Your affection for Lizzo’s third album will all depend on how well acquainted you are with it. If you absolutely love it then you’re almost certainly a recent convert to the Lizzo cause. Maybe as recently as October, a friend advised you that a few spins of the record really ‘takes the edge off’ a fentanyl binge the night before. You try it out and- you know what??- it really does! Its infectious and unashamedly boisterous confidence acts as a vital kick start to your vital organs. “‘The only exes that I care about are in my fucking chromosomes ‘!!* That’s so true!!”, you announce to yourself, before curling up into a ball on the floor and weeping as you consider how ashamed your mother must be of you.
(*obviously, you’d say this out loud, so that pun would make a lot more sense)
Maybe you appreciate it in moderation. This will because you were first introduced to it back in July, after Tempo soundtracked your particularly memorable sexual experience, after it happened to be playing on the radio of the Audi A4 you were carjacking at the time, and these things tend to stick with you. You’re always happy to give Lizzo a listen and appreciate what stellar pop songs the album’s highlights are, but can rarely stomach a full 42 minutes at any one time. You’ve started to cringe ever so slightly at Lizzo’s constant, overbearing shtick of ‘I DON’T NEED NOBODY I KNOW I’M AWESOME NO MATTER WHAT I’M GOING TO DATE MYSELF KNOCK KNOCK WHO’S THERE I’M FUCKING AMAZING THAT’S WHO JET FUEL DOESN’T MELT STEEL RT IF YOU LOVE KEANU REEVES IS EVERYBODY HAVING A GOOD TIME?!?!’ , plus the fact that a good 45% of her lyrics are simply viral Tweets that she liked (and, erm, then attempted to trademark) ensures the the love you briefly held for it after first hearing it has now cooled significantly. Yeah, I know, you have to really read between the lines for that jet fuel stuff, but it’s there.
Necessary Evil 