Tag: public service broadcasting

The Legit Bosses: Best 65 Tracks of 2017

~ Lex Leeson ~ 6 Comments

EDIT: a full 16 days after publishing this piece, I finally got round to making a Spofify Playlist. The best songs of 2017. In May 2018)

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OK, 20th April and we’re almost done. Never apologise for your own timing: genius cannot be standardised by your plebeian calendar. Good things are always worth waiting for. Patience, motherfuckers, patience.

Remember (kayfabe) last year, when I broke the Legit Bosses down into about a million parts? Ten freaking YouTube videos every post?

That was a really dumb idea. You’re getting all 65 songs in one list this year.

There were exactly sixty five amazing songs released last year. If you believe that there were any more or less then you are either massively mistaken or just plain stupid. Listen and learn:

65 Vince Staples: Alyssa Interlude

00 (alexanderlpalmer@hotmail.co.uk)

Finding out that the voice sample explaining the pain that’s sometimes needed to inspire creativity is actually Amy Winehouse pushed this interlude into ‘AMAZING’ classification.

Barely two minutes long, but exhibiting the kind of experimental genius that was slightly lacking on the rest of the album. More of this in the future please, Mr Staples, and less of… erm…

Less of, like, whatever I said in my review. It was quite a long time ago…

64 Young M.A: M.A Intro

Freaking perfect introduction to the record, which I can’t help but shout along to the “Who dat?/Who dat?/Never who dat” intro with all the gusto and passion a middle aged white guy is legally allowed.

63 St Vincent: Los Ageless

Despite what my review may have led you to believe, not actually about my ex-wife wrongly claiming credit for my suicide.

My ex-wife read that review, by the way, and got in touch to correct a lot of my false assumptions. Yeah, I’ll definitely talk about that at some point. Make sure to click ‘subscribe’…

62 Tove Lo: Hey You Got Drugs

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A lovely ballad about a subject that I think is vastly underrepresented in sad songs. I may have slightly overrated it in my review of the album, which shows how relatively underwhelming the rest of the album is.

Also: invest in a comma maybe, Ms Lo?

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11 The National: Sleep Well Beast

~ Lex Leeson ~ 4 Comments

Write Poorly, Swine

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Erm…

Jeez.

Now, this album’s called ‘Sleep Well Beast’, and although I used to consider myself an insomniac, I actually sleep far better now ever since I was prescribed…

No. No, that’s really dull.

Beast. Beast. Beastbeastbeastbeast. Beast.

The Beast of Bodwin Moor! We all know about the Beast of Bodwin Moor, don’t we? Yeah, definitely, a keenly observed reference point that, aye? I may be about to blow your tiny minds, but did you know that actually the Beast of Bodwin Moor

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Probably… probably doesn’t exist. If you suggested it did you would be laughed out of the dinner party in which you are reciting the anecdotes by all surrounding scientists.  They will derisively reject your claims due to many factors such as the improbably large numbers necessary to maintain a breeding population and because climate and food supply issues would make such purported creatures’ survival in reported habitats unlikely. I mean of course it doesn’t exist. No ‘beast’ has ever existed: from the one on the Bodmin Moor, to those Fantastic ones that people are looking to find, to Adebayo Akinfenwa, to The Beast from the East that we heard so much about recently. Did you ever see this mythical ‘beast’?? No, of course you didn’t, probably because the bad weather ‘coincidentally’ happening at the same time made it difficult to so see much of anything recently.

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26 Public Service Broadcasting: Every Valley

~ Lex Leeson ~ 2 Comments

The Mining Industry’s Colapse is Unfortunately Not Always Super Entertaining

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I don’t think any widely used (and often misquoted) maxim gets me more riled* than the one that supposes all the world’s problems could have easily avoided if people just payed a little more attention in history class.

History’s great: the past was fucking mental and studying quite how bananas it was is always fascinating. In fact, I’d say that out of all the school subjects history was definitely my favourite ‘ry’, better than chemistry, carpentry and podiatry (my school was very weird). But to say that knowledge of it would prevent making similar mistakes in the future just completely misunderstands human psychology: when you hear of past logistical failures, you don’t wisely choose to avoid making the mistakes, you do it all exactly the same because, deep down, you know that it’ll work when you do it because you’re frickin’ awesome. Do you think that in late 1942 some bespectacled nerd Nazi soldier (a ‘nazerd’? A ‘nerdzi’? Yeah, I like that second one) hurried to the front of the battalion encroaching on Russia with his school history text book shouting at the admiral “Hey, mate, hey! I’ve just read up a bit on this whole ‘invading Russia’ lark, and it turns out it might not be a good idea…!”

No. Hitler knew all about his history. He just assumed that he would be able to get it done right. Because he was Adolf fucking Hitler and he didn’t give a fuuuuuuuuuuuuck, yo.

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(…)

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Best Albums of 2013: Necessary Evil’s Chris Benoit

~ Lex Leeson ~ 74 Comments

I’ve tried to put this off for a long time: the 2013 best albums list that I originally emailed off to ‘friends’ and ‘allies’ around Christmas that year is the final collection to be posted onto the webisphere and officially archived. I considered never doing it, denying its existence and never admitting to the shameful mistakes it contains. However, when I write my NE2017 list (soon, I promise) I want to make a point of referring to artists’ past entries in the Necessary Evil Blogging Universe (NEBU), so I’ve relented and made it available to read.

I was mainly worried about two things: firstly, I spent 6 months of 2013 in hospital, occasionally politely coughing and making my existence known to death’s door, so the fact that I managed to still mash out a top 50 at year’s end- while being an astonishing achievement warranting some achievements in disability award- makes me assume that a large portion of it will be unreadable madness.

Yes, very funny: more so than usual

Secondly, Arctic Monkey’s award for best album was soon revoked in light of their tax dodging selfishness, and the records for 2013 now show Hjaltalin’s astonishing ‘Enter 4′ as the greatest album, as despite it only finishing 5th in this initial list, by the time Arctic Monkey’s were stripped of the award it had grown into my favourite release of the year. Arctic Monkey’s win in 2013 is now viewed in the Necessary Evil Online Community (NEOC) with the same divisiveness as Benoit’s Wrestlemania 20 Heavyweight Championship win, and doubtless the posting of this list will be viewed as an extremely controversial move by victims of the Arctic Monkeys’ crimes. I apologise for any offence caused, but you must understand the importance of establising the legitimacy of NEBU.

So, I re-read the list for the first time in years and…

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It’s…

…

…

…not bad. Not bad at all. In fact, I’d say that 2013 might contain some of my best and most incisive actual music writing, and I didn’t cringe nearly as much as I feared. Jesus, some of the entries (The Strokes, Arcade Fire, Kanye West…) are some of the best normal writing I’ve ever done! From death to coherence: I’m such a fucking inspirational figure

It’s far from perfect- I make a quip about Bowie not dying, I’m a little too subtly sexist in my Haim review, Steve Mason is number fucking two…- but I’m not completely overwhelmed by shame posting them

Also: Daft Punk are only no.42, Vampire Weekend 34, that’s pretty gangsta…

NE2017 soon, I promise

I love you all

Except you…

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15: Public Service Broadcasting: The Race For Space

~ Lex Leeson ~ 1 Comment

PSB’s debut in 2013 was an extremely diverting collection, though their technique of laying the sound of old public information and propaganda films over jaunty dance music couldn’t fail to mark them out as almost a borderline novelty act who were unlikely to have much of a career ahead of them. On their second album though they have chosen to focus entirely on the space missions that took place between 1957 and 72, and in doing so have made the unlikely jump to being altogether unique and rather important musical documentarians. It isn’t just the samples of 60s news reports, Kennedy’s speeches and Neil Armstrong interstellar responses that male this album so fantastic though, the music itself is an inspired and affective soundtrack that can call to mind Kraftwerk one minute, Daft Punk the next, and The Duratti Column after that. It expertly captures the excitement, tragedy, suspense and downright joy of the space missions and is so richly evocative of the thrill of the time. It makes you deeply excited to hear what they try next, though considering they have now covered up to 1972 I did contact the band and suggest they should next attempt to soundtrack humanity’s next monumental recording: ‘1994’s ‘Wibbling Rivalries‘. The band haven’t replied to my email yet.

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‘Fun’ Fact: We haven’t been to the moon since 1972 because as head of NASA Charles Bolden explained ‘It’s fucking shit up there’ and that he ‘can’t be arsed’

Great, ‘musical documentarians’, can you really imagine me dancing to that when I go out to Staley Vegas on Friday? You fool, have you not seen the video to ‘Gagarin‘?

Album Link