I changed so much since ‘Volume 1’
I don’t give a fuck who don’t like me…
Pandemic illuminates darkness
Uprisings just hit me the hardest
And all you virtue signalling fucks
Will not get to sample the harvest
Jesse Got Away
Hey. Hey. Hey you. Yeah, you, future cultural historian. Yeah. I’m contacting you from the past. Wooooooooooo! Wait… no, I’m not a ghost, am I? Scrap that last comment. Just put down your Diplomat smoking pipe and remove your monocle, listen to me for a second. How’s the future treating you? Flying cloud storage, you say? Electronic cigarettes with AI sentience? Well that all sounds absolutely pointless, but good luck to you. Gig economy for cultural history, is it? Because Elon Musk is now the Great Leader at more than a thousand years old and can’t afford to give any workers at all any rights because he needs to fund his great humanitarian expedition to carve a visible doge meme onto the surface of Jupiter? For the lols? You have to pay for your own monocle and pipe?? Yeah, yeah, that all sounds awful, but not much different from my time and I kinda wish you’d stop going on about it, it’s my turn to speak.
How are you currently gauging the cultural mood of the years 2020-21 out there in the year 3000? Sure, if you wanted an inspiring and comforting read on everything you could just go to Arlo Parks’s debut album. Perhaps if you wanted a glimpse into how humanity strived (and often succeeded) to make creative connections despite the viral barriers you could take a listen to Charli XCX’s magnificent ‘how i’m feeling now‘. Or, yeah, if you wanted to go all Pitchforky I guess you could name that Fiona Apple album. What’s that? You’re actually currently evaluating the era through the prism of Emily in Paris? Damn, that’s a good angle, and I’d love to see what horrors you’ve unearthed during your studies. But can I suggest something far more advantageous? How about you study the illuminating trilogy of albums released by Big $ilky over that period?
Continue reading “35 Big $ilky: Big $ilky vol.3”
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