52 Gorillaz: Humanz

Great Artists Steal. So Does Damon Albarn

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Wow, well this is pretty shameless, isn’t it?

Damon Albarn and That Other One were obviously struggling for ideas for the band’s fourth (proper) album, evidenced by the seven years it took them to follow up 2010’s ‘Plastic Beach’ (an album I really loved for about four months then forgot all about), so were forced to instead crib inspiration from perhaps the most artistically provocative writers of their time.

(Do I need to say that it took seven years and then state further that ‘Plastic Beach’ was released in 2010? Seems like a waste of words. In fact, if you include this little parenthesised section here, the addition of the conformation of the year two thousand and ten has added an  entirely unnecessary one hundred and nine words to this piece!! In retrospect, probably unnecessary. Unfortunately, I don’t think there’s any way to remove or obliterate anything you’ve written- to ‘delete’ it, if you will- so it has to stay in. Let me know of any potential solutions in the comments. Should I write the whole entry again?)

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1 Beyoncé: Lemonade

Well… yeah… I mean, come on… yeah!

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The sixth album by Beyoncé is so obviously the best album of 2016 that it’s near offensive to posit the theory that any other could possibly be considered superior

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‘Lemonade’ is legitimately one of the greatest records released in my… 29 years of age, of which maybe I was paying properly close attention for 13 (once you take away the times I was either too young or too drunk and suicidal). Both musically, artistically and due to wider cultural impact, few records can seriously compete with this immediate masterpiece

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65 Pusha T: King Push- Darkest Before the Dawn: The Prelude

Wow, that title’s really colon overload isn’t it?

 

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Last weekend I went with my brother to the cinema to see the Terminator 2 3D re-release, because the only movies I care about are the ones I liked when I was a teenager and can equate it to a time when life’s relentless, ghastly struggle hadn’t yet destroyed all the optimism and vague concepts of pleasure that once trickled through my young veins, and I reject any new movies because they implicitly suggest younger people are getting enjoyment that is no longer available to me

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