You know it’s all about that boom! Legit Bosses, baybay!*
(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)
So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.
No, no, hey, maybe it’s you that’s too gross, ever considered that??
Anyway, let the festivities begin, here are the playlists:
Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”
2020 #67, 2018 #57
Love me, fight me, choke me, bite me
The DNC is playing dirty
Text me, touch me, call me daddy
I’m so sad I can’t do laundryMMMOOOAAAAAYAYA
Illuminati fucking Hotties, ladies and gentlemen, this is the one you’ve been waiting for.
That is all.
OK, this year’s method of multiple album posts is kinda looking dumb now- each one of these entries could have easily filled its own post… Two weeks left to finish this fucker!!
#70 Princes Nokia: Everything is Beautiful
Have you ever considered that maybe Princess Nokia has a point? Maybe everything is beautiful? Maybe you don’t agree. Maybe you’re one of those overaged (and- my goodness- way over sized) wannabe teenage edgelords who have developed multiple subconjunctival hemorrhages due to the dangerous amount of times you’ve rolled your eyes at something. Maybe your detachment from positivity and any sort of approving conscientiousness has rendered you completely numb to appreciating any good thing in life. Maybe when the vicar asked you if you take this person to be your lawful wedded spouse you merely shrugged your shoulders and said “Whatever”. Maybe when the doctor handed you your new born baby, you rolled your eyes at how unbelievably mainstream the whole thing was, with the baby crying and wiggling its arms, like that hasn’t been done before. Nothing is beautiful for you, because you refuse to allow it to be.
Continue reading “Necessary Evil 2020 pt.4 (70-61)”
72 Kanye West: Yandhi
You know what? I’ve got a funny feeling that this might not be my last chance to talk about him before this list is done, so I’m wary of squeezing out all my Kanye Juice before the real party starts. ‘Yandhi’ was the album that he was going to release as his follow up to last year’s ‘Ye‘ (I’m sorry, haterz/liberals, but ‘Ye’ was a pretty fine album, as were most of the eighty four records he released last year, let’s not let our reactions to his general behavior colour the history), but then it was delayed, then cancelled, then briefly revived with Ashton Kutcher playing the role of Kanye West, then delayed, then its name was changed to ‘Spunk Muffin and the Dudes With Attitude’, then it was cancelled again, then it was changed to ‘Jesus Is King’, then it was revealed that it wasn’t actually a name change but a completely separate record, then that record was delayed, then it was delayed again, until, finally, it was released, and Yandhi was cancelled, only briefly being released (seriously) as ringtones. Quite straightforward as Kanye West album launches go, really. I actually only sought out ‘Yandhi’ because I assumed it would contain intriguing scrappy demos of whatever tracks Kanye was working on for his next record (which at that point had been delayed so many times I assumed this would be the closest we’d get to a Kanye album this year), but it’s shocking to hear quite how complete a lot of songs on here are, and how realised many ideas are. New Body in particular sounds less than a tweak away from being a hit single, Nicki Minaj feature and all. Later, it was shocking how few of the songs and ideas on ‘Yandhi’ made it to ‘Jesus is King’. Like, pretty much none of it. Nicki Minaj? She’s gone. Hey, Kanye, maybe stay focused on one thing for more than three minutes? Might result in better albums? Perhaps I’ll get to debate this further later.
Continue reading “Necessary Evil 2019 (72-65)”
This is officially the end of 2018! And it’s only the 5th January [EDIT: Still only the 6th!]! Although there’s freaking one hundred and thirty six tracks to get through, so this may well take until mid May! Happy Cinco de Mayo! No time to talk! A shit load of songs to get through!!
136 Candace: Rewind
135 Epic Reflexes: Cha Cha
While Z-Tape’s ‘Spring’ collection was veritably busting at the seems with Legit Bosses, as you’ll soon see, this is the only similarly legitimate position of authority from their ‘Summer’ collection. They’re all still great though, as is the Epic Reflexes’s album ‘ChaChaChinatown‘.
134 The Carters: Apeshit
I had a lot of problems with ‘Everything is Love’, the surprising debut release from Beyonce and Jay-Z. Part of the reason I struggled with it was that I wasn’t sure how canonical it is. Like, is this it, Bee? Is this underwhelming collection of occasionally very entertaining rap boasts officially your actual follow-up to one of the most acclaimed albums of the 21st century? It’s an album about how two very rich people love each other but probably love their money more, that includes the line “My grandchildren’s grandchildren already rich” which, despite Kanye’s crisis of publicity, is by far the line from 2018 that Donald Trump is most likely to high five in a men’s locker room. Also, there’s a moment on the opening track where Mr Carter drawls out “Let it breaaaathe, let it breaaaathe” like JB Rockefeller basking in the glory of a fart he’d just released under the bedsheets, which marks the first time in more than two decades that I’ve thought to myself that I don’t think I really like Jay-Z. However, he often wins me back with the later claim that he’s “Good on any MLK boulevard”. This song’s pretty great though
Fucking hell, Jay, that haircut though… One hundred and thirty three more after the jump!
Continue reading “The Legit Bosses:136 Best Tracks of 2018”
Off all the artists on this list, North Carolina’s Wednesday is the one I know least about. You guys, I’m not even sure she’s on Twitter! Does she even exist? Her BandCamp page has a paper thin bio that consists wholly of “@wednesday_gurl ♪┏ ( ･o･) ┛♪┗ (･o･ ) ┓♪┏(･o･)┛♪”
“But Alex”, I hear you cry between crunches of the Tangy Cheese Doritos you’re stuffing into your fat ugly face, “@wednesday_gurl? Her bio has her Twitter handle in it! You are so dumb!”. To which I angrily wedgie you by pulling up the underwear you’re somehow still in at 3pm on a Thursday afternoon and scream “There is no @wednesday_gurl handle on Twitter! There’s somebody who calls themselves ~wednesday gurl~ but her actual handle is @Nos_Qween, has six followers, hasn’t Tweeted since 2011*, and it’s very probable that she was a girl who just really liked Wednesdays.”
Continue reading “48 Wednesday: Yep, Definitely”
“It’s stupid/I’m losin’/But you quote my lyrics every single night”
Sheesh, tell me about it! I feel you, Sarah Tudzin! The amount of times that I’ve had chicks come up to me and quote me lines from my blog, it’s, like, wow, I honestly couldn’t even count it! Last Friday, some girl comes up to me in a bar and says “It’s hard to think of a significantly more pleasurable way to spend 48 minutes”, which as you know is a direct quote from my 2015 My Morning Jacket review! I was like- “Puuuurrleeeeeease!”! Y’know?! You have no way of proving that never happened!
‘Kiss Your Frenemies’ is an absolutely loopy album. In, of course, a good way.
Continue reading “57 Illuminati Hotties: Kiss Yr Frenemies”