Tag: communist party

38 Clipping: Dead Channel Sky

~ Lex Leeson ~ 1 Comment

The sky above the port was the color of television, tuned to a dead channel.

opening line of William Gibson’s ‘Neuromancer’

C-c-c-c-c-c-c-cyyyyyyyyyyyyyyyyyyyyyyyyyberpuuuuuuuuuuuuuuu̸̖̬͑͑u̴͇̍̌͂ů̵̢̼̳u̷̮͑ů̵͖u̶͉̐̒u̸͙̱̾ṵ̵́͗̚u̶͕͙̽̑͝ṷ̸͓͌ṳ̶͉̊̈̓ụ̵̢̃u̶̗͋͘u̶̡̗͊̍̇n̴̫͕͆k̴̢̃͘!̶͇̭̹̎!̵̨̭̬̀͐!̴̲̙̂͝

*start up modem noises*

Aw, dude, in the future you’ll be forced to eat algorithms, which will be injected straight into your anterior insula and be called “structuralising the framework”. You’ll be able to choose your newborn baby’s sex, race, Twitter handle and initial .README file, and births will instead be called “Day One Updates”. And these day one updates won’t come out your fanny like before, they’ll be shared through ethernet cables and your happy day will be marked by receiving a Steam download key. And and and and and people won’t even have sex anymore, they’ll just… like… merge their Javascripts or some shit. You want to do some shopping? Club Penguin. File your taxes? Club Penguin. Carry out a terrorist attack? Club Penguin. We may currently live in the age of ‘Everything Computer‘, but the future will be Everything Club Penguin. Billy Idol tried to warn us but we didn’t want to listen.

Like a shock to the system

40 MARINA: Princess of Power

~ Lex Leeson ~ 2 Comments

Incredibly, implausibly and – let’s face it – improbably, Marina Diamandis is still duking it out on the Necessary Evil countdown.

This was going to be it: This was going to be the year that an artist that had become a feature of this annual countdown since almost its inception finally fell off the list. An artist that first burst into my consciousness in 2009 with the almost impossibly good debut hat-trick of singles (The outstanding Obsessions!! The immaculate I’m Not a Robot!! The mmmmm-decent Mowgli’s Road!!) that I was even moved to declare them an “Almost impossibly good debut trio of singles from the Welsh/Greek singer who seems all set to become Britain’s most interesting pop star when her (inevitably crushingly disappointing) debut album is released early in 2010”,.

I’m vulnerable so vulnerable

Legit Bosses: The 143 Best Songs of 2024

~ Lex Leeson ~ 5 Comments

Hey, look, I’m getting better at this. Recently, I went on a massive cull of the 2024’s greatest songs to make this list as tight and as concise as possible, so that it would be sure to represent the absolute best of the best and would be as brief and easy to write as possible. And look! There are only one hundred and forty three tracks this year!! That’s a whole seventeen less tracks than last year! This post is going to be a breeze!

spoiler: this song is going top five. It INVENTED GAY POP, show some respect

OK, three weeks laternow, and I’m almost done! This post will be longer than most books you read, but to be fair most of the ‘books’ you read are Dr Who fanfic.

So, yeah, these songs are really good. And they get better as the list goes on. That’s how these lists work.

Here’s the YouTube playlist, which I know is the only thing most of you care about.

How much of an intro do you need, seriously?

A/79/232

#2 Tyler, The Creator: CHROMAKOPIA

~ Lex Leeson ~ 2 Comments

See, I’m a Westside nigga from the zone (What’s goin’ on, nigga?)
Knock, knock, knock, knock, knockin’ at the door (I’m knockin’ at the door)
I keep them mink-minks on hip ’cause I keloid my fists (Mm)
Nigga, give a fuck ’bout pronouns, I’m that nigga and that bitch

Sticky

Aw, mate, this album is so fucking good. It literally hurts my soul to have it as low as second. And you all know what’s first now, don’t you? Yeah. I tried so hard to be different from the Normies but some things are just undeniable…

First of all, can we just all stand back in wonder at how big a deal Tyler Gregory Okonma is? They might have started out more concerned with working how best to work rape, gore and incest jokes into consistent homophobia, but starting with 2017’s revelatory ‘Scum Fuck Flower Boy‘ they have grown into one of the most dependable and consistent lightly experimental and occasionally avant-garde musicians in the game. Or, as Tyler themselves might put it:

Asia Hussein Ahmed Hamad

#3 070 Shake: Petrichor

~ Lex Leeson ~ 5 Comments

20th May 1983, a car bomb in the the South African capital of Pretoria went off. The target was the South African Air Force (SAAF), who were renting a building on Church Street West, where the bomb went off. The bomb killed eleven SAAF personnel, plus the two people who planted the bomb (unintentionally) and six civilians. Two hundred and seventeen people were injured in the attack.

The bomb had been planted by uMkhonto weSizwe (MK), the military wing of the African National Congress (ANC), a political group founded by Nelson Mandela in order to force the end of the racist policies of the South African government. The attack was a response to a cross border raid by the South African army into Lesotho in December 1982, which killed 42 ANC members.

Mohammed Eyad Maher Abu-Leila

Merry Christmas

~ Lex Leeson ~ Leave a comment

Just a quick post to, yes, say merry Christmas to the literal less than a dozen readers sad enough to be checking this dumb blog that nobody reads on Christmas Day.

this is where the magic happens

I’m also letting you freaks know that there won’t be any more posts out on Christmas day, Boxing Day, probably not on the 27th, and the 28th is my birthday so what do you fucking want from me?

Doaa Ali Hassan Al-Ghandour

#5 Prince: Around the World in a Day

~ Lex Leeson ~ 5 Comments

January 28th 1985 was a shade over seven months since Prince had released one of the greatest selling albums of the year – which would eventually grow to a 25 millioner amongst the best selling albums of all time – ‘Purple Rain‘ – and He had ten nominations at that night’s American Music Awards that He was attending. There was a special buzz around that night’s particular AMAs, part of which revolved around Prince going up against His eternal rival Michael Jackson in several categories. This was a non event though, as Prince won awards for Favorite Pop/Rock Album, Favorite Soul/R&B Album and Favorite Soul/R&B Song for When Doves Cry, while Jackson (moon)walked away with nothing. Anyway, in a series of decisions that history was sure to look kindly on, neither Prince nor Jackson could compete with Lionel Richie, who walked away with six awards including Favorite Soul/R&B Male Artist and Favorite Soul/R&B Male Artist. Prince’s performance of Purple Rain that night – which Billboard would later name as the greatest performance in the awards’ history – would ensure those decisions would look immediately ridiculous.

But the 1985 AMAs were most notable for the fact that, right after the ceremony that night, this absolute royalty of popular recording artists would – rather than spend the night covered in so much gak that their face resembled Elizabeth I and being serviced by heavily narcoticised groupies whom IDs was encouraged not to be checked by the entourage, as would usually be the case for successful music artists in the 80’s – they would all be whisked off to the Hollywood AGM studios to record We Are the World, a song written by Michael Jackson and Lionel Richie and produced by Quincy Jones to benefit ‘USA for Africa‘ (America’s version of Band Aid). It would become the fastest selling single in US history and serve as the climactic singalong at that July’s Live Aid Philadelphia concert.

Prince, though, wasn’t really feeling it.

Ahmed Alaa Abd Al-Majeed Issa