#9 Sharon van Etten: We’ve Been Going About This All Wrong

Ooooooh, that title is an open goal for renowned and celebrated political satirists such as myself, isn’t it?? ‘We’ve been going about this all wrong’, aye? What biting topical references could I make here??

#topical

OK, OK, let me just get my satire iron. I’m about to take you to a satire ground. Like higher ground, yeah? You got that? Allow me to put on my satirish dancing shoes and perform for you a satirish jig, Remember that Jim Carrey film, ”Satiar Liar’?? Well, that’s me.

THIS IS SOLID GOLD CONTENT

#47 Perfume Genius: Ugly Season

Picture the scene: an American dude called Mike Hadreas walks into a bar. Now, this bar is in America. Obviously, Mike still doesn’t trust that the danger posed by COVID to yet feel confident enough to contemplate long haul travel. Sure he could go to Mexico – which if you look at a map you’ll see is to the South of the USA – but he’s smart enough to know that Mexico produces Corona beer so he’s not foolhardy enough to take that kind of risk, and he is well read enough to have noted a number of Facebook posts shared by his Uncle that actually place the blame for the Coronavirus outbreak squarely at Mexico’s door. Mike feels that there isn’t enough evidence to confidently state any interpretation of the facts he’s seen. He’s just asking questions. He could also go to Canada, which is commonly referred to as being ‘above’ the USA, but that’s simply due to centuries old Eurocentric indoctrination regarding the supposed superiority of the (richer, whiter) global north over the (poorer, browner) global south. Canada is actually to the north of the USA. But Mr Hadreas has heard that Canada is full of sexual predators and cultural genocide, so that’s out. Charity basketball game? No thank you, Mr Butler, says Mike Hadreas. No, Mike will be visiting a bar in the good ol’ US of USA. ‘Over the pond’. Except Mike Hadreas won’t be crossing any pond. Because he lives there.

Now, again, Mike Hadreas is in America – I think I mentioned it – so this wouldn’t be one of your standard old English style pubs that my readership in this part of the country might be picturing. There’s no intimate wooden interiors; there’s no dartboard; there’s no border collie, soaking wet from that morning’s walk, sleeping next to an open fireplace. There’s no old man with a stick sat on his own in the corner. Being all racist. No, this is an American bar.

YOUR PAINTING BEAUTIFUL PICTURES IN MY MIND

Necessary Evil 2021 (50 – 41)

50 Nick Cave & the Bad Seeds: B-Sides and Rarities II

(2021 #63, 2020 #1!, 2016 #=6, 2014 #45, 2013 #22, 2008 #12 (with the Bad Seeds) 2010 #11, 2007 #13 (with Grinderman) )

Nick Cave album number two!

Ah, fuck, am I including B-Side collections now?? I guess that shouldn’t be much of an issue, considering that there’s only a tiny, Jeremy Beadle handful of artists I would even considering purchasing a B-Side collection of. Just so you know, Manic Street Preachers‘ last B-Side collection was back in 2003. The Bad Seeds released ‘B-Sides and Rarities’ part one in 2005, so the Manics are already embarrassingly behind schedule. Sort it out, Wire. Although, to be honest, I was all ready to announce that the inherent importance of Nick Cave and the Bad Seeds have lead to them releasing the first B-Sides collection to be featured on Necessary Evil, until I remembered that Carly Rae Jepsen’s 2016 B-Side collection made #31 that year, so there really is no rhyme nor reason to it. Also, the featured image to that blog post is Al Pacino shoving cocaine into his face in Scarface, so let’s not pretend any of us has any idea what’s going on around here.

What a collection though, aye? Ammi right? Ammi right? I’m right. ‘B-Sides and Rarities’ part one was no slouch at all, containing a smattering of wonder that showed how harsh the band’s quality control had been during the first two decades of their existence considering the excellence of some of their cast-offs. It was clear that the bar to entry onto a Bad Seeds album was more stringent and difficult to pass than the best American colleges even if your mother used to be in Desperate Housewives. There were also other bits and bobs that settled debates such as whether Shane MacGowan did the best version of Lucy. He did. Debate over.

Continue reading “Necessary Evil 2021 (50 – 41)”

Legit Bosses pt.3: The 40 Best Songs of 2020

Hey! Top forty ! This is a nice, normal, manageable list isn’t it? Should I maybe have just limited 2020’s best songs to this workable and succinct top 40 list? What, and not mention Wock in Stock or I Don’t Know, Burn Stuff? I’m not sure I’d ever be able to forgive myself.

That’s all the introduction you’re getting, parts one and two were more than enough foreplay, there are some absolute modern classics in this final countdown, and if you’re as half as surprised as me at what comes out on top…

Maybe, I mean, I still might change it…

#40 Fiona Apple: Under the Table

A very ‘Fiona Apple’ Fiona Apple song, but that is obviously entirely a Good Thing. Lyrically, it’s untouchable, with Ms Apple taking issue with dinner party conversation and refusing to be silenced (“Kick me under the table all you want/I won’t shut up…I would beg to disagree/But begging disagrees with me”). Amongst the barbed and often hilarious response to tension, she also manages to squeeze in some absolutely amazing lyrical asides:

I’d like to buy you a pair of pillow-soled hiking boots

To help you with your climb

Or rather, to help the bodies that you step over, along your route

So they won’t hurt like mine

I’m going to be really noncommittal and say that Under the Table is definitely one of the best lyrics of the year. Don’t make me choose. No, seriously, don’t make me choose, you know I’d just give it to a 1993 Manics’ lyric and ruin the legitimacy of the whole operation.#

Continue reading “Legit Bosses pt.3: The 40 Best Songs of 2020”

Necessary Evil 2020 pt.11 (25-21)

#25 Frankie Valet: Waterfowl

‘Waterfowl’ is a pretty perfect rock album. I spent an inordinate and unnecessary amount of time just now trying to decide which subgenre to place it under, but it’s such a varied and ambitious record that it near enough encompasses all of them. It dabbles in punk, takes brash detours through folk rock and indie, skids its way through shoegaze and math rock, and even chooses to dabble in post-punk and grunge. I ‘reviewed’ it back in February, then because I don’t think I’d properly got across how good the album was, I wrote another post in March just to make sure I was clear how freaking good this record was. Come on, if there was any 2020 album you don’t need further convincing of its quality, it’s this one. It’s actually quite worrying how much I have to spoon feed some of you people. Sort your lives out.

Continue reading “Necessary Evil 2020 pt.11 (25-21)”

Necesary Evil 2020 pt.8 (40-36)

#40 Princess Nokia: Everything Sucks

Yep, Princess Nokia states that ‘Everything is Beautiful’ and only makes it to number 70, but when she simply throws up her arms and declares that ‘Everything Sucks’ she opens our top 40. What does this prove? That’s right- absolutely fuck all, as this list is an absolutely meaningless vanity project by some egotistical, fat, ginger, middle aged man frivlously listing albums he’s listened to this year in no real order despite knowing next to nothing about music.

I joke, of course, this list is an entirely scientific exercise. The real reason that the other album that The Princess Regent of Nokia and its Territories released in 2020 ranks so much higher is because, yeah, maybe everything does suck.

…at the crotch don’t look at the crotch don’t look at the crotch don’t loo…
Continue reading “Necesary Evil 2020 pt.8 (40-36)”