8 Hallelujah the Hills: DECK

Fucking hell, they actually did it.

In late 2022, Hallelujah the Hills announced an absolutely ludicrous idea: DECK. A 52 song project, with each song representing a playing card in a traditional… well… deck… Although it was announced in 2022, Ryan H. Walsh said that it was an idea that he first thought up the concept 20 years earlier, likely as some nonsense pie in the sky fantasy that would never likely be completed. It would be made up of four thirteen song albums, one for each suit. The diamonds suit would be the band’s a proper studio follow up to 2020’s ‘I’m You’ – the real diamonds in the rough. The club deck would be more punky and direct – clubbing you over the head, if you will. The hearts deck would be more slowed down and acoustic sad boi songs – that hit the listener straight in the heart…s. And then the deck of spades would be the project’s more experimental and looser songs – songs that… call a spade a spade…? Are influenced by David Spade…? Ah! A spade spade! For digging! So the spade suit would be the band digging into their creativity to express themselves more freely? Yeah, think that’s it.

Whatever, it doesn’t matter, this whole idea’s a fucking disaster.

Cauterizing wounds with lit cigarette

Legit Bosses: The 143 Best Songs of 2024

Hey, look, I’m getting better at this. Recently, I went on a massive cull of the 2024’s greatest songs to make this list as tight and as concise as possible, so that it would be sure to represent the absolute best of the best and would be as brief and easy to write as possible. And look! There are only one hundred and forty three tracks this year!! That’s a whole seventeen less tracks than last year! This post is going to be a breeze!

spoiler: this song is going top five. It INVENTED GAY POP, show some respect

OK, three weeks laternow, and I’m almost done! This post will be longer than most books you read, but to be fair most of the ‘books’ you read are Dr Who fanfic.

So, yeah, these songs are really good. And they get better as the list goes on. That’s how these lists work.

Here’s the YouTube playlist, which I know is the only thing most of you care about.

How much of an intro do you need, seriously?

A/79/232

2022’s Statictus the Fitness: The Numbers Behind the Year’s Greatest Albums

Remember when I used to do these posts right after I did the albums of the year? So it’d be the Necessary Evil albums of the year, the scientifically proven best album fawned over at length, the stats, and then we’d be officially done for another year?

Boom! You just been Mandela Effected, boyeeee! I actually only think I ever did that schedule once, for Necessary Evil 2019. I’ve always been far more often waaaaaaay late with these statistical breakdowns. What I actually used to do really early is (pfff!) do the stats just before the number one album! I could never (be arsed these days! These days the writing of the list itself is such a huge emotional toil that it takes me a long time to even consider thinking about these fucking albums again. Also, it’s getting harder and harder to think of puns on the word ‘stat’.

But these posts are basically just pictures, so I may as well just freakin’ do it. Let’s glance back at the wonderful year od 2022 when we all collectively thought, as always, “Well at least the next year can’t be as bad as this one…”.

Watch me drift and watch me struggle, let me go

#13 Hallelujah The Hills: No One Knows What Happens Next (2012)

Rerelease number two! By the way, I’ve also come to notice since I last wrote that Marina post signalling the Oncoming of the Rereleases, where I rather cerebrally and logically (some would say deeply sexually) explained how I’d been smart enough to collate the list’s three big rereleases all together just outside the top ten. Or maybe that was a complete accident. The point was: I’m a fucking critical genius. Well, afterwards, I realised that there were rereleases at numbers 14, 13, 12, then a completely valid 2022 record at #11… Then another ‘rerelease’ (not technically rereleased this year, but a ‘Legacy Release’ that I’d decided to include) at number ten. Honestly, I’ve no fucking idea what’s going on with this list. Or my life, for that matter. Please help me. Any clues on how to sort this shit out?

My life, I mean, I don’t want to hear about any perceived ‘improvements’ to this blog or the Necessary Evil year end list. Necessary Evil is a perfect little crystal and I’m very protective over it. My life? Meh, I’m not too fussed, so I’ll give everything a shot. Have I ever tried deeps sea crab fishing as a vocation, you ask? Why not!? Live out my days as a Dreamsexual?? That sounds pretty problematic these days. I’ll do it.

THERE’s NO USE PRETENDING THAT THIS LIFE IS UNENDING OR CRUEL

Necessary Evil 2020 pt.5 (60-51)

#60 Halsey: Manic

Halsey sits in that awkward position of being an extremely, very, absolutely great artist, but at the same time being weighed down by almost being suffocatingly overrated by some corners. Also, she’s often really annoying.

Now that last (factual) statement may actually be problematic. Would I refer to Halsey’s objective annoyingness if she were a man? Truthfully, if she were a man I’d probably call her a ‘cunt’, but I’m always aware of how vicious it can sound to use such violent language when referring to a woman, so I’m slightly more polite. Is that sexist? To self censor my language and treat women more ‘gentlemanly’? Am I actually doing it because I feel that the curse is hilariously infuriating to a man but actually hatefully offensive when said to a woman? Is that idea sexist?? Should I maybe not be calling anyone a ‘cunt’??

Jump in any time, these are good topics.

If you show me that you understand this reference, I will honestly send you £50
Continue reading “Necessary Evil 2020 pt.5 (60-51)”