When The Bloc Heads first arrived ‘on the scene’
they were immediate and absolute masters of the type of trojan horse experimental and idiosyncratic pop music that forces me into a trance like state as I rub my nipples and moan orgasmically yet always entirely rhythmically
+32
Unfortunately, they then decided to Tegan and Sara it for a while, rejecting their positions as stand-out shining inquisitive differentiators in their field to try their hand at a genre they never particularly either shone in or brought much new to, and their move to electronica only ensured they’d be lost in the shuffle
-2
Well, maybe
+23
That was the case with their 2nd album ‘Bloc Party Part the Blocks and Party on the Rocks’ <unlikely- Ed>, and I’ve not actually listened to the two albums they released after that seeing as I thought they were a busted flush. But, for the sake of this review, let’s say those two records were also a bit rubbish, OK?
+13
Yeah?
…
…
…
Good
+8
‘Hymns’ is a real return to form!!!!!
+38
Unless of course those two albums were actually the best of their career, in which case ‘Hymns’ represents a disappointing step backwards
-3
To these ears though, ‘Hymns’ is the seamless marriage of electronica and rock that they’ve previously struggled with, and though the pace falters a little towards the end, it’s a gorgeous justification for their continued existence
+22
Metacritic: +55
Whaaaaaaaaaaaaaaaaaaaaaaaa? Significantly lower than their last two albums…
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