2024’s New Gold Star Artists

You know the rules by now: an entire album discography comprising of at least three albums, every single one of their albums featured on a Necessary Evil album of the year countdown on the Most Trusted Blog in Music. There were a few Legacy Gold Star Artists who added to their repertoire in 2023, but on this post I’m going to be concentrating on the five artists who earned their wings in 2023. Or rather, who were already glorious winged beasts of musical sapience, but got those motherfuckers gold plated in 2023.

Ah, Ms. Zauner! I see you have chosen to commemorate your achievement! As wee you should, my dear.

Oh, and these particular entrants will just be copied and pasted into the master post as well. I’ve just created this new post highlighting the new entries so you wouldn’t have to go back to the original entry every year to see who has earned promotion. So don’t come at me with that “You never think of us! You treat us so bad!” bullshit, alright? I treat you just fine. If anything, I treat you too well, so that might not be a string you want to pull too hard on. To see how new albums by Legacy artists like Wednesday and Janelle Monae did? Yeah, you’ll have to check the rankings on the master post. Like I say, I already treat you too well, so be careful what you ask for. And did you read what I thought about that Janelle album?? Probably not breaking into that top three, is it?

Anyway, without further ado:

all that glitters

Legit Bosses – The 160 Best Songs of 2023

In their 1972 book ‘Psychology of the Arts‘, Hans and Shulamith Kreitler tried to explain the reasoning behind why certain people react in certain ways to certain pieces of art. However, they deemed that to fully explain it, your knowledge of each person would need to “extend over an immeasurably large range of variables, which would include not only perceptive, cognitive, emotional and other personality characteristics, but also biographical data, specific personal experiences, past encounters with art, and individual memories and associations”. Sounds like a lot of work, right? Well, luckily, I’m here to just tell you what the best music of 2023 was, so all that effort behind your own personal psychosis can be sidestepped altogether. Think of it as my new year’s present.

no spoilers on what number this particular classic finished

And there’s one hundred and sixty this year. Maybe one hundred and sixty one. Because there was a lot of great tunes released in 2023. While limiting the Necessary Evil list to just 40 albums still meant there was space for at least one ‘meh’ album and one absolute stinker, over the past week I’ve actually had to really edit this list down to prevent it being ridiculous. And yet here we are: 160. Maybe 161.

I’m also going to be giving shout outs to particular golden moments in certain songs – similar to what I did in 2018 – and for each of those I’m going to be using a picture of one of the greatest moments in the short history of All Elite Wrestling, because… well… I get the horrible feeling that company is cooked and I hope to look back on this list in five years time and laugh at how pessimistic I was.

Can I finish this before 2024 and maybe have some days off before I go back to work?? Let’s seeeeeeeeeeeeeeeeeeeeeeee!!

[Edit: No. No I cannot. Not even close.

You’ve got some playlists though, will that make you happy?? Here’s the countdown on Spotify and on YouTube, minus the unavailable songs on whatever platform]

I REMEMBER NOTHING, SO THERE’S NOTHING TO REGRET

The Necessary Evil Hall of Fame: Gold Star Artists

  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown

I’ve been doing this dumb blog that nobody reads since my first post on the 1st December 2014 called the latest Pixies album an “especially grievous dirty protest”. 2024’s list was the tenth I’ve written in excruciating detail on the blog. The intelligent thing to do would be to call it a day after that. But then again the really intelligent thing to would have been to never start it in the first place. As a stupid person, I’m definitely conflicted. My (recorded) albums of the year go back to 2007. I’m not wanting to put too fine a point on it, nor am I at all pompous enough to ever overexaggerate my importance, but I think it’s fair to say that I am objectively the paramount and most respected voice on music of the last 15 years. And before that too, I just didn’t have a blog then.

But what about the artists themselves? They sometimes play a part in the psychosexual agitprop magic of this blog. We can obviously consider the artists whose work has appeared most in my year end lists, but that’s obviously going to be the Manics (eleven + one very decent JDB solo record and one dreadful Nick Wire one), Prince (eleven, and eventually all 42 of the fuckers) and Nick Cave (I think around eleven, over a variety of projects). Like, duh much? We can all agree without any argument at all that these are the three most important musical artists of all time. It’s like if someone says their favourite food is “crisps”. Like, of course it’s crisps. Crisps are amazing. Everyone loves crisps. But what does that tell you about them as a person?? No, we need a different gage to work out the real stars of Necessary Evil.

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Legit Bosses: 2021’s 121 Greatest Songs

You know it’s all about that boom! Legit Bosses, baybay!*

(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)

So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.

No, no, hey, maybe it’s you that’s too gross, ever considered that??

Anyway, let the festivities begin, here are the playlists:

Spotify

YouTube

Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”

Necessary Evil 2021 (81 -71)

81 Jon Hopkins: Music for Psychedelic Therapy

(2018 #62, 2013 #11)

I feel I can’t rank this record any higher. It’s designed to accompany a drug trip and I have been stone cold and continuously, shamelessly sober since its release three weeks ago. Well…kinda… all my prescription medications kind of mean I’m blissfully high as a kite 24 hours a day so as not to acknowledge the overwhelming pain of day to day existence. But that’s my norm, so it doesn’t count. Sometime in January, I’m going to take some psychedelics and then blog about my altogether more valid opinion. That’s not a joke. It’s an excuse to take drugs as a professional study, why on Earth would I turn that down?

Yeah, it’s a bad idea, but name one good idea in my wntire life? And look how succesful I am. Exactly. Expect a potentially life destroying blog entry some weekend in January. You realise that I’m killing myself for your entertainment? Good. Just checking we’re on the same page.

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Stats Off To You, Sir 2017

The Only Reason I Do This Fucking List

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Yaaaay!! A statistical breakdown of 2017’s albums!! Suddenly, all those wasted evenings desperately bashing out 1000 words of utter shite on Muna or something finally comes to fruition!! I get to do a mathematical breakdown of the findings!! Kinda get tired reading more than 100 words but enjoy looking at pretty pictures? Yeah, me too…

This post is just for you!!

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(number 3)

Continue reading “Stats Off To You, Sir 2017”

51 Japanese Breakfast: Soft Sounds From Another Planet

Turns Out I’d Probably Prefer it Hard

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This is a really, really, really… really… really lovely album…

As I’ve previously explained, there are two things that you must not under any circumstances do as a musical artist, as either direction quickly leads you down the path of obsolescence, of fan hatred or, more often, both.

  • Firstly, you have to constantly update and evolve your sound. If fans suspect that you’re not making enough progression between albums than you’ll quickly be tossed on the scrapheap as an obvious one trick pony emperor with no clothes*
  • Secondally, you must never change your music or make significant alterartions to the way you sound: people hate change, and if your new record doesn’t sound exactly like your last then your fanbase will feel like it’s been betrayed, you’ll forever be known as the act that used to be good, before they went far too pop/rock/dance/country/gypsy folk/emo/Baby Metal and all the sheeps started liking them. Sure, you can try and recreate the sound of that last LP later in your career, but everyone will see through that as an offensively blatant reach for their approval, and somehow hate you even more, and this record you release will universally decreed as being the lamest album ever!!

To recount: change is essential, but also the worst thing you could possibly do

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Continue reading “51 Japanese Breakfast: Soft Sounds From Another Planet”