#8 Jeshi: Universal Credit

When I become in charge of the UK – I am more than happy to kill the 50.48million people ahead of me* in the line of succession to become king and then declare an absolute monarchy – I like to think I will be a fair and benevolent ruler to the 15 million or so remaining residents that I didn’t need to slaughter in order to become leader. The death penalty though? Yeah, bring that shit in straight away. Only for the most heinous crimes (parking on bike lanes for example), but chiefly for what my reign will consider the Original Sin: complaints about how ‘easy’ people on benefits have it. Yeah, any version of that and it’s Who Wants to be Beheaded?! live on ITV presented by Declan Donnelly (I can’t explain it, but I feel that Ant McPartlin will have been executed pretty early on).

(*yeah, worked it out. I accept that I’m pretty low down on the list, but I am white, so the Royal Family will still automatically choose me ahead of a certain section of the population. So there’s that.)

PAIN IN MY MIND, BRAIN, BACK, LOWER SPINE

#35 Saba: Few Good Things

Hustlin’ candy bars to play basketball
I still get nostalgic seein’ houses that my family lost
They wished upon a star, I caught it like I’m Randy Moss
When granny fought for her property, she would turn down any cost
I’m the grandson of Carl who lived across from the fosters
Then fostered me to spread love through holiday poverty
Hand-me-downs I was given, I thought they were bought for me
A tale of two Chicagos, this gets confused commonly
‘Cause one, you’re commemorated if you’re the hot commodity

Free Samples

Comrade Saba!

Is there an industry less concerned with ethics and more damaging to the general populace yet still so accepted as the real estate market? I’m not going to delve to deeply into it here, but the correct position to take is that all landlords are scum. If you own more than one house, you’re at the very best low key scum. Property development and large landlord associations are actually beyond scum and actually evil. I may be against the death penalty in its current widely accepted form, but we as a society need to seriously look at what horrors are accepted in our current decaying capitalism and make big decisions to punish the minority for their crimes against humanity, especially if it benefits the vast majority. That’s all I’m going to say right now. Unless there’s an album coming up soon that I can’t think of anything to say about. I will always reserve my right to go off on a massive far left tangent. Here’s ‘Britain’s Road to Socialism‘ again, give it a read (or a listen).

AND NOW BACK TO OUR SCHEDULED PROGRAMMING

#38 Mitski: Laurel Hell

Sometimes I think I am free
Until I find I’m back in line again

Everyone

Ma dudes, Mitski’s sixth record is really fucking depressing. We’ve already seen plenty of records on this year’s list that deal with weighty and emotionally devastating subjects. But ‘Laurel Hell’ is different. It doesn’t just contain sad lyrics, but it’s very sound is beaten, dejected, empty. Like, total bummer, you get me?

It might just be me. I am, as you might have noticed, a total bummer merchant. I’m sure most people would still find it depressing just knowing the general story behind it. Mitski had sacrificed everything in order to do music for a living (“I will neglect everything else, including me as a person, just to get to keep making music”), and with the wider acclaim and success of ‘Be the Cowboy‘ she seemed to have lived her dream to the extent that she no longer needed to do it. And, having realised the sacrifices such success entails, she decided to chuck it all in. She wrote one of her greatest ever songs Working for the Knife in late 2019 as a spectacular and self-explanatory goodbye to the business (“I always thought the choice was mine/And I was right, but I just chose wrong”). Whereupon her label said, erm, no, you’re still contracted for one more album. Get back out there and dance for us. ‘Laurel Hell’ is that album. I’m sure Mitski was overwhelmingly happy to make it

I START THE DAY HIGH AND IT ENDS SO LOW