Stats Through the Heart (and you’re to blame) 2018

Hooray for me. A winner is me. I’m the king of the world. I am a golden God. I put the bomp in the bomp bah bomp bah bomp. I’m that star up in the sky. I’m that mountain peak up high. Hey, I made it. I’m the world’s greatest. I assume that allows me to enslave any underage girl I want, with occasional pissing privileges. What a time to be alive.

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That’s me, that is

This week 2019 officially outstripped 2018 on Necessary Evil, with the site getting more views and more individual visitors than ever before. This despite me not even starting the end of year list, which has always been the only reason any of you miserable cunts (love you!) ever visit this piece of shit site. This is, of course, an outstanding achievement which you no doubt would have heard on the news. Whatever it is that I do on this blog is more popular than ever.  Perhaps it’s due to me writing many more non-list entries this year. In 2019, I’ve written

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I’ve written a number of non-list entries, which beats my previous record of ‘a lot less’ at best and, more commonly, ‘fuck all’. I’m not going to waste much time trying to analyse why I’m so popular- just luck at that fucking face. Adorable- but such a momentous occasion deserves something of a celebration. And I couldn’t think of a better one than this. Or, more accurately, I could think of a million better ways to celebrate than this, but this is the only one I could be arsed doing. Good? Good.

You could probably guess what I’m aiming to do. As we edge towards the end of the year, it’s obvious what needs to be done, and the fact that we are about to close on a decade that has seen the arrival SnapChat, Pope Francis, Boko Harem, Transformers: Age of Extinction and Miley Cyrus & Her Dead Petz only makes things more imperative.

That’s right: a statistical breakdown of the best albums of 2018!!

Yeah, I know, I should have done this in January when I finished the countdown, much like I published detailed breakdowns soon after 2016 and 2017 finished. But you know what? I’ve just been busy, man, y’know? Did you not notice that it took me three entries to list the greatest Money in the Bank matches ever? If I’m spending so much time on bullshit like that how am I ever going to find time for bullshit like this? Are you going to be one of those people who doesn’t like it when things they don’t like happen?? Grow up, this is neoliberalism and you’ll accept whatever we tell you that you’re happy with.

Love you!

Continue reading “Stats Through the Heart (and you’re to blame) 2018”

17 Moses Sumney: Aromanticism

Moses Sumney Makes My Nose’s Bum Wee

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Music journalism is such bullshit, isn’t it?

I mean, sure, write an incisive piece of what the success of From Earth With Love unexpectedly meant for the people of Lappeenranta, Finland in 1997. That probably comes close enough to proper journalism for the other writers at your office not to laugh at you and flick bogeys at you when you’re trying to eat your dinner.

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Or maybe just write gushing pieces about how The Rolling Stones used to make 14 year old groupies eat their own faeces while they pissed on them and hi-fived, before pushing the young groupie so hard against the floor that she couldn’t breathe- choking in the mixture of piss, shit and blood from her nose that broke in the collision with the floor- and then all did lines of cocaine off her back. God, there used to be proper rock stars back in the day, didn’t they?? How often do you think frickin’ Twenty One Pilots do that?? The pussies wouldn’t have the stomachs! I mean, that groupie almost definitely didn’t die, did she?

You can only interview bands that you think are great and that we’d enjoy listening to. Perhaps their story will put their music in sufficient context for us to properly appreciate the songs? Don’t interview a band you hate and tell them how shit they are: you are not Lestor Bangs blowing the fucking minds off some sheltered faux superstars, blinded by the shining of the walls of their ivory towers, you’re just a prick who’s really irritating Snow Patrol. These artists are clever enough to understand how life isn’t a zero sum game, they are aware that some people don’t like their music, but they’ve decided to cater to those that do, those that have been throwing money at the band for years, people who had their first wedding dance to Chasing Cars.

Yes, these people are fucking idiots, but part of growing up is recognising that telling idiots that they’re idiots is not an honourable pursuit. However, me telling you that you’re a pathetic edgelord dingus is entirely necessary.

Continue reading “17 Moses Sumney: Aromanticism”