The Legit Bosses: Best 65 Tracks of 2017

EDIT: a full 16 days after publishing this piece, I finally got round to making a Spofify Playlist. The best songs of 2017. In May 2018)

00 (alexanderlpalmer@hotmail.co.uk)

OK, 20th April and we’re almost done. Never apologise for your own timing: genius cannot be standardised by your plebeian calendar. Good things are always worth waiting for. Patience, motherfuckers, patience.

Remember (kayfabe) last year, when I broke the Legit Bosses down into about a million parts? Ten freaking YouTube videos every post?

That was a really dumb idea. You’re getting all 65 songs in one list this year.

There were exactly sixty five amazing songs released last year. If you believe that there were any more or less then you are either massively mistaken or just plain stupid. Listen and learn:

65 Vince Staples: Alyssa Interlude

00 (alexanderlpalmer@hotmail.co.uk)

Finding out that the voice sample explaining the pain that’s sometimes needed to inspire creativity is actually Amy Winehouse pushed this interlude into ‘AMAZING’ classification.

Barely two minutes long, but exhibiting the kind of experimental genius that was slightly lacking on the rest of the album. More of this in the future please, Mr Staples, and less of… erm…

Less of, like, whatever I said in my review. It was quite a long time ago…

64 Young M.A: M.A Intro

Freaking perfect introduction to the record, which I can’t help but shout along to the “Who dat?/Who dat?/Never who dat” intro with all the gusto and passion a middle aged white guy is legally allowed.

63 St Vincent: Los Ageless

Despite what my review may have led you to believe, not actually about my ex-wife wrongly claiming credit for my suicide.

My ex-wife read that review, by the way, and got in touch to correct a lot of my false assumptions. Yeah, I’ll definitely talk about that at some point. Make sure to click ‘subscribe’…

62 Tove Lo: Hey You Got Drugs

00 (alexanderlpalmer@hotmail.co.uk).jpg

A lovely ballad about a subject that I think is vastly underrepresented in sad songs. I may have slightly overrated it in my review of the album, which shows how relatively underwhelming the rest of the album is.

Also: invest in a comma maybe, Ms Lo?

Continue reading “The Legit Bosses: Best 65 Tracks of 2017”

10 Miguel: War & Leisure

Awe and Pleasure

(Hate to Say I Told You So)

Alex

“Miguel is one of the faces of an enthralling new strand of R’n’B that has blossomed recently, a strand that never takes its eyes off its influences but still crafts music that represent new creative highs for the entire genre. I’m generally heterosexual and generally male, yet after listening to ‘Wildheart’ sultrily and explicitly dry hump my ear for 46 minutes I still became pregnant more than a dozen times and tweeted Miguel so many naked pictures I’m actually due in court a week next Tuesday. If he concentrated more on the brash and provocative modern rethinks of ‘Dirty Mind’ rather than AOR nonsense like face the sun(sic)’ then he could get amazing.”

In 2015 a influential yet outrageously (and intensely sexually) intoxicating up and coming writer wrote those words about Miguel’s previous album. That writer believed that they key to unlocking Miguel’s potential brilliance was to concentrate and focus his influences on compiling a modern update on Prince’s best works. That writer believed strongly that Miguel should always concentrate on the shagging-that was pretty much his calling card, after all- but he should look into more subversive ways of presenting his sexuality than the occasional one note dogged horniness of ‘Wildheart’. An aldum, lest we forget, contained tracks with titles such as Suck It Like It’s George C Suckington’s BirthdayTouch it, I Dare You (Eeeew! I Can’t Believe You Actually Touched It!I Don’t Have Any Serious Reservations About A Little Slap and Tickle (If You Catch My Drift) and PENIS!! FUCKING PENIS!!!! FANNY!!! (I’ll Have Some of That N’All)The writer was at pains to confirm just how amazing and important shagging was.

Well, and this revelation might blow your tiny and insignificant minds, that writer was I, reader. And I’m not too proud to admit I was wrong.

Continue reading “10 Miguel: War & Leisure”

29: Miguel: Wildheart

Remember when I said there had been at least two brilliant Prince albums released this year? You don’t?? It was in the actual Prince review! There really is no point creating these marvellous interlocking segues if you’re just not going to pay attention! No, don’t go back and look for it, it was really only that one sentence and it doesn’t really bear the effort. Well anyway: I said it, and this is one of them. Although the comparisons are inevitable Miguel is one of the faces of an enthralling new strand of R’n’B that has blossomed recently, a strand that never takes its eyes off its influences but still crafts music that represent new creative highs for the entire genre. I’m generally heterosexual and generally male, yet after listening to ‘Wildheart’ sultrily and explicitly dry hump my ear for 46 minutes I still became pregnant more than a dozen times and tweeted Miguel so many naked pictures I’m actually due in court a week next Tuesday. If he concentrated more on the brash and provocative modern rethinks of ‘Dirty Mind’ rather than AOR nonsense like face the sun (sic)’ then he could get amazing.

miguel

‘Fun’ Fact: Miguel was born the day before Wayne Rooney and both their lives and personalities have proceeded down remarkably similar paths.

Pfff, sounds a bit gay to me mate: If you don’t finish listening to ‘the valley (sigh, sic again, Miguel hates his capitals)’ with a deep yearning to at least spend a night in Miguel’s bed then you’re only lying to yourself

Album Link