25 Sir Babygirl: Crush On Me; 24 Tove Lo: Sunshine Kitty

What’s your favourite female personality? By my count, you’ve got a choice between two of them.

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As many as six?? Give over

 

We should all be extremely proud of ourselves as a society for getting to this many. Aren’t we amazing? There’s really no need for you to do anything worthwhile, you live in a society that’s been extremely kind to certain groups of people. No, don’t give any money to charity (you actually once read that article that said that giving money to charity was somehow absolutely the worst thing you could possibly do. You can’t remember the exact reasoning, something to do with Bono having glaucoma, but it was very convincing) just by existing in a wonderful society that gives people things you’ve already donated the most precious gift of all. Anyway. isn’t paying tax kind of like giving to charity? You did plenty of that in your early 20s before Uncle Ted told you about equity swaps. Just lie back and feel rightfully smug at all the amazing things society is doing that you’re not loudly objecting to most days. Did you hear that black people were allowed to dance in Oklahoma now? You did that! Or at least, you didn’t stop it!

Continue reading “25 Sir Babygirl: Crush On Me; 24 Tove Lo: Sunshine Kitty”

Necessary Evil 2018

An Unwanted Return That Nobody Really Wants and Everyone is a Bit Embarrassed At

‘Necessary Evil is for better or for worse the imaginative record of man’s sexual will’

-Peter Michelson

‘On Necessary Evil, every platitude leads to an obscurantist pretension and back again’

J Lloyd Samuel

Necessary Evil 2016 was posted in October 2017, Necessary Evil 2017 got a little closer by starting in February 2018 and now- look!- Necessary Evil 2018 actually comes out in two thousand and fricking eighteen!!

Yes, the countdown finally gets back to starting on December 1st in a vain attempt to capture the relevance it once had way back in 2015 (remember my review of Drenge’s ‘Undertow’? Special times, we’ll never have that type of magic again). And- fuck me!- the main consideration this year in to finish the thing before I go to bed early on New Year’s Eve, cryong over the fact I have no friends. So this year’s list won’t have as many 6000 word philosophical ruminations on the human condition as loyal readers of this blog might have come accustomed to. Also, in the name of brevity I have tried my hardest to condense 2018 into the 15 essential records that deserve whatever little attention this blog affords.

At least, that was the idea, and I honestly tried to exclude as many records as I could. As always, though, it turns out that there are just so many records out there! Loads of legitimately brilliant records that I want to shine light on; loads of perhaps less accomplished records by more obscure artists I believe deserve the attention; loads of records that might not be ‘good’ in the scientific sense but, to quote Jonathan Swift, light a spark in my whoopsie; loads of records that might not be ‘good’ in the scientific sense nor ‘good’ in any sense whatsoever but I want to tall about anyway because I love the sound of my own keyboard taps; and of course, as always, there are records that are the sound of Brexit.

I managed to scale it down to 82. Kill me.

It’s been another great year for music, with some NE mainstays delivering their greatest album yet out of nowhere, some old favourites releasing puzzlingly unsatisfactory records, and many artists jumping immediately to My New Favourite Thing status.

I’m still not sure if there were any amazing records released in 2018. All of the best albums of the year have at least one glaring flaw, and despite their being a perhaps record number of Extremely Good albums with four stars spilling out of their anuses, I’m not sure any 2018 album will in the future be regarded as a classic. Because of this, I’ve never struggled so much over which record should be number one, and there’s a very good chance I’ll change my mind about it in the 3’185 days it takes me to write this bastard list. This is also the first list in a long time that I’ve written with no idea what the critical consensus is leaning toward, so I don’t think I’d be exaggerating were I to call Necessary Evil the purest and- dare I say it?- most woke albums of the year list on the internet.

If you’ve read NE before you’ll know what to expect- it’ll start off a bit scrappy and ill-defined, hit its peak around half way through with some legitimately brilliant posts, then descend badly into nonsense as the writer just begs for it to end. We’re gonna have a good time!

Also, because I’m really aiming to wrap this up in appropriate time, I’m afraid I won’t be filling my reviews with dumb, nonsensical wrestling references that literally nobody reading this is going to get.

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Only joking, I’m probably going to do more than ever– wait until we get to JPEGMAFIA’s album!! Oh, erm, spoiler, i guess…

OK, so No. 82 is…

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104 Kings of Leon: Walls

I used to really like listening to Kings of Leon

+1

Like, the same way I used to really like sticking my finger up my bum while watching He Man

+2

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Not that I’m ashamed of it, when you’re in your late teens and haven’t yet been convinced of the relentless struggle life’s macabre torture show in fact is, you should never regret anything that helped you confirm the exciting potential of your very existence, and if all of your university friends are doing it, why not join in to strengthen bonds that will last as long as eight months?

+4

Oh, and I don’t regret loving Kings of Leon either, as their second and third albums still stand up as absolute masterpieces

+2

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No, that joke didn’t scan at all, did it?

-10

All the cool kids reading this blog for top tips on how to retain their Hilary Swank and remain Snapchatting with Zoella’s Hippie Peppa Pig Crack

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might not remember, but people of my decrepit and shameful age- with diminishing relevance and puss ravaged and peeling genitals that have long been solely used for decoration purposes- will remember where they were when Huw Edwards revealed on News at Ten that The Koln’s second album ‘Because of the Times’ had beaten ‘In Rainbows’ to be named the Necessary Evil album of 2007

+1

Unfortunately, the band caught a debilitating infection on their next album, possibly by dangerously close proximity to the crippling Bonovirus of Southern Ireland (though mainly inhabiting the Cayman Islands for tax reasons), that not only sadly convinces bands that would they like to be U2, but that being a band as creatively bankrupt and morally repugnant as U2 is at all worth being

-8

The inescapable Sex On Fire wasn’t the end, as though the song didn’t include an original bone in its venereal body, it still proved that The Ki-Kis were one of the world’s best at crafting brilliant dumb rock songs

+3

The real rot set in with Lose Somebody, where the band discovered the echo pedal, and resolved to never leave any note un everberated ever again

-8

Is an echo pedal a thing? It feels like it should be

+1

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‘Walls’walls wouldwould lastlast tenten minutesminutes ifif everyevery soddingsodding notenote finishedfinished whenwhen itit waswas supposedsupposed toto

-12

It’s really ridiculous how much of ‘Walls’ is handed over to echoey stadium mid-pace quasi-ballads, and it would be sad if your takeaway from the record was that the band would never write a rock song as thrillingly raw as Black Thumbnail ever again…

-5

You don’t feel that though, as nestled halfway through the record is Find Me, which is shamelessly conspicuous over how cynically it attempts to tick all the boxes to make a brainless stadium rock classic, and it’s embarrassing how well it works. I’ll go into further detail once I inform you what the year’s best tracks are

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but you’d have to put both your shoes on and take a shower, as it’ll be a long walk if you want to find a better example of a perfect pop rock song

+8

I mean, that bit where the musical backing falls away and the riff is played clean for a single bar- ooooooooooooooooooah!!! Has to be

10 Guns n Roses Points 

But, yeah,

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obviously

I think I forgot to take points off last time I did that…

Oh, and I don’t feel that Bobby Follywobbles <that spelling doesn’t look right, can you check it?- Ed> gets enough credit as a frontman: I love his voice. That is all

+1

Metacritic: +62

Yep, sounds about right

Number of AMAZING songs: 1 +10

Length 42 minutes +4

Best Lyric: ‘And we rode motorcycles/Blackjack, classic vinyl’

Is the last song just the first track but played on Ukulele? No -1

Total 63

Pics stolen from:

https://alchetron.com/Peter-Griffin-4098114-W

http://theresurgent.com/this-is-bono-bono-is-humble-about-politics-be-like-bono/

http://www.rollingstone.com/music/albumreviews/review-kings-of-leon-walls-w444792

https://www.carid.com/seibon-carbon/seibon-carbon-fiber-rear-spoiler-237417791.html