40 Kanye West: Donda

2019 #64, 2019 #72, 2018 #12, 2016 #36, 2013 #4 (solo) 2018 #8 (Kids See Ghosts)

Seriously, wake up Mr. West.

Some people really rate ‘The Life of Pablo’. Not me, personally. I think it has cheeky splashes of genius amongst its giant conceptual mess, but if we were to compare it to an actual Picasso it would be a part way beautiful Les Demoiselles d’Avignon only with each of the women’s faces replaced by flaming poo emojis, some pencil sketchings still unfilled and a blank canvas for the unfinished bottom third. I did and do really rate ‘Ye’, which is a wonderfully concise and incisive record concerning West’s mental struggles and his first emotionally raw and conscious presentation of his bipolar disorder. But not everyone agrees. Few people agree. And it was largely ignored at the end of year back slapping events, with it still today scoffed at as a undercooked and uninspired minor addition to his canon. Everyone hated ‘Jesus is King’ because that was a fetid pile of donkey faeces. We all agree on that. It’ll soon be nine years since West released a largely agreed upon classic record. Apart from everyone loved 2018’s amazing ‘Kids See Ghosts’ album, but let’s ignore that or lay it 100% at the feet of Kid Cudi, because otherwise my snappy and incisive introductory paragraph doesn’t make sense.

(these are all fan made versions of the ‘Donda’ album cover, by the way, because I thought you all deserved to see what a bit of fucking effort looked like)

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Necessary Evil 2021 (50 – 41)

50 Nick Cave & the Bad Seeds: B-Sides and Rarities II

(2021 #63, 2020 #1!, 2016 #=6, 2014 #45, 2013 #22, 2008 #12 (with the Bad Seeds) 2010 #11, 2007 #13 (with Grinderman) )

Nick Cave album number two!

Ah, fuck, am I including B-Side collections now?? I guess that shouldn’t be much of an issue, considering that there’s only a tiny, Jeremy Beadle handful of artists I would even considering purchasing a B-Side collection of. Just so you know, Manic Street Preachers‘ last B-Side collection was back in 2003. The Bad Seeds released ‘B-Sides and Rarities’ part one in 2005, so the Manics are already embarrassingly behind schedule. Sort it out, Wire. Although, to be honest, I was all ready to announce that the inherent importance of Nick Cave and the Bad Seeds have lead to them releasing the first B-Sides collection to be featured on Necessary Evil, until I remembered that Carly Rae Jepsen’s 2016 B-Side collection made #31 that year, so there really is no rhyme nor reason to it. Also, the featured image to that blog post is Al Pacino shoving cocaine into his face in Scarface, so let’s not pretend any of us has any idea what’s going on around here.

What a collection though, aye? Ammi right? Ammi right? I’m right. ‘B-Sides and Rarities’ part one was no slouch at all, containing a smattering of wonder that showed how harsh the band’s quality control had been during the first two decades of their existence considering the excellence of some of their cast-offs. It was clear that the bar to entry onto a Bad Seeds album was more stringent and difficult to pass than the best American colleges even if your mother used to be in Desperate Housewives. There were also other bits and bobs that settled debates such as whether Shane MacGowan did the best version of Lucy. He did. Debate over.

Continue reading “Necessary Evil 2021 (50 – 41)”

Necessary Evil 2021 (60 – 51)

60 Justin Blackburn: Unlearning White America

Jesus Christ, people, Justin Blackburn, Justin fucking Blackburn.

Firstly, and perhaps most importantly, is ‘Blackburn’ even a surname in America?? It’s such a dour, cold & windy, shovelling-cow-shit-into-a-tractor-just-outside-Durham, depressingly prosaic English name that it really doesn’t fit the glitzy imperialism and Hollywood gunplay of the US. It’s like finding out Shawn Michaels’s real second name is Hickenbottom. Has he ever even been to Blackburn? What are his opinions on Alan Shearer?

Secondly, was there a more arresting, more intentionally obnoxious, more on the nose outraged in 2021 than ‘Unlearning White America’? In the last decade?? You should certainly be able to gauge the general thesis of the record by its splenetic title, but I’m telling you now, you have no fucking idea. It’s important to note that Justin Blackburn is a white American himself, so rather than angrily tearing down the racist power structure that prevents perceived outsiders like himself from even a fair chance, he is on the inside (even more angrily) rejecting the inbuilt privileges that the people who grew up around him receive, refuse to acknowledge and even turn to resentment against the USA’s non white inhabitants. Many of the rage is directed toward Justin’s (diegetic? genuine?) father. All the rage is directed towards white America’s assumptions, inattentiveness and, yes, racism. Justin is so centred on the ridiculous state of race relations in his country that he even goes as far as to manage to make ‘Jesus’ rhyme with ‘racist’.

Continue reading “Necessary Evil 2021 (60 – 51)”

Necessary Evil 2021 (70 – 61)

70 Kings of Leon: When You See Yourself

(2016 #104, 2008 #17, 2007 #1!)

I’m allowed to still have Kings of Leon, right? You people will still consent to this? This is still OK, yeah? Nobody’s feeling mistreated in any way? I don’t want this to be one of those things where I was almost sure you were OK to me playing with my gross old man testicles while you watched holding back tears.

Remember that Simply Red song Holding Back the Tears? Well that’s what it was about. Mick Hucknall was so ahead of his time. He was trying to teach us, why did we refuse to learn? What’s that? It was actually called Holding Back the Years?? Well, shucks… Ah well, I’ve written it now.

I’ve done well, haven’t I? I’ve, like, mostly irradiated all the bullshit white guy rock that was honestly the entirety of all music I consumed before the age of about 19. I like to think that my end of year lists, while being a no way near exhaustive list of new music, is at least a forward thinking and progressive exercise in highlighting new and exciting progressions in style and presentation and in many different (and often new) genres. What’s your favourite Turmeric Trancotone album of 2021? Gotta be #26, right?

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Necessary Evil 2021 (81 -71)

81 Jon Hopkins: Music for Psychedelic Therapy

(2018 #62, 2013 #11)

I feel I can’t rank this record any higher. It’s designed to accompany a drug trip and I have been stone cold and continuously, shamelessly sober since its release three weeks ago. Well…kinda… all my prescription medications kind of mean I’m blissfully high as a kite 24 hours a day so as not to acknowledge the overwhelming pain of day to day existence. But that’s my norm, so it doesn’t count. Sometime in January, I’m going to take some psychedelics and then blog about my altogether more valid opinion. That’s not a joke. It’s an excuse to take drugs as a professional study, why on Earth would I turn that down?

Yeah, it’s a bad idea, but name one good idea in my wntire life? And look how succesful I am. Exactly. Expect a potentially life destroying blog entry some weekend in January. You realise that I’m killing myself for your entertainment? Good. Just checking we’re on the same page.

Continue reading “Necessary Evil 2021 (81 -71)”

Necessary Evil 2021: Where It All Begins Again

Do you reckon me a friend?
The sun to me is dark
And silent as the moon
Do you, sir, have a room?
Are you beckoning me in?

Hit it!!

Yes! For the eighth straight year* the highlight of everyone’s festive season is back. And what a year. What a couple of years. Personally, I mean, I’ve no idea what’s been going on in the wider world. I’ve noticed masks have come back into fashion, but that seems to have had its moment and is wearing off, bit of an embarrassing fad it seems, like scrunchies or caring about the environment. Remember when we all did that?? Mega cringe.

(*I am absolutely fucking definitely stopping this after the tenth year, you have no idea how much freaking work this meaningless piece of work takes. Or I might just turn it into a Google Sheet that I release on Christmas eve. Or a TikTok. I’ll just do a TikTok where I take my shirt off and tell you what I thought of the latest Shamir album. I’ll do a dance and shit. It’ll go viral)

So, when I did Necessary Evil 2019 I had never met my my future wife. Then I met my future wife on Bumble while I was doing a series about how much nonsense dating apps were. We really hit it off, but then she realised that I was writing a blog series about it (I didn’t mention her because, y’know, I kinda liked her. I know, mega cringe, right? Epic fail) so she cut off all contact with me, blocking me in ways I never previously knew were digitally possible. Then I wrote a post about the whole mess. She read the post, didn’t hate it, approximately five months later we were married. So, yeah, when I wrote Necessary Evil 2020 I was living with my new wife.

And as I start Necessary Evil 2021, to the excitement and joy of all five or six of the people who read this, I am back to living with my Mum, applying for an annulment of a marriage to a wife who has again blocked me on every digital avenue possible. It’s quite a journey. It’s, like, 92% my fault. I’m sure it’ll come up again. Entry #35 for example, I’ve no idea what I’m going to write for that, so might just do some primal scream therapy. The band Primal Scream, unfortunately, do not feature this year.

But what a year for music, ammi right?? We’ve got a Manics album (click click click click), we’ve got the continuing Prince journey and a ‘new’ Prince album, we’ve got Kanye (as always) and, fair warning, we’ve got a lot of Nick Cave. Three and a half albums. Too much Cave? No such thing. There are six former winners. Or perhaps seven. I think I proved in my stats regarding the Manics top 100 that counting really isn’t my strong point. I’m more, like, holistic when it comes to numbers, yeah? There’s eighty one albums, because I can’t do anything right. I’m going to try and brush through numbers 81-41 in groups of ten, then give the top forty their own dedicated posts, even though, as amazing as all the albums are, I can’t think of anything to say about most of them. I’ve also reluctantly made my peace with Spotify. I hate it, you hate it, it’s going to be the death of the entire industry, but I understand that it is the industry. I link to each artist’s BandCamp (the light side of the force battling Darth Ek) page but also host the album on Spotify, as I understand most people can’t be arsed to stream it on BandCamp, will never pay for music, and Spotify streams at least mean something.

Yeah, so I’ve sold out, but what have you done this year? That’s right, you’ve just drooled over that paparazzi photo where you can kinda see Billie Eilish’s cleavage again and again, haven’t you? Grow up, she’s young enough to be that woman that your third wife divorced you over!! I have two ex-wives now, so I can make those jokes.

Anyway, we’re gonna have a lot of fun, yeah?? Once again, the reason that album you like isn’t featured is because it’s shit and you’re an idiot.

I honestly love you all. Heart emoji. I don’t know how you do that on WordPress…