Tag: whack world

Staturday Night Fever: The Best Music of 2024 In Numbers

~ Lex Leeson ~ Leave a comment

Have I done that pun yet? Mate, I am struggling, honestly…

So here we are again, a round up of the hot stats of the best albums and songs of 2024, which I have bizarrely fallen into the habit of doing doing eleven fucking months after the Necessary Evil list of the best albums and songs of the year is actually published. Why do I always leave it this long? Because, quite simply, after writing 40+ blog posts and a gargantuan song list in little over a month, my brain seriously doesn’t want to even acknowledge the previous year’s music again for at least a thousand years.

I almost didn’t do it this year. But – but! – then I realised that 2025’s list might have some extremely notable points! So maybe I’ll retire this dumb fucking tradition once I get round to that in winter 2026. Until then? Yeah, we gotta do this.

I do like making these purdy pictures though…

Stats in the cradle and a silver spoon

#21 Tierra Whack: WORLD WIDE WHACK

~ Lex Leeson ~ 3 Comments

I can’t sleep, I can’t eat
I feel small, so petite
I act strong, but I’m weak
Ha, ha, ha, ha (livin’ is difficult)
I was born to survive
See the pain in my eyes
I been stressed and deprived
Ha, ha, ha, ha (livin’ is difficult)

DIFFICULT

So, imagine you’re Generation Z. You’re a Zoomer. You were born between 1995 and 2012, because the dividing lines of these ‘generations’ are fucking ridiculous. I’m a Millennial because I was born between 1980 and 1994. I’m the same generation as Rishi Sunak (1980) and Justin Bieber (1994), which explains the similarities between the three of us.

that’s me that is

But not you though! You’re Gen Z, you’re in the same pool as BeyoncĂ©’s daughter Blue Ivy (2012), Millie Bobby Brown (2004) and Tierra Whack (1995). You likely won’t remember a time before the world was fucked:. You were four years old at most when NATO bombed Yugoslavia and announced the new laws of violent neoliberalism dominance, where peace would now only be reached with bombs. You don’t remember a time before 9/11, the War On Terror is your life. You’ve never caught a plane without first taking your shoes off. All your life everyone has known that the world is fucking burning up and going to die pretty fucking soon. Your whole life, the entire human race has known that it’s killing itself, and has done nothing to prevent this spectacular suicide. I mean, the old fucks like me and KSI (1993) have had time to ponder accept this death cult, but imagine being born into it!!

Hour Osama Suleiman Abu-Sanima

#59 Tierra Whack: Pop? Rap? R&B?

~ Lex Leeson ~ 3 Comments

Oooooooh, was that the plan all along? Were these three EPs meant to be analysed together like this, so that when the ensuing blog post is titled that way it looks like a thinkpiece on what genre you could describe the revolutionary and eclectic output of one of modern music’s most interesting artists?

Well tough, that’s not what I’m going to do. I’m not falling for that trap, this ain’t ma’ first time at the rodeooooooo-whoah-oh. And there are few debates more pointless and boorish that “What genre is this?”. Who. Fucking. Cares? This is Tierra motherfucking Whack, son! If you like or rate music based on their genre, or even profess a preference for one particular style of music, you are an extraordinarily dull person and need to sit down.

IT’S SURVIVAL OF THE FITTEST AND I’LL ONLY TAKE A MINUTE

#79 Waxahatchee: El Deafo (Apple TV+ Original Series Soundtrack)

~ Lex Leeson ~ 1 Comment

OK, OK, OK, OK, full disclosure: this ‘album’ is nine minutes long. It manages to fit five tracks into its runtime. Kinda. The first two tracks are essentially the same song. Oh, and of the remaining three tracks, two aren’t even close to lasting as long as a minute. I’m sure this will start a veritable flame war of controversy and divisive debate over whether it really deserves to be considered alongside the year’s greatest. I’m sure there will be much blood shed needlessly over this inclusion unless I get ahead of the narrative and immediately offer an apology.

(I’m not doing this bit on every entry, I promise…)

Yeah, seem to have forgotten for a second that, although this list is actually scientifically backed up and objective data based approach to the year’s best music, it’s also indisputably my fucking list and any of you chumps have an issue with that be sure to send all complaints through to suck@mygigantic.ballsack. Dot com. Dot org. Oh, you don’t like it? Well how about you make your own list? Oh, what’s that, you can’t? Well isn’t that funny? Oh, oh, oh, you’ve made a list have you? Let me have a look…

will i have a look?? find out next!

Necessary Evil 2021 (60 – 51)

~ Lex Leeson ~ 13 Comments

60 Justin Blackburn: Unlearning White America

Jesus Christ, people, Justin Blackburn, Justin fucking Blackburn.

Firstly, and perhaps most importantly, is ‘Blackburn’ even a surname in America?? It’s such a dour, cold & windy, shovelling-cow-shit-into-a-tractor-just-outside-Durham, depressingly prosaic English name that it really doesn’t fit the glitzy imperialism and Hollywood gunplay of the US. It’s like finding out Shawn Michaels’s real second name is Hickenbottom. Has he ever even been to Blackburn? What are his opinions on Alan Shearer?

Secondly, was there a more arresting, more intentionally obnoxious, more on the nose outraged in 2021 than ‘Unlearning White America’? In the last decade?? You should certainly be able to gauge the general thesis of the record by its splenetic title, but I’m telling you now, you have no fucking idea. It’s important to note that Justin Blackburn is a white American himself, so rather than angrily tearing down the racist power structure that prevents perceived outsiders like himself from even a fair chance, he is on the inside (even more angrily) rejecting the inbuilt privileges that the people who grew up around him receive, refuse to acknowledge and even turn to resentment against the USA’s non white inhabitants. Many of the rage is directed toward Justin’s (diegetic? genuine?) father. All the rage is directed towards white America’s assumptions, inattentiveness and, yes, racism. Justin is so centred on the ridiculous state of race relations in his country that he even goes as far as to manage to make ‘Jesus’ rhyme with ‘racist’.

Continue reading “Necessary Evil 2021 (60 – 51)” →