Tag: communist party of greater manchester

#32 Kronos Quartet, Rinde Eckert, Vân-Ánh Vanessa Võ: Mỹ Lai

~ Lex Leeson ~ 3 Comments

God, the Vietnam war was so cool, wasn’t it?? Cool, young, handsome Americans taking drugs to the strains of The Doors?? Yes please! Gooooooooood moooooooorning the 1960s! Aww, but it made the American soldiers a bit sad though, so make some movies out of that as well. But it was still the coolest war, it had the best soundtrack and it made the best movies. Didi mao! Didi mao! Who were the Americans actually fighting again? . Were they fighting Marlon Brando? Because, trust me, you’re gonna need some heavy artillery to take down that sizable landmass. Doesn’t matter – they were fighting the bad guys, and it made them sad. The end. Pretty sure Mỹ Lai’ – the soundtrack to an opera of the same name – just tells that story. And tells it very well!

ARE YOU *SURE* THIS TIME?

#35 Saba: Few Good Things

~ Lex Leeson ~ 1 Comment

Hustlin’ candy bars to play basketball
I still get nostalgic seein’ houses that my family lost
They wished upon a star, I caught it like I’m Randy Moss
When granny fought for her property, she would turn down any cost
I’m the grandson of Carl who lived across from the fosters
Then fostered me to spread love through holiday poverty
Hand-me-downs I was given, I thought they were bought for me
A tale of two Chicagos, this gets confused commonly
‘Cause one, you’re commemorated if you’re the hot commodity

Free Samples

Comrade Saba!

Is there an industry less concerned with ethics and more damaging to the general populace yet still so accepted as the real estate market? I’m not going to delve to deeply into it here, but the correct position to take is that all landlords are scum. If you own more than one house, you’re at the very best low key scum. Property development and large landlord associations are actually beyond scum and actually evil. I may be against the death penalty in its current widely accepted form, but we as a society need to seriously look at what horrors are accepted in our current decaying capitalism and make big decisions to punish the minority for their crimes against humanity, especially if it benefits the vast majority. That’s all I’m going to say right now. Unless there’s an album coming up soon that I can’t think of anything to say about. I will always reserve my right to go off on a massive far left tangent. Here’s ‘Britain’s Road to Socialism‘ again, give it a read (or a listen).

AND NOW BACK TO OUR SCHEDULED PROGRAMMING

#38 Mitski: Laurel Hell

~ Lex Leeson ~ 3 Comments

Sometimes I think I am free
Until I find I’m back in line again

Everyone

Ma dudes, Mitski’s sixth record is really fucking depressing. We’ve already seen plenty of records on this year’s list that deal with weighty and emotionally devastating subjects. But ‘Laurel Hell’ is different. It doesn’t just contain sad lyrics, but it’s very sound is beaten, dejected, empty. Like, total bummer, you get me?

It might just be me. I am, as you might have noticed, a total bummer merchant. I’m sure most people would still find it depressing just knowing the general story behind it. Mitski had sacrificed everything in order to do music for a living (“I will neglect everything else, including me as a person, just to get to keep making music”), and with the wider acclaim and success of ‘Be the Cowboy‘ she seemed to have lived her dream to the extent that she no longer needed to do it. And, having realised the sacrifices such success entails, she decided to chuck it all in. She wrote one of her greatest ever songs Working for the Knife in late 2019 as a spectacular and self-explanatory goodbye to the business (“I always thought the choice was mine/And I was right, but I just chose wrong”). Whereupon her label said, erm, no, you’re still contracted for one more album. Get back out there and dance for us. ‘Laurel Hell’ is that album. I’m sure Mitski was overwhelmingly happy to make it

I START THE DAY HIGH AND IT ENDS SO LOW