2022’s Statictus the Fitness: The Numbers Behind the Year’s Greatest Albums

Remember when I used to do these posts right after I did the albums of the year? So it’d be the Necessary Evil albums of the year, the scientifically proven best album fawned over at length, the stats, and then we’d be officially done for another year?

Boom! You just been Mandela Effected, boyeeee! I actually only think I ever did that schedule once, for Necessary Evil 2019. I’ve always been far more often waaaaaaay late with these statistical breakdowns. What I actually used to do really early is (pfff!) do the stats just before the number one album! I could never (be arsed these days! These days the writing of the list itself is such a huge emotional toil that it takes me a long time to even consider thinking about these fucking albums again. Also, it’s getting harder and harder to think of puns on the word ‘stat’.

But these posts are basically just pictures, so I may as well just freakin’ do it. Let’s glance back at the wonderful year od 2022 when we all collectively thought, as always, “Well at least the next year can’t be as bad as this one…”.

Watch me drift and watch me struggle, let me go

#16 Nwando Ebizie: The Swan

Ah fuck, this is jazz, isn’t it?

Aw man, I feel gross even referencing that storyline, And yet here I am. Am I really better than the rest of you. Yes. But perhaps not as much as I once believed… No. Still as much. I just checked. Phew

We’ve already learned what magic can be created by the combination of Los Angeles and Newcastle-upon-Tyne but, guess what? Yorkshire by way of the Nigerian Igbo ethnicity creates magic that’s just that little bit better! There is but one question on everyone’s lips though:

WHERE EXACTLY IS ‘TODMORDEN’?