A synthesised orchestra bursts into life. And I mean bursts. If this were in a Disney movie and meant to signify the first buds of spring in some fantasy netherworld ruled by a giant and intimidatingly amiable field mouse, you’d still ask them to tone it down a bit. The orchestra repeats itself for a few bars, as if sweeping its arms across the landscape. Isn’t it beautiful?, it says, this world you believe to know? Isn’t life just idiotically charming when you don’t know any better?? Then, the orchestra stops, to be replaced by a single foreboding organ while the sounds behind it seem to be dripping out the last of their good will. Drip. Drip. Drop. Drip. The droplets seem to both become sparer and start to resemble a ticking clock, winding down to some unknown but anxiety inducing conclusion. The same music that had previously swept its hands in overt astonishment as the landscape that is now starting to melt away, now grabs you roughly by the collar and pulls you forward. It opens a hand to you containing a red pill and a blue pill. Before throwing them both in rage at the still deforming landscape.
“Nah, fuck that”, they say. “That trope has been done to death to such a point where it now somehow represents Men’s Right Activism. There aren’t just two routes anyway, there are an infinite ways to comprehend reality, let me show you them all“.
Oh, so she uses proper capitalisation on the album cover, but not in the official stylisation?? Seriously, Charli, what the WTF?
There is no better artist in recent times at embracing the everything than Charli XCX. Her genius has always been to encompass pretty much every facet of modern pop music and modern sound into bite size chunks and serving them up for the aimed consumption of literally every single person on Earth. She has always liked to do this through bridging as many connections with as many people as possible. She is an insanely public artist, connecting to all of her fans on every social platform and ensuring that they are always explicitly aware of how important they are in whatever success she has, leading to live performances that can feel more like a mass therapy session mixed with the prelude to the greatest mass orgy all thousand people present have ever experienced mixed with the purest exhibition of Arthur Janov‘s treatment of primal screaming. She’d also do this by collaborating with as many other artists as she could, ensuring that so many of her fans were introduced to slightly more challenging acts such as Cupcakke, Dorian Elektra and Tommy Cash. You have to imagine that Charli hugs each and every person she passes on the streets and tells them that she loves them, and to never stop being awesome. It makes every trip to the Post Office last about an hour and 45 minutes. For this most hyper-interactive, hyper-communicative, hyper-compassionate and hyper sharing artist- one who thrives on the maddening stimulation of modern life- to suddenly find that you’re not allowed to meet with anybody and, really, shouldn’t even leave your freaking house might have come as a defeating blow, like if you’re a My Little Pony fan and the government suddenly announced all swastikas were now illegal.
You want an intro? You got that in part one! Let’s get down to the dirty, sticky and dangerously unhygienic business:
This was an important year for me, this was when shit got real. Yeah, Labour won the election, which I was aware I was supposed to celebrate but not yet conscious enough to know exactly why, just that ‘our team won*. Princess Diana died, inspiring a nationwide reaction that even 13 year old Alex Palmer recognised as being a bit fucking much**. All that was meaningless background noise though, as most importantly 1997 was the year that I became really switched on to new music. Before this point, most of the albums I’ve listed would have been discovered by me later and posthumously lusted after in the kind of nostalgic necrophilia that I would later grow to despise. Yeah, sorry if you’ve already imagined me as an incredibly cool seven year old bopping his head to Soonby My Bloody Valentine. From this point on, these important albums in my life and personal development were pretty much all discovered as contemporaries. Seriously though, ‘It’s Great When You’re Straight… Yeah’ was the first CD that I ever owned. Yeah. I’m that cool/weird.
Yeah, sorry, no more Bumble Rumble. Possibly… ever…? Listen, I’ve pretty much decided that I hate Zero Hour dating- I happen to still believe that I’m relatively attractive, so to have an app on my phone that frequently reminds me that I’m actually not is not good at all for my already inflated yet easily pricked sense of self-esteem. For now, my official stance is that I know that I’m a highly fuckable piece of hunky man meat who could grind genitals with pretty much any woman he wants, but I just choose not to, OK?? The official stance is that I’ve decided to concentrate on the more important things in my life, such as this blog- which has never been more popular- and my actual job- which I’m technically supposed to be doing now*. Remember this blog? It used to be about music, didn’t it? I mean… kinda… Let’s do that again. Basically, it’s time for:
Just wanted a photo with my eyes in it. Have they always been that colour? More after the jump!!
Have you noticed how things are a bit weird at the moment? Like, there seems to be something in the air, doesn’t there? People seem to be a little less socially active these days; nobody came to your barbecue last Thursday; WWE crowds are drastically down; you’re pretty sure Paul should have been at school these past few weeks not that you’re going to ask the little shit and risk getting pulled into an endless conversational loop about the largest dinosaurs; and Italian mayors seem to be furious these days. Something’s… different…
I don’t watch the news- if I wanted a posh voice feeding me a liberal agenda I’d just ring my parole officer- but it’s clear to me what’s happened. There’s an unmistakable stench of disappointment overlaying an aggressive smog of sadness that’s infected the whole country. They know. You know. Everyone knows.