Necessary Evil 2020 pt.12 (20-16)

Oh my God! The top twenty! If you’re interested in a bit of insider knowledge, this has been the most difficult list to write yet, it’s caused way more stress in my personal life than any before it, and it’s getting harder and harder to defend as a humungous drain on my time. This may well be the final countdown I do. Unless you all start giving me money of course. Just leave the bank notes in a burlap sack near the aqueducts, as per usual.

Six more entries to go!!

#20 Hinds: The Prettiest Curse

I don’t want your compassion
‘Cause I was built for action

Hinds released their 2016 debut as an amazing idea for a band but frustratingly without the tunes to back up their sizeable identities. Their second album, 2018’s ‘I Don’t Run‘, was a welcome and marked leap up in quality, with the band obviously coming on leaps and bounds as songwriters and performers. This improvement has continued at such a pace that, with the release of their third album this year, they can legitimately noe be considered one of the greatest indie rock bands in the world.

Yeah, this post is going to be a little shorter, just so you know.

Continue reading “Necessary Evil 2020 pt.12 (20-16)”

Necessary Evil 2019 (72-65)

72 Kanye West: Yandhi

yandhi-and-the-legacy-of-kanye-west-leaks

You know what? I’ve got a funny feeling that this might not be my last chance to talk about him before this list is done, so I’m wary of squeezing out all my Kanye Juice before the real party starts. ‘Yandhi’ was the album that he was going to release as his follow up to last year’s ‘Ye‘ (I’m sorry, haterz/liberals, but ‘Ye’ was a pretty fine album, as were most of the eighty four records he released last year, let’s not let our reactions to his general behavior colour the history), but then it was delayed, then cancelled, then briefly revived with Ashton Kutcher playing the role of Kanye West, then delayed, then its name was changed to ‘Spunk Muffin and the Dudes With Attitude’, then it was cancelled again, then it was changed to ‘Jesus Is King’, then it was revealed that it wasn’t actually a name change but a completely separate record, then that record was delayed, then it was delayed again, until, finally, it was released, and Yandhi was cancelled, only briefly being released (seriously) as ringtones. Quite straightforward as Kanye West album launches go, really. I actually only sought out ‘Yandhi’ because I assumed it would contain intriguing scrappy demos of whatever tracks Kanye was working on for his next record (which at that point had been delayed so many times I assumed this would be the closest we’d get to a Kanye album this year), but it’s shocking to hear quite how complete a lot of songs on here are, and how realised many ideas are. New Body in particular sounds less than a tweak away from being a hit single, Nicki Minaj feature and all. Later, it was shocking how few of the songs and ideas on ‘Yandhi’ made it to ‘Jesus is King’. Like, pretty much none of it. Nicki Minaj? She’s gone. Hey, Kanye, maybe stay focused on one thing for more than three minutes? Might result in better albums? Perhaps I’ll get to debate this further later.

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Continue reading “Necessary Evil 2019 (72-65)”

7: Tame Impala: Currents

‘Currents’ is arguably the most joyous album ever released that’s mainly concerned with melancholy and isolation, at least since Scott Walker’s 1996 album ‘Get To Fuck You Complete Barms’, which contained the disco stomper ‘My Willy Hurts When I Pee‘ that really blew up in Ibiza that summer after it was remixed by Todd Terry. The Australian band’s (‘band’ is an extremely loose term when used in reference to Tame Impala, the ‘band’ is essentially Kevin Parker and whatever handful people he happened to bump into on the way to the Post Office that morning) is a blessed leap into fully synthesised pop music, with guitars ditched almost completely. The thrilling opening track ‘Let It Happencould sit happily on Daft Punk’s last album (and be the best track) while you can quite easily imagine Justin Bieber taking on ‘The Moment(but not owning the song anywhere near as beautifully as Parker does). I’ve little to say on this album, it’s near pure pop perfection, and the musical arrangements are just outrageously superb, as you move down the track listing it’s just one monumental achievement after the next.

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‘Fun’ Fact: Kevin Parker claims in a period of writers’ block he wrote an entire album for Kylie Minogue. For fuck’s sake Kevin! You can’t tease us with that and then not set the collaboration up!

Surely ‘BB Talkby Miley Cyrus is the best spoken word song of the year? I dunno, ‘Past Life‘ runs it pretty close

Album Link