Legit Bosses: 2021’s 121 Greatest Songs

You know it’s all about that boom! Legit Bosses, baybay!*

(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)

So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.

No, no, hey, maybe it’s you that’s too gross, ever considered that??

Anyway, let the festivities begin, here are the playlists:

Spotify

YouTube

Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”

18 Charli XCX: No.1 Angel

Celestial Incompetence

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Remember when I said that EMA was definitely the coolest person in the world? Then maybe you’ll also remember my boring and boorish balderdash about how important it is to always change your mind? Maybe you’ve read the former entry, but not the latter, so consider me an outrageous hypocrite? Perhaps you’ve read the latter but not the former, and will let the upcoming comment slide by without comment? Most probably, you’ve read neither, and are currently just massively confused by this ridiculously overinflated introduction? Don’t worry, the subeditor will remove this paragraph in the edit

Charli XCX is definitely the coolest person in the world. She’s a pop artist who knows exactly how a pop artist should look, act and sound. She writes some of the most perfect pop of the 21st century (occasionally leaving her songs unattended and letting lesser artists pilfer them), but also pop that sounds like it should exist in the 21st century.  She manages to subvert pop’s tropes and expectations with every song, while never once paying the genre anything less than the upmost respect. Even more cooly, she’s smart enough to know that such a mammoth task of pop revolution through disruption could never be a one person job. So she’s always eager to use her records as presentations of some of the best and more outlandish ‘pop’ from the genre’s less appreciated corners. On this ‘mixtape’ alone we’re introduced to notable names that might have otherwise passed us by, Starrah, Raye, the unGoogleable … My attention was first brought to the fascinating story of Uffie, and I was at one point even considered the Cuppcake album for NE2017 (but… wow… I mean, I’m no prude, but… does she kiss he gimp with that mouth??)

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(and here’s proof of how much I love her)

Continue reading “18 Charli XCX: No.1 Angel”