20 Poppy Ackroyd: Pause

2018 #21

Up one place since her last album! If the unbelievably talented Brighton-based pianist/multi-instrumentalist continues on at this rate, and with a similar schedule between albums, then she’s going to place #1 sometime around Necessary Evil 2081! Will we all be dead by then. No. You will, obviously, but I’m never going to die. And neither will my pet Pomsky, Zeus Bertha Pepper, I wuv hm sooo muuuuuuch! But, erm, yes, you’ll all be dead. Zeus Bertha Pepper will have likely killed you, he has quite the bloodlust. Have you read that 2018 review though? Yeah, I loved the album muchly – I even suggest she score the recently released movie Bumblebee, which is of course meant as a compliment, how could it not be? – but I seem like I was in a pretty bad place on that particular day, doesn’t it? Three years on, has my brain’s general countenance improved? Today, absolutely. These past few months, definitely. This past year… weeeeeeeeeeeeell, there was a bit of a struggle that I invited it into.

I’ve touched on how toxic and damaging my 2020/21 marriage was, and how it left my self-belief, my mental comfort and my dang desire for life in the absolute toilet. Well, this post is going to be the final reckoning, the complete and total exorcism, the slicing open of old wounds so that they can bleed completely out and not poison me again. Starting on the 14th December 2020 I started keeping a diary of how much the marriage was hurting me, it ran until abruptly stopping on the 29th January, likely because my illness became too much to leave time for such pathetically solipsistic concerns. There were thirty three entries.. I think this was in response to my wife showing disbelief that I could be feeling that way, or perhaps she had challenged me to name instances in which I was hurt and my decrepit old brain struggled to give precise details when called up on it. Whatever. I started writing them down and put them in a password and fingerprint secured OneNote file. I never showed or even mentioned them to my wife, and before recently I hadn’t looked at them myself in months. It was actually reminding myself what I said about Poppy last time around that convinced me to dig them up. I couldn’t remember the password and had to keep guessing until about three in the morning, but I got in! And here the entries are.

Now, I don’t want to make this feel like I’m piling on my ex-wife – she wasn’t right for me I wasn’t right for her, but she otherwise deserves all the love in the world. I don’t come out of these records looking great either, please just take this all as evidence of how incredibly awful the relationship was. Oh, and I’m sure there’s roughly a dozen trigger warnings I should be offering here, so maybe just don’t read any further if you’re having anything like a decent day that you don’t want ruining, or if dark depictions of mental states or terrible relationships are likely to set in motion grim and traumatic thoughts of your own, then get out now! Seriously, not many jokes on this one…

AT YOUR PERIL

“I’ve Been Calling it ‘Depressive Suicidal Pop Music'”; Don’t Do It Neil Wanna Know What Dragon Tastes Like

You should all absolutely already know this by now, but Philadelphia’s Don’t do it, Neil was already a bit fucking special. Mabel Harper has long managed to combine a Weeknd-esque ability to document the seediness and pain behind revelry and intimacy with an exquisite understanding of how right these wrongs sometimes feel that can sometimes rival Stock, Aitken and Waterman’s grasp of sheer pop bliss. Her songs often sound like the building pleasure leading towards an orgasm while having sex with someone you really shouldn’t, but always with the underlying anxiety of the size of the mess you’ll have to clean up after your messy climax. This has been quite the opening paragraph, hasn’t it?

Worryingly, there were moments in the last couple of years involving suicidal thoughts and hospitalisations that might have led to the brilliant B/X album being her final record. However, Mabel managed to survive and process the experience, and today sees the release of her new album ‘I WANNA SEE WHAT DEATH IS LIKE‘, adding new perspectives on death, grief and mortality to an artist whose personal circumstances already made her one of the rarest perspectives in pop music. As soon as I heard of its release, I had to request an interview. Which meant only one thing.

The carrier pigeon

Yeah, I know, the handwriting’s terrible, but in my defence I asked my personal carrier pigeon (Twattori) to write it himself, so my hands are clean on this one. Unfortunately, Twattori did not survive the journey and so was unable to reach Philadelphia to deliver the message. He didn’t even survive long enough to leave the UK. In fact, he didn’t make it 50 metres from my window. Because I shot him. Seriously, did you see that handwriting? Mabel would never talk to me if she saw that. Christ, Twattori was such a prick wasn’t he?

So I just hit her up on Twitter. I was going to blow her mind with questions she’d never been asked before.

Firstly, and I’m sorry for being the 65’703rd person to ask you this question, but why ‘Don’t do it, Neil’?

In the movie Dead Poets Society, there was a kid named Neil who seemed pretty gay to me. Just a really sweet boy who discovered his love of acting only to have his passion ripped away from him by his father. Long story short, Neil kills himself during the climax of the movie, and it was really, really devastating to me. So “Don’t do it, Neil” means, “Don’t do it, Neil, don’t kill yourself.”

Continue reading ““I’ve Been Calling it ‘Depressive Suicidal Pop Music’”; Don’t Do It Neil Wanna Know What Dragon Tastes Like”

55 Don’t Do It Neil: B/X

“Descend deep in my body
Ascend me from my body
From my body tonight
Free me from my body tonight”

OK, fair warning- maybe even a trigger warning, but I’ve got to be careful because some people get so fucking angry when you word a content warning that way*- but this post might go to some pretty dark places. I mean, I’m just going to talk about my life a bit, which is always going to be a bit dark, isn’t it? For you, I mean. I’m alright with it, I fucking live with it, but I appreciate how some people might get a bit uncomfortable. These people can just read my Princess Nokia bit again, that was pretty funny. I’m going to use the brilliant ‘B/X’ album as a jumping off point to talk about how I was ‘freed from my body’, then masterfully bring it back at the end to Don’t Do It Neil. It’ll be a fucking amazing post, and I don’t know why more people don’t read this blog, it’s fuckin’ straight fire.

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(*because some people- and I can’t stress this enough- are fucking dumb)

Continue reading “55 Don’t Do It Neil: B/X”

Govier Forces a Little Exception of His Own

Yeah, that title was a pun when I reviewed the american poetry club album. Makes less logical sense now, admittedly, but I like it. Hey! Two album reviews this year! Getting into some real Lestor Bangs territory now! This blog is fucking legit, yeah?

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We* far too readily accept that whatever we do is simply good enough. We** accept what we are able to do at a scandalously young age. At the very latest when we’re about 18 or 19 and first enter university believing we’re already the finished article and want to spend the next few years convincing other people how fucking amazing we are, usually under the assumption that it’ll lead to increased opportunities to rub our genitalia against somebody else. Often though, it happens much, much younger. Many of the people you pass on the street, many of your closest friends and family, many of the people weird and/or dumb enough to read this very blog, basically decided at about 13 years old that you know all the things you can and can’t do, your likes and dislikes.  You*** decided at that age that you shouldn’t really waste time overloading your dumb brain with any new talents or inspirations, so decided to spend the rest of your life getting angry and other people for not accepting you for who you are (and have been for decades).

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“Right, fuck it, I’m done. I’m never going to better this”
Continue reading “Govier Forces a Little Exception of His Own”

Entry #4 Marina and the Diamonds: Obsessions

What is the point of this blog? I mean, really?

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Don’t answer that.

I don’t mean to say ‘don’t answer that’ as a joke, like the answer would somehow be difficult to hear, it was an entirely serious suggestion. An order, really. It would really slow this entry down to a standstill were I to pause now to open it up for reader’s suggestions. It’s pretty much the definition of a rhetorical question, see? I’m not actually expecting you to answer, merely just asking it for dramatic effect. Do you see? Good.

Continue reading “Entry #4 Marina and the Diamonds: Obsessions”

14 awakebutstillinbed: what people call low self-esteem is really just seeing yourself the way other people see you

I’ve long debated that. When I go through periods of hating myself, is it actually myself that I so despise, or just how terrible I must look to other people?

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I already mentioned my mind, and how ridiculous an amount of importance I place  on other people’s perception of me in finding my own sense of self-worth*, but isn’t that logically the way I should be approaching life?? Don’t we as humans only even truly exist in how we effect other human beings and the world around us? Sure, you can be happy in yourself, and not care slightly about your consequences that your needlessly complicated existence can have on those around you. Congratulations, you’re a meaningless life form. Isn’t that sociopathic though? How can you struggle through life with any kind of happiness when surely you have to be an idiot to not even give thought to how little esteem you’re held in the eyes of so many people.

Continue reading “14 awakebutstillinbed: what people call low self-esteem is really just seeing yourself the way other people see you”

35 Camp Cope: How To Socialise & Make Friends

“And I said that I was sorry about that line
I only wrote it cause it rhymed”

‘Last year’ I wrote for the first time in detail about my last suicide attempt. ‘Last’ as in ‘previous’, it takes a mighty pair of brass balls to confidently predict you’ll never attempt suicide in the future, no matter who you are. I wrote it because I was in a good place mentally and didn’t like feeling that it was this uncomfortable skeleton hanging in my closet, awkwardly swinging after a laughably failed attempt at hanging itself. Remember, I’m allowed to make those jokes, not you. Maybe you’ve read it, because it was the most viewed post ever on this blog, because you’re all sickos. Honestly, I really do hope another post overtakes it soon, as currently the example of what musters the absolute most traffic to my website is failed suicide bids. What if I felt I needed to repeat its success?? How do you even plan a failed suicide bid? I can’t very well jump off the bottom step of the stairs and then claim I’ve survived another suicide bid, can I? Well, maybe I could once, but after the fourth or fifth time I’d likely start losing the trust of readers. And that’s what’s most important to me, dear readers, your trust. Or just another random person visiting the site to assure me the clicks, I really couldn’t give a fuck. You’re all cattle to me.

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Continue reading “35 Camp Cope: How To Socialise & Make Friends”

72 Phew: Voice Hardcore

The 1976 movie ‘Snuff’ is a pretty by the numbers meat and potatoes early slasher flick, revolving around the exploits of some n’er do well bikers in South America. The leader of the bikers is called ‘Satan’, which you have to imagine they planned to change at one point. The movie becomes rather notable at its end though.

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The film ends with a pregnant actress being stabbed (it was very much that kind of movie), but then we hear the director shout ‘cut’ and the camera pulls away from the action and back to reveal the full movie set. Cameras, crew and director. As the crew pack up their shit, happy with the results of the obvious $72 that went into making the film, a script girl approaches the director and confesses what an admirer she is of his work. She also, predictably, tells him how the violent scene turned her on, because bitches be craaaaaaazeeeeeee!

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Entry #1 Prince: Raspberry Beret

Only Feasible Starter

There is an extremely high chance that I’m going to die relatively soon. Like, probably tomorrow.

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OK, not probably tomorrow. Possibly tomorrow. OK, maybe not even ‘possibly’. Maybe tomorrow.

Alright, the chances of me dying tomorrow, or even in the upcoming days, are admittedly quite remote. But I could die any minute.

I mean, admittedly, we could all die at any minute of any day, such is the deliciously cruel randomness of life, but let’s face it- I’m far more likely to die a long time before you. I am a medical wreck; I take very few measures to protect my life; I have a dangerous curiosity when it comes to both legal and illegal substances and yet so blissfully unaware of my surroundings that the likelihood of me being hit by a bus or eaten by an escaped hyena* (that everyone else noticed was coming from miles away) are extremely high. This is all despite the fact that you so deserve to die before me! Come on, admit it- you’re a fucking waste of your disgustingly over extended skin!

(*Yeah, I know hyenas only generally feast on dead carcasses, but have you seen me lately? I’m sure they’ll take one look at my decrepit body and decide “Close enough”. Cheeky sods)

Continue reading “Entry #1 Prince: Raspberry Beret”

23 St Vincent: MASSEDUCTION

MASSDELUSION

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“How can anybody have you and lose you
And not lose their minds, too?”

That’s a really nice little couplet, isn’t it?

It relates to the similarly awesome surrounding song’s Los Ageless*‘s themes of  desperately attempting to battle the horrifying and corrosive party-pooping  efforts of aging. It’s so cleverly written though, that Annie Clark is aware how it could potentially become an anthem for jilted lovers and soundtrack many traumatic break ups. Annie Clark is clever enough to realise that, realistically, the largest effect any song written and performed by a woman can hope to have on wider culture is if it’s included on the soundtrack of a ‘Bridget Jones’ movie, so she might hit paydirt with this one.

I really love the line. I love how it flows, I love how many ways it could be interpreted. I love how Clarky sings it. I love it so much I actually got it as a tattoo.

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…which, given the things I’m about to talk about, might have been a mistake…

Imagine if the lyrics were slightly different. Imagine if the song was actually about how finishing a relationship with Annie is likely to send someone loopy, because she’s so fucking awesome. The chorus would instead go ‘How can anybody have me and lose me/And not lose their minds too?’.

It would still be a pretty boss lyric, wouldn’t it? I mean, a little less nuanced and subtle than Clark’s songs usually are, but still an exhilarating anthem of female empowerment that is once again guaranteed that Bridget Jones movie spot.

However, what if the lyrics were: ‘How can anybody have me and lose me/Move to a different country for three years/Finally divorce me/And not lose their minds too’?

It’d be a bit weird, wouldn’t it? I mean, the rhyming scheme has been completely compromised, and the song’s whole melody would probably have to be rewritten in order to work it in.

Don’t worry, I am actually going somewhere with this:

Let me take you back to April 31st 2010:

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Continue reading “23 St Vincent: MASSEDUCTION”