Tag: islam

Necessary Evil 2020 pt.12 (20-16)

~ Lex Leeson ~ 11 Comments

Oh my God! The top twenty! If you’re interested in a bit of insider knowledge, this has been the most difficult list to write yet, it’s caused way more stress in my personal life than any before it, and it’s getting harder and harder to defend as a humungous drain on my time. This may well be the final countdown I do. Unless you all start giving me money of course. Just leave the bank notes in a burlap sack near the aqueducts, as per usual.

Six more entries to go!!

#20 Hinds: The Prettiest Curse

“I don’t want your compassion
‘Cause I was built for action“

Hinds released their 2016 debut as an amazing idea for a band but frustratingly without the tunes to back up their sizeable identities. Their second album, 2018’s ‘I Don’t Run‘, was a welcome and marked leap up in quality, with the band obviously coming on leaps and bounds as songwriters and performers. This improvement has continued at such a pace that, with the release of their third album this year, they can legitimately now be considered one of the greatest indie rock bands in the world.

Yeah, this post is going to be a little shorter, just so you know.

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2019’s Best Movie: Sorry We Missed You

~ Lex Leeson ~ 2 Comments

Yeah, I know, continuing my proud tradition of naming the year’s best movie alongside the albums of the year countdown. ‘Under the Skin‘ was named 2014’s movie of the year, but the award went unclaimed in 2015, 2016, 2017, 2018, and indeed every year before 2014. However, the (latest) masterpiece by Ken Loach, ‘Sorry We Missed You,’ was such a powerful piece that inspired such painful bolts of recognition and sheer fucking anger that I had to make space in 2019 to talk about it.

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Oh, and by the way, this isn’t going to be one of those “Ooooooh, look at the camera angles! isn’t the mise en scène lovely?! Hints of Akira Kurosawa’s vagina dentata, perhaps??” reviews, as I have no interest in actually talking about the movie. Instead, these is mainly going to be a thousand words or so of me ranting about the twisted nature of capitalism in 2019. Like I said, it’s gonna be a lot of fun.

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46 Laurie Anderson & Kronos Quartet: Landfall

~ Lex Leeson ~ 4 Comments

“You know the reason I really love the stars? It’s that we cannot hurt
Them. We can’t burn them. We can’t melt them or make them overflow
We can’t flood them or blow them up or turn them out
But we are reaching for them. We are reaching for them”

In a strange way, the influential 2006 documentary An Inconvenient Truth might have unintentionally and semi-ironically doomed us all. It has had very inconvenient consequences, you could say. But absolutely don’t, because that’s a rotten line.

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Now, I’m not arguing that An Inconvenient Truth didn’t do a lot of good. I was.. younger… when it came out, and I have to say that, while maybe not a climate change denier, I was probably sceptical of the threat based on my own scientific research uncovering statistics like the fact it snowed a couple of years back and it was sometimes really cold. The film actually convinced me of the facts, using simple statistics and arguments that, if I’m being honest, I was probably too lazy to read for myself. I was a child, I decided that believing that climate change was at least overstated would mean I needn’t change anything about my behaviour, and so only searched out articles and columns that supported the theory I had chosen to believe. I was a child. I saw An Inconvenient Truth and realised what a child I was being. And how stupid I was. I imagine many people had similar epiphanies upon watching it. I was a child, and I still can’t believe how stupid I was. A child,

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64 Ivy Sole: Overgrown

~ Lex Leeson ~ Leave a comment

“The idea that if once we got rid of religion, all problems of this kind would vanish, seems wild. Whatever may have been its plausability in the eighteenth century, when it first took the centre of the stage, it is surely just a distraction today. It is, however, one often used by those who do not want to think seriously on this subject”

Mary Midgley

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Hey, everyone, why don’t we all just lay off religion for a bit, yeah?

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23 St Vincent: MASSEDUCTION

~ Lex Leeson ~ 23 Comments

MASSDELUSION

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“How can anybody have you and lose you
And not lose their minds, too?”

That’s a really nice little couplet, isn’t it?

It relates to the similarly awesome surrounding song’s Los Ageless*‘s themes of  desperately attempting to battle the horrifying and corrosive party-pooping  efforts of aging. It’s so cleverly written though, that Annie Clark is aware how it could potentially become an anthem for jilted lovers and soundtrack many traumatic break ups. Annie Clark is clever enough to realise that, realistically, the largest effect any song written and performed by a woman can hope to have on wider culture is if it’s included on the soundtrack of a ‘Bridget Jones’ movie, so she might hit paydirt with this one.

I really love the line. I love how it flows, I love how many ways it could be interpreted. I love how Clarky sings it. I love it so much I actually got it as a tattoo.

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…which, given the things I’m about to talk about, might have been a mistake…

Imagine if the lyrics were slightly different. Imagine if the song was actually about how finishing a relationship with Annie is likely to send someone loopy, because she’s so fucking awesome. The chorus would instead go ‘How can anybody have me and lose me/And not lose their minds too?’.

It would still be a pretty boss lyric, wouldn’t it? I mean, a little less nuanced and subtle than Clark’s songs usually are, but still an exhilarating anthem of female empowerment that is once again guaranteed that Bridget Jones movie spot.

However, what if the lyrics were: ‘How can anybody have me and lose me/Move to a different country for three years/Finally divorce me/And not lose their minds too’?

It’d be a bit weird, wouldn’t it? I mean, the rhyming scheme has been completely compromised, and the song’s whole melody would probably have to be rewritten in order to work it in.

Don’t worry, I am actually going somewhere with this:

Let me take you back to April 31st 2010:

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