Necessary Evil 2020 pt.9 (35-31)

#35 Waxahatchee: Saint Cloud

That’s what ah want-eeeeeeh-yed, it’s not as if we cried a ri’ver called it rai-ee-yay-ain..

If you’ve ever read this blog- like at all, you ingrate philistine- you know how I spend roughly 40% of my time elucidating how special Katie Crutchfield’s musical project is. I am very much a Waxahitcher, which is a term I’ve just made up for the sort of Waxahatchee fan who’s dedicated/deluded enough to invent a term for the level of insanity that their fandom warrants. She made the most important album of 2013 to me, which, yeah, I didn’t admit at the time, but respect the retcon!

#HanShotWheneverMrLucasSaysHeDid #ThisIsADumbFilmForChildren #GrowUp.

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Necesary Evil 2020 pt.8 (40-36)

#40 Princess Nokia: Everything Sucks

Yep, Princess Nokia states that ‘Everything is Beautiful’ and only makes it to number 70, but when she simply throws up her arms and declares that ‘Everything Sucks’ she opens our top 40. What does this prove? That’s right- absolutely fuck all, as this list is an absolutely meaningless vanity project by some egotistical, fat, ginger, middle aged man frivlously listing albums he’s listened to this year in no real order despite knowing next to nothing about music.

I joke, of course, this list is an entirely scientific exercise. The real reason that the other album that The Princess Regent of Nokia and its Territories released in 2020 ranks so much higher is because, yeah, maybe everything does suck.

…at the crotch don’t look at the crotch don’t look at the crotch don’t loo…
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Necessary Evil 2020 pt.7 (45-41)

#45 Jarv Is: Beyond the Pale

I mean… that kinda works, right? Jarvis Cocker splitting his first name into two words, then adding the title of the album to make it seem that you’re making the statement that “Jarv is beyond the pale”. Like, OK, I get it, but to buy into the pun yo have to accept that Jarvis now goes by the name ‘Jarv’ which, come on, mate, that’s a dumb fucking name that ain’t nobody going to answer to. I’m calling you out, Jarvy Boy! I don’t buy into the conceit that the title of your fourth solo album aims to evoke!! Bring it on, Jarv! Anytime, any pla… Actually, not any place. My choice of place. I worry that he’ll have us both do battle in Sheffield, and according to my beliefs about the Steel City that may well resemble the closing scene of Terminator 2. I worry that wouldn’t play to my strengths as a fighter. It’ll likely to be in the Ippon Judo Club in Cheadle. I got a green belt there about 20 years ago, so watch your fucking back, Jarv!!

The album’s great though, successfully hitting references and inspirations as diverse as Leonard Cohen and Kraftwerk. Also, the line “Dragging my knuckles/Listening to Frankie Knuckles” is worth a bump of a few places at least.

Metacritic: 86

The highest so far. Because, unlike me, other critics are scared of his bullshit!!

2009 (no.28)

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Necessary Evil 2020 pt.6 (50-46)

#50 Banoffee: Look At Us Now Dad

Banoffee’s debut album should act as an important reference point for Halsey. The subjects she covers here- from painful reconciliations to painful intergenerational trauma to, Jesus, why didn’t I just leave it as a one night stand with that prick??- are at least as weighty as those covered on Ms Frangipane’s latest. Banoffee simply covers them often more explicitly, with far more humour and raw openness. And, more importantly, does so with no shame about this being a pop album and with the mature knowledge that really shouldn’t take away from its artistic legitimacy. She’s not openly complaining about Band of Horses not being considered pop despite starting with the same three letters, she’s not arguing that her album being considered ‘pop’ and the Javier Muñoz Spanish language production The Occupant being considered a ‘movie’ is just more evidence of the suffocating patriarchy, she’s not pointing to the barbed wire around her wrist on the album cover as poof of how freaking metal she is. She has no qualms about being a pop artist and is confident in the utter magnificence she can still produce, how being a ‘pop’ artist doesn’t act as a barrier to producing such weird, challenging and effective music such as this.

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Necessary Evil 2020 pt.5 (60-51)

#60 Halsey: Manic

Halsey sits in that awkward position of being an extremely, very, absolutely great artist, but at the same time being weighed down by almost being suffocatingly overrated by some corners. Also, she’s often really annoying.

Now that last (factual) statement may actually be problematic. Would I refer to Halsey’s objective annoyingness if she were a man? Truthfully, if she were a man I’d probably call her a ‘cunt’, but I’m always aware of how vicious it can sound to use such violent language when referring to a woman, so I’m slightly more polite. Is that sexist? To self censor my language and treat women more ‘gentlemanly’? Am I actually doing it because I feel that the curse is hilariously infuriating to a man but actually hatefully offensive when said to a woman? Is that idea sexist?? Should I maybe not be calling anyone a ‘cunt’??

Jump in any time, these are good topics.

If you show me that you understand this reference, I will honestly send you £50
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Necessary Evil 2020 pt 2 (90-81)

#90 Vritra: Sonar

OK, remember when I told you that there were so many fantastic records released this year? Well, that pretty much starts here, as Vritra’s

roughly 6’903rd record is yet another example of the unique and intoxicating talents of perhaps the least sufficiently appreciated (former??) member of Odd Future. If this is your first Vritra album, the rapping and musical styles one or two notches above clinically comatose will be sure to bewitch you for a solid half hour (do not listen to while operating heavy machinery etc), but the lack of real evolution of change of styles between records can mean a dangerous sense of disposability and lack of individual character can set in when you listen to multiple records. Like, the guy has released about three albums since that wonderful album with Wilma Archer last year that I didn’t even notice. Which, to be fair, is a docile forgetfulness that’s very on brand.

2019 (no.28)



#89 Lindsay Munroe: Our Heaviness

Continue reading “Necessary Evil 2020 pt 2 (90-81)”