Legit Bosses: 2021’s 121 Greatest Songs

You know it’s all about that boom! Legit Bosses, baybay!*

(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)

So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.

No, no, hey, maybe it’s you that’s too gross, ever considered that??

Anyway, let the festivities begin, here are the playlists:

Spotify

YouTube

Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”

22 slowthai: TYRON

2019 #76

What do you think your chances are of making it as notable musical artists? Pretty slim, right? What about if you’re not already born into financial success, if you socioeconomic status is closer to the lower 50% than the highest ten, if your Daddy doesn’t know someone else’s Daddy, if you weren’t already on the Disney cocking Channel? Honestly. next to zero. Like, right next to. Absolute zero. Sorry.

Tyron! The drool! The droo…! Eugh, too late, gross…

How about rap music though?? The supposed authentic ‘sound of the street’, where the idea of hustling your way out of economic barriers and the laughable inequalities into which you were born are valued especially high? A genre where being born into prosperity or privilege are looked upon with particular distrust? A music and a way of life that has long been appreciated as the one direction out of poverty for people desperate to find some sort of alternative? What kind of chance does that offer? I mean, seriously? It’s still pretty freaking low, right? It’s not like you’re the one person who had that idea, and many of your peers will be actually really good at what they do and still struggle to achieve the success that you so crave. It’s another longshot, sorry.

Nothing Great About the Rest of This Post

Necessary Evil 2019 (77-74)

77 Princess Nokia: Metallic Butterfly

Metallic-Butterfly

As I’ve previously mentioned, I’m a big believer in getting into artists solely because you like the cover art of their album. Well, guess what? I freaking loved the cover of ‘A Girl Cried Red’ by Princess Nokia. A Latin-American woman in a Slipknot shirt giving me the finger? Yes please, that’s all that I ever want, give that to me now, please, let me chow down on that, nomnomnomnomnom, thank you sir, can I have some more. Do you see? Well, I got the album, I loved it, and then was left with two main questions:

  1. Where do I get to get more of this stuff and then shovel it into my ears?
  2. So, what, is she the daughter of some sort of monarchy based around mobile phone manufacturers? Is she the daughter of the king of the Nokia phones, or is each different member of that particular royal family a different type of phone? Like is her brother Prince Samsung and her great aunt Duchy LG? I mean, the king has to be King iPhone, don’t it? Not based on quality, but one assumes that actual phone sales would feature in most prominently when deciding the lineage of such a monarchy. But if Nokia’s parents and older siblings die and she ascends to the throne, does she then take on the name iPhone? You can’t be having phone manufacturers royal house being run by a fucking Nokia, what is this, 2002??

Continue reading “Necessary Evil 2019 (77-74)”