Legit Bosses: The 125 Best Songs of 2020 (pt.1 #125-#81)

‘Member 2020? Do you really?? I’m not 100% sure 2020 as a year actually took place in any official capacity. I accept that days were marked off and months were filed as ‘complete’ in admin, but it was all just a box ticking exercise to make sure that all the paperwork lined up and we weren’t caught out were the concept of the year twenty twenty be questioned in any future audit. Sure, it happened, just look at that tick of the Excel spreadsheet. Can we move on? Please?

“Fuck it, check off 2021 as well, I’ve got a feeling that’s already a goner…”

While its existence is obviously a hotly debated issue, what’s undeniable is that we saw a shovel load of amazing songs in 2020. Thirteen more than in 2019, in fact, which means that, despite everything, 2020 was actually 14.56% a better year than 2019…? I know, it didn’t seem that way, but the maths doesn’t lie. In every previous year’s Legit Bosses countdown, I was fully confident what was going to finish top before I started writing it. In 2020, however, there were so many massively different but equally stonking songs that I had no idea where it was going to to land when I ranked them last night, the one that ended up on top really surprised me, and- fuck it- I may well change my mind again whie I write this. It’s my fucking list, piss off.

Some of you might remember me previously explaining that the Legit Bosses will be published a little later in the year because I had a big immigration law exam on the 25th February to study for. Well, despite studying like an appropriately legit boss myself, a week before the exam I was rushed to the hospital with ulcerative colitis, which was serious enough for me to be kept in the hospital for eight days, miss the exam and have to reschedule for May. I could have finished this dumb fucking list before New Year Day. Ah well, not to worry, just know that, no matter how fiendishly provocative and titillatingly obtuse my writing predictably, I resent everything about having to write this list and in all honesty despise you for reading it. More after the jump!!

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My Life in Albums (part 2 97-06)

You want an intro? You got that in part one! Let’s get down to the dirty, sticky and dangerously unhygienic business:

1997

This was an important year for me, this was when shit got real. Yeah, Labour won the election, which I was aware I was supposed to celebrate but not yet conscious enough to know exactly why, just that ‘our team won*. Princess Diana died, inspiring a nationwide reaction that even 13 year old Alex Palmer recognised as being a bit fucking much**. All that was meaningless background noise though, as most importantly 1997 was the year that I became really switched on to new music. Before this point, most of the albums I’ve listed would have been discovered by me later and posthumously lusted after in the kind of nostalgic necrophilia that I would later grow to despise. Yeah, sorry if you’ve already imagined me as an incredibly cool seven year old bopping his head to Soon by My Bloody Valentine. From this point on, these important albums in my life and personal development were pretty much all discovered as contemporaries. Seriously though, ‘It’s Great When You’re Straight… Yeah’ was the first CD that I ever owned. Yeah. I’m that cool/weird.

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“Dad, this is why you’re only allowed to see me one weekend every other month…”

Continue reading “My Life in Albums (part 2 97-06)”

Necessary Evil 2019 (30-26)

30 Candy Says: You Are Beautiful, We Are All Beautiful v2

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If this blog has one true aim, then it’s to introduce and promote new…

Well… no, actually, if this blog has one true aim then it’s to extensively psychoanalyse myself and admit my private shame into what I believe to be essentially ‘The Void’, all under the laughable pretense of ‘reviewing music’. Ha! I haven’t done any ‘music reviews’ since I was highly scathing as a twelve/six year old of the 1996 Dodgy album ‘Free Peace Sweet‘. Three piece suite! Now I get it! Sorry, Dodgy, that review was unnecessarily harsh. Reappraisal: ⭐️⭐️⭐️⭐️⭐️

OK, but if this blog had a secondary aim, then it’s to introduce and promote new artists to…

No, the secondary aim is just an excuse to talk about Manic Street Preachers as much as possible, isn’t it? With ‘Official Prince Chat’ sprinkled on the side as garnish. I might just rename the blog to ‘Artists I Liked When I Was a Kid, At Length (While I Wait for the Next Hotelier Album)’. Dot WordPress dot com.

(…)

“If it had a third purpose it’d be […] no actually it’d be [BANTER]. In that case the fourth purpose would be […] actually, it’d probably be [STONE COLD MEGALOLZ]. But the fifth purpose would definitely be… (repeat)”

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23 Z Tapes: Spring 2018

Right now. Now. This time. The space in which we orbit. This particular mark along the 4th dimensional axis. This time. Now. Here. Right now. Right now is the best time ever to be a music fan. Fight me.

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If your argument is that there isn’t as much good music around these days then, with all due respect, what the fuck are you talking about, you ugly sack of piss? There’s more good music in 2018 than there’s ever been before, and with more possible ways of hearing it than previously thought possible. Perhaps you want the days again when you’d read about The Mock Turtles being given record of the week in NME and then excitedly rushing off to Woolworths in Dorking to spend your 25p on the plexi vinyl, and the exhilarating trip home on the bus before you raced back to the record player in your bedroom and finally found out it was dog’s pish. Fair enough, but firstly that’s the world that you don’t like as much these days, not music, and secondly you can still take a trip out to Asda or somewhere and spend money on a record you’ve never heard that’s likely to be shit. ‘You Know I Know’ by Olly Murrs is number 10, they’ll probably have a copy of that and it’ll almost definitely be shit. Fancy doing that?

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25 PVRIS: All We Know of Heaven, All We Need of Hell

That’s Quite Enough of What We Need of THAT…

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I’ve just been thinking (see above): remember those Paris attacks back in November 2015? They were horrid, weren’t they? I think we can all agree that The Eagles of Death Metal are at best a ‘serviceable’ act, but I don’t think there’s a form of entertainment on Earth that 89 people should be slaughtered just for attending (apart from, of course, [INSERT YOUR OWN JOKE HERE, THEN HAVE SOME FUCKING RESPECT]). 130 people were murdered* in total, which I think we can all agree is far too many.

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