Tag: janelle monae

2025’s New Gold Star Artists (and a couple of RIPs)

~ Lex Leeson ~ Leave a comment

Sigh, I guess I should explain the rules again? To be honest, if this is one of your first times reading The Most Trusted Voice in Music then you really should start with the first post from December 1st 2014 and then read through the next 791 entries (or “chapters”, as I like to think of them) until you’re ready to read this post. Necessary Evil might be oversimply referred to as a ‘Blog’, but it’s actually more of an epic tale – a poem, really – that only sampling parts of risks lessoning its artistic impact. What’s happened to this generation’s attention spans?

OK, the criteria for qualifying for the Necessary Hall of Fame as a Gold Star Artist:

  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown since 2007

There were three new Legit Bosses crowned on the the 2024 list, and here’s my ranking of their three albums so far, which will soon be added to the ongoing Hall of Fame.

And, excitingly, for the first time this year we have two artists that have brought great shame on their careers, their legacies, and their entire families by dropping out of the Gold Star Artist Hall of Fame. Both (predictably) Soccer Mommy and (perhaps surprisingly) Illuminati Hotties released records in 2024 that weren’t considered good enough for the end of year lists, so they are forever banished to the dreaded Ex-Gold Star Graveyard. There, they are both feted to rot for eternity. A ridiculously harsh ‘punishment’ for the supposed crime of releasing a record that I didn’t think was quite as good as their previous three+? Especially tough considering Soccer Mommy’s previous three albums were all released before the list shortened to 40 albums and all finished outside the top 40, so could arguably be being punished for remaining as good as they ever were?

Yes.

Sorry, SJW cuck snowflakes, take your woke ideas of fairness and ‘not treating people like shit’ back to Libtardia. This is Necessary Evil. We hit harder here.

KAPOW! CRRAACK! ZGRUPPP!

2024’s New Gold Star Artists

~ Lex Leeson ~ Leave a comment

You know the rules by now: an entire album discography comprising of at least three albums, every single one of their albums featured on a Necessary Evil album of the year countdown on the Most Trusted Blog in Music. There were a few Legacy Gold Star Artists who added to their repertoire in 2023, but on this post I’m going to be concentrating on the five artists who earned their wings in 2023. Or rather, who were already glorious winged beasts of musical sapience, but got those motherfuckers gold plated in 2023.

Ah, Ms. Zauner! I see you have chosen to commemorate your achievement! As wee you should, my dear.

Oh, and these particular entrants will just be copied and pasted into the master post as well. I’ve just created this new post highlighting the new entries so you wouldn’t have to go back to the original entry every year to see who has earned promotion. So don’t come at me with that “You never think of us! You treat us so bad!” bullshit, alright? I treat you just fine. If anything, I treat you too well, so that might not be a string you want to pull too hard on. To see how new albums by Legacy artists like Wednesday and Janelle Monae did? Yeah, you’ll have to check the rankings on the master post. Like I say, I already treat you too well, so be careful what you ask for. And did you read what I thought about that Janelle album?? Probably not breaking into that top three, is it?

Anyway, without further ado:

all that glitters

#1 Fever Ray: Radical Romantics (Greatest Album of 2023)

~ Lex Leeson ~ 1 Comment

This is for our careers

Putting my kid in high school

Even it Out… sort of

All year I adored the opening lines from ‘Radical Romantics’ fifth track. I loved the angry, vicious attack of the commodified work of an artist. How the work is no longer about inspiration or true artistic integrity, but just a career. Under capitalism it has become just another desperate attempt to ensure safety, housing, food and education for your family. And what does such a system force you to do with your artistic inclinations? Or maybe the social safety nets?? “And then we cut, cut, cut, cut/Cut, cut, cut, cut/Cut, cut, cut, cut/Cut, cut, cut, cut/Cut, cut, cut, cut/Cut, cut, cut, cut/Cut, cut, cut, cut/Cut, cut, cut, cut”. Comrade Karin Dreijer! Give those capitalist pigdogs what they deserve!

There’s no room for you
And we know where you live
One day we might come after you
Taking back what’s ours

Workers of the World unite!!

SUNSET IN THE MAZE (YOU’RE ASKING ME MY SYMPTONS, DOCTOR, I DON’T WANNA FEEL)

14 Jamila Woods: Water Made Us

~ Lex Leeson ~ 1 Comment

Aaaaaaaaaah, love, isn’t it? Don’t you love love? Don’t you love love, where you finally find the one who allows you to live your life and not make any sacrifices. Love, where you don’t need to make any effort at all, just vibe? Love that allows you just be yourself, right? Love, where you and your soulmate just sit in each other’s company and feel? Love, the kind you clean up with a mop and bucket, like the lost catacombs of Egypt, only God knows where we stuck it?

Or maybe your love is the passionate sort?? Maybe your love is defined by long periods of anger and trauma interspersed jarringly with incredibly lascivious and incredibly loud sex? Your love is broken cutlery and broken backs? Your love is screaming in anger but occasionally screaming in pleasure? You have one of those steamy relationships like they do in the movies, right? Your relationship is sometimes that argument scene in ‘Marriage Story‘, sometimes they’re outside the house doing a ‘STEEEEEEEEELLAAAAAAAAAAAA‘, but sometimes it’s the opening scene in ‘Betty Blue’, you know warram saying?? Seriously, the only place I can find that clip is on porn sites! Hot! Spicy! Nobody else understands! They only hurt you because they love you, right?

BACK TO MY WAYS LIKE 2019

16 Young Fathers: Heavy Heavy

~ Lex Leeson ~ 1 Comment

I want your shield
I want your weapon
Gimme that bulletproof vest
And don’t forget I’m not susceptible to your nonsense
I’m a winner

No falling for your charms
No crash into your arms
Handful of coins
And a balled-up fist
Picking rubbish
Cleaning rubbish

I Saw

Aw, man, Young fucking Fathers, dudes??

They’re up there with Janelle Monae as Necessary Evil legends – and given the cultural importance of this blog that essentially makes them musical legends of the past fifteen years – with a simply inscrutable back catalogue that now demands they’re expected to meet higher standards than their peers. Like, I really loved the RobinPlaysChords album, but am I unconsciously and immediately setting it against some of the greatest music of the century? This means artists like Young Fathers, Let’s Eat Grandma, and Janelle – the most golden of Gold Star Artists – are, unfortunately and perhaps unfairly, held to a higher standards than mere mortals like Lauren Auder.

YOU’RE ASKING ME MY SYMPTOMS, DOCTOR, I DON’T WANNA FEEL

37 Janelle Monae: The Age of Pleasure

~ Lex Leeson ~ 8 Comments

Around twenty years after its conclusion, the original Matrix trilogy has proven to be culturally enduring. Perhaps because now it’s pretty universally accepted as a clear allegory for the alienating forces of capitalism/the experiences of being transgender/how the pernicious illusion of how gynecocracy and feminism subjugates men/the Jewish people returning to Israel/reaffirming white supremacy in the face of multiculturalism/the New Testament/a story told in reverse about a guy who stops taking drugs and gets a job, and I’m not going to debate that here, that particular mystery is now solved. We’ll just conclude that when you make a movie about some tech bro with no friends who feels alone and alienated, a lot of people online are going to relate with it. And, come on, it’s actually a very broad story and set-up that you can basically bring whatever you want to.

some tech bros somehow have LESS than no friends

But I’m not here to talk about gay shit like allegories. I know writers who use subtext and they’re all cowards. Can we all shuffle out of our Media Studies group wank for one second and just look at the actual film? Personally, I believe that all the films are about people with trenchcoats shooting shit up, which was extremely popular in 1999. Please, I beg of you, insert a bit of wider historical context into your media literacy. I’m joking, of course: if the Matrix was in anyway tied to US school shootings then we’d be getting more than twenty Matrix movies a year! And if the country were getting that many Matrix movies I’m sure the US government would declare a state of national emergency and quickly enact some sweeping and radical changes. I mean, twenty Matrix movies a year?? That’s just unthinkable! Imagine how broken and sick a society needs to be to allow that to happen?

A LITTLE CONTEXT IF YOU CARE TO LISTEN

The Necessary Evil Hall of Fame: Gold Star Artists

~ Lex Leeson ~ 21 Comments
  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown

I’ve been doing this dumb blog that nobody reads since my first post on the 1st December 2014 called the latest Pixies album an “especially grievous dirty protest”. 2024’s list was the tenth I’ve written in excruciating detail on the blog. The intelligent thing to do would be to call it a day after that. But then again the really intelligent thing to would have been to never start it in the first place. As a stupid person, I’m definitely conflicted. My (recorded) albums of the year go back to 2007. I’m not wanting to put too fine a point on it, nor am I at all pompous enough to ever overexaggerate my importance, but I think it’s fair to say that I am objectively the paramount and most respected voice on music of the last 15 years. And before that too, I just didn’t have a blog then.

Pulitzer Prize stuff from 2019

But what about the artists themselves? They sometimes play a part in the psychosexual agitprop magic of this blog. We can obviously consider the artists whose work has appeared most in my year end lists, but that’s obviously going to be the Manics (eleven + one very decent JDB solo record and one dreadful Nick Wire one), Prince (eleven, and eventually all 42 of the fuckers) and Nick Cave (I think around eleven, over a variety of projects). Like, duh much? We can all agree without any argument at all that these are the three most important musical artists of all time. It’s like if someone says their favourite food is “crisps”. Like, of course it’s crisps. Crisps are amazing. Everyone loves crisps. But what does that tell you about them as a person?? No, we need a different gage to work out the real stars of Necessary Evil.

Continue reading “The Necessary Evil Hall of Fame: Gold Star Artists” →

#1 070 Shake: You Can’t Kill Me (Greatest Album of 2022)

~ Lex Leeson ~ 7 Comments

OK, let’s try and put this in some sort of perspective: I have always considered my three favourite artists of all time to be Prince, Manic Street Preachers and Nick Cave. Between all three of them they have all had a combined thirty records make the Necessary Evil end of year list and out of those thirty, two have been named the year’s best. If I wanted to throw in some faves – both problematic and less so – from the last 15-20 years I might throw in the names of Janelle Monae, The Hotelier, Kanye West, Let’s Eat Grandma, CHVRCHES or Yeasayer. Twenty three entries between them. One winner. Oh, and Radiohead have never finished first, but

Can we get this meme a medal or something?

Thirteen different artists have won Necessary Evil since it first started in 2007. Maybe fourteen, depending on your take on 2013’s infamous Arctic Monkeys/Hjaltalín controversy. No artist has ever finished first twice. Until now. 070 Shake’s ‘Modus Vivendi’ was the greatest album of 2020, and the 2022 follow-up is unquestionably the greatest album released this year, with its only viable contender being a 1982 masterpiece widely regarded as one of the greatest albums of all time. These are the only two albums she has released.

I’M IN YOUR WORLD FOR THE NIGHT, YEAH

2 SPELLLING: The Turning Wheel

~ Lex Leeson ~ 2 Comments

2019 #10

Gee, thanks a lot Christmas Day…

Now I’ve got to start at the first day again! And finish, because it’s currently close to midnight on Boxing Day while I write this, and numbers two and one of this year’s list will be announced before many of the millions (and millions) of fans of this blog get out of bed. Isn’t it a damn shame that I had to stop at fifteen consecutive days though? I hear that when you reach twenty consecutive days you actually start earning money for writing. New York Times columnists get paid $350k a year, and you know how? They just never stop their daily streak! Charles Blow is currently on a 16,939 [SIXTEEN THOUSAND NINE HUNDRED AND THIRTY NINE] day streak! He started on his fifth birthday by harshly critiquing the level of presents that he was somehow expected to enjoy that year (“A Space Hopper, mother, really? And how, exactly, is one expected to improve one’s life by simply bouncing around on an inflated orange ball? What epiphanies is one expected to reach? Am I expected to gaze into that lifeless face and see myself reflected in his sad eyes? Perhaps this is intended to be Gerald Ford, whose ‘bouncing’ support is laughably intended to keep myself and others like me precociously and intermittently above the bottom line of the hard ground below us? And you said it talked. It definitely doesn’t talk, you fucking whore”. Yeah, some of Blow’s early work can seem a little problematic to modern sensibilities), and has just popped out another article every day since. Admittedly, he can sometimes obviously be struggling for material, His fourteen thousand eight hundred and seventy second article was just him ranking the different noises his chair makes when he sits down, his fifteen thousand and twelfth post was just the entire lyrics of Scatman’s World by Scatman John followed by the sentence “Is it not still the case? #ScatmanDidItFirst”, while his sixteen thousand four hundred and second post was just a piece of clickbait suggesting that Kylian Mbappe might be sighing for Liverpool. But you know what he did after writing each article? A spellcheck, yeah? To check the spelling? Or, perchance, the Spellling?? See, it all fits in, don’ tell me how to do my job.

I’LL BE RIGHT HERE, LITTLE DEER

Necessary Evil 2021 (70 – 61)

~ Lex Leeson ~ 12 Comments

70 Kings of Leon: When You See Yourself

(2016 #104, 2008 #17, 2007 #1!)

I’m allowed to still have Kings of Leon, right? You people will still consent to this? This is still OK, yeah? Nobody’s feeling mistreated in any way? I don’t want this to be one of those things where I was almost sure you were OK to me playing with my gross old man testicles while you watched holding back tears.

Remember that Simply Red song Holding Back the Tears? Well that’s what it was about. Mick Hucknall was so ahead of his time. He was trying to teach us, why did we refuse to learn? What’s that? It was actually called Holding Back the Years?? Well, shucks… Ah well, I’ve written it now.

I’ve done well, haven’t I? I’ve, like, mostly irradiated all the bullshit white guy rock that was honestly the entirety of all music I consumed before the age of about 19. I like to think that my end of year lists, while being a no way near exhaustive list of new music, is at least a forward thinking and progressive exercise in highlighting new and exciting progressions in style and presentation and in many different (and often new) genres. What’s your favourite Turmeric Trancotone album of 2021? Gotta be #26, right?

Continue reading “Necessary Evil 2021 (70 – 61)” →