Broken Up or Still Around? Manic Street Preachers’ ‘Know Your Enemy’ 2022 Remaster Reviewed

Here is what I know about the state of the world:

1. We are rich.

2. There are no wars or anything (real wars, that is).

3. Ummm. Very little continental drift going on (that’s probably normal).

4. Somewhere, the president’s daughter is “like, totally wasted” right now.

There. One minor problem. Otherwise, things are swell. I haven’t really researched this much, but if something major was going wrong, I’m sure someone would have told me. So what are these Manic Street Preachers bitching about?

Pitchfork review posted March 19th 2001, roughly six months before Americans became aware of bad things happening in the world apart from Jenna Bush being arrested for underage drinking

I discussed the Manics’ 2001 commercial hari kari ‘Know Your Enemy’ at length in my 50’000 word list of their 100 greatest songs published last year. I mentioned that it all started when an aging British revolutionary folk icon turned his nose up at the band’s private Portaloo at a Scottish festival. I mentioned how Manics bassist/lyricist Nicky Wire would later confirm that he wouldn’t have that same folk icon’s “Dick pissing in my toilet for all the money in the fucking world”. I mentioned how that shot of verbosity occurred during a T in the Park performance that acted as an reinvigorating reminder of the band’s routes as angrily political agitprops. I mentioned how people had mostly accepted they would never be that exciting again after the morose and Phil Collins infused ‘This Is My Truth Tell Me Yours‘ had sold roughly seventy two squillion copies, making the band Britain’s biggest rock band after Oasis had politely taken their dog out of the fight with ‘Be Here Now‘. I discussed at length their line in the sand statement single The Masses Against the Classes*, the scuzz punk call to arms that became the first new UK number one of the 21st century. I noted how this moment – along with them playing the song live to 57’000 people at Cardiff’s Millennium Stadium at new years eve 1999 – represented the absolute peak of their commercial success. For the benefit of the TL:DR generation, I then explained the release of their sixth album a little over a year later in meme form:

And despite everything I’ll discuss in this review, I still absolutely stand by that visual point. It’s simply inconceivable that the band ever believed that ‘Know Your Enemy’ would be a commercial success, and it’s likely that they correctly assumed that it would cut ties with the mainstream to such an extent that they would never again experience anything close to the success that they enjoyed in the late 90s. Their previous album, 1998’s ‘This is My Truth…’ sold five million copies worldwide (!), while ‘KYE’ sold 500’000. Nicky Wire would later even concede in Mojo Magazine that much of those sales were to dissatisfied customers, and also remark on how it marked the band’s commercial downturn:  “To this day, you see ‘Know Your Enemy’ at service stations for £2.99, because they bought so many thinking it was by one of those commercial bands! In retrospect, it sold half a million copies. Imagine what we’d give for that now.”

So, yes: commercially, it was ritual suicide. But was it any good?

Continue reading “Broken Up or Still Around? Manic Street Preachers’ ‘Know Your Enemy’ 2022 Remaster Reviewed”

Necessary Evil 2020 pt.13 (15-11)

#15 Burial: Tunes 2011-2019

Yeah, you know how JPEGMAFIA’s album was just a collection of singles from the previous year? Well, Burial sees that effort and raises it by releasing a collection of singles and EPs from the better part of the last decade. Might have made sense to split the two albums up on the list. This list isn’t about aesthetics and sensible ordering though. It’s pure science. And if the science states that they should be placed next to each other, perhaps both fitted with a secret microchip so Bill Gates can track their movements, then who are we to argue?

Sigh… I’m going to have to start with an embarrassing confession. I know, many of you reading this already think all the things I write are shamefully embarrassing, but this is a distressing mark against my musical knowledge which, come on, up until now was unimpeached. In November of 2019, roughly a month before this collection came out, I wrote this:

Continue reading “Necessary Evil 2020 pt.13 (15-11)”

Necessary Evil 2019 (77-74)

77 Princess Nokia: Metallic Butterfly

Metallic-Butterfly

As I’ve previously mentioned, I’m a big believer in getting into artists solely because you like the cover art of their album. Well, guess what? I freaking loved the cover of ‘A Girl Cried Red’ by Princess Nokia. A Latin-American woman in a Slipknot shirt giving me the finger? Yes please, that’s all that I ever want, give that to me now, please, let me chow down on that, nomnomnomnomnom, thank you sir, can I have some more. Do you see? Well, I got the album, I loved it, and then was left with two main questions:

  1. Where do I get to get more of this stuff and then shovel it into my ears?
  2. So, what, is she the daughter of some sort of monarchy based around mobile phone manufacturers? Is she the daughter of the king of the Nokia phones, or is each different member of that particular royal family a different type of phone? Like is her brother Prince Samsung and her great aunt Duchy LG? I mean, the king has to be King iPhone, don’t it? Not based on quality, but one assumes that actual phone sales would feature in most prominently when deciding the lineage of such a monarchy. But if Nokia’s parents and older siblings die and she ascends to the throne, does she then take on the name iPhone? You can’t be having phone manufacturers royal house being run by a fucking Nokia, what is this, 2002??

Continue reading “Necessary Evil 2019 (77-74)”