside Equip’s imagination. This inspired some incredible music, but for many the conceit would be far too ‘cute’ and even ‘eye rollingly hipster’ to bridge that gap between ‘concept you might appreciate’ and ‘music you unreservedly love’. ‘CURSEBREAKER X’ doesn’t just bridge that gap, it clears it in a single bound by casting a +50 COMPOSITIONS spell and fills the cavern beneath it with buffed power ups as it flies over. Equip breaks the game with WWE 2K20 level glitches that make it unplayable, because they’re playing something else entirely with ‘CURSEBREAKER X’.

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(*we’ve seen far too many artists recently, from awakebutstillinbed to Ariana Grande to repeat offender american poetry club, show such a flagrant disregard for proper capitalisation that I’m pleased to see Jamila Woods, Michael Kiwanuka and now Equip have fought against this by, if anything, overcapitalising their records. I’m pleased to officially announce 2019 as The Year We Won Our Capital Back)

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89 Ash Koosha: I AKA I

The cracks first started to appear in the marriage to my fourth wife, Fedlimid-Harper, rather early on. On the honeymoon, in fact. I was kind enough to pay for two whole nights in the Scarborough Ainsley Court guest house, allowing her use of the bathroom between the hours of three and four in the morning and stating that- although I couldn’t allow her free use of the WiFi for fear of her getting radicalised and/or aroused- she would be allowed to ask me seven questions over the course of the trip which I would happily Google for her

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Since you wondered, the questions she asked were:

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