Stat is to Be Done? Necessary Evil 2025 in Numbers

Yes, a lot earlier than I’ve usually pulled my fingers and thumbs out to do these statistical breakdowns of the previous year’s Necessary Evil list of the year’s best albums. I’d fallen into the bad habit of putting it off for so long, that it now usually acts as a semi-introduction to the nexr year’s list, which is pretty fucking pointless.

And this year I have come to the realisation that, ultimately, this whole yearly tradition is pretty dang pointless. Self-referential, divisive, needlessly segregationary, and of absolutely no interest to literally anyone in the world other than myself. It gives me a chance to make fun little pictures, but that’s it.

Which is why, what is to be done, is that this will be the final time ever that I list the stats of the previous year’s list. Especially since I started the (far more important, obviously) Gold Star Artists Hall of Fame (which will get its 2025 update soon), this twee and meaningless drag on my time simply can’t justify itself. After this year’s stats, I’m going to storm the Necessary Evil Winter Palaces and change the whole system for the better.

You might remember that I threatened this on last year’s stat breakdown but decided to give it one more run around because of one important factor: I honestly think that 2025 might see the UK beat the USA for the first time, which would be a great and extremely honourable way to bow out.

Also, I’m really running out of puns for ‘Stats’. And this is two years after I did a Fatman Scoop reference. Times are tough.

You got a ten dollar bill, get your hands up!

#1 Anna von Hausswolff: ICONOCLASTS (Best Album of 2025)

A lot of these songs are about love, in various ways, but I wanted the album to feel like a battle cry. It felt urgent to me to express a sense of wanting things to change and actually taking steps towards that change. 

Anna von Hausswolff to The Line of Best Fit 2025/10/27

The foolish hope of great eternal beauty
This shit breaks my heart

Facing Atlas

Of course, this is Anna von Hausswolff we’re talking about, so that line in Facing Atlas comes attached with that voice, that incredibly powerful and borderline counter-musical battering ram of an instrument, perhaps one of the only human talents on Earth that could ever hope to position itself among the maximalist sturm und drang of Von Hausswolf’s music and not be immediately crushed to pieces by the musical waves crashing all around it: “This shit breeeeea-a-ye-aaaaaaaaaayks ma heeeeeeeeeeeeeeeeeeeeeeaaaaaaaaaaaaaaaaaaaaaaaaaaaar…!!”

I’m scaring my sister and my mom

2022’s Statictus the Fitness: The Numbers Behind the Year’s Greatest Albums

Remember when I used to do these posts right after I did the albums of the year? So it’d be the Necessary Evil albums of the year, the scientifically proven best album fawned over at length, the stats, and then we’d be officially done for another year?

Boom! You just been Mandela Effected, boyeeee! I actually only think I ever did that schedule once, for Necessary Evil 2019. I’ve always been far more often waaaaaaay late with these statistical breakdowns. What I actually used to do really early is (pfff!) do the stats just before the number one album! I could never (be arsed these days! These days the writing of the list itself is such a huge emotional toil that it takes me a long time to even consider thinking about these fucking albums again. Also, it’s getting harder and harder to think of puns on the word ‘stat’.

But these posts are basically just pictures, so I may as well just freakin’ do it. Let’s glance back at the wonderful year od 2022 when we all collectively thought, as always, “Well at least the next year can’t be as bad as this one…”.

Watch me drift and watch me struggle, let me go

#29 Anna von Hausswolff: Live at Montreux Jazz Festival

Bwa-haha! Yes! Yes! I know it was all I needed, I know that all it would take to lift me out of my stupor was a visit from my old friend, the big man downstairs, lord fire and brimstone, Georgia’s best fiddler (in every sense! Bwa-haha!), The Big D with the Big D, the Antipope, Red (Dante’s version), I Love Lucifer, Orbital’s 1996 number 3 hit, Mr Rin Tin Sin, The Devil himself!

Or herself. I’d like to think we’ve reached a stage now where we#re comfortable with the devil being a woman. If you met my ex-wife, you definitely agree.

OOOOOOOOOOH! #CANCELLED