2026’s New Gold Star Artist’s (and a Couple of Shameful Exits)

Keep up at the back! I’ve explained all of this a dozen times by this point! For glorious entry into the prized and celebrated Necessary Evil Gold Star Artists Hall of Fame you need to meet just two basic yet extraordinary difficult criteria:

  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown

Well… not none, but… few… Few Shall Pass.

NE25 saw two new entries to the most prestigious list in all of music. In all of life. And they’re biggies: legitimately two of the most notable artists of the 21st century, and even if a normie mainstream media (more like lamestream media, ammi right lads???) outlet like Rolling Stone or BBC or The Daily Stormer or Razzle decided to list the greatest artists of the past two decades they’d both be listed high. And, in a pleasing bit of symmetry, there were also two artists condemned to the eternal shame of being disqualified from the Gold Star Artists Hall of Fame and violently dispelled into the disgraceful Ex-Gold Star Graveyard. It was a great shame that one of these artists was expelled. The other one I couldn’t give less of a shit about.

More, more, more, how do you like it?

AEW All In 2023: Proper PPV Review (Part 2: The ACTUAL Flipping Review)

Did you get that? ‘Flipping’, yeah? As in, the PG-friendly expression of mild annoyance you use when your whole body wants to say ‘fucking’ but you remember at the last minute that this is the only hour this month that the court says you’re allowed to talk to your three toddler aged children. But also, like, the review of the flipping flippy dippy wrestlers flipping themselves around? Yeah? Fucking genius. You bunch of cunts. No, please don’t take my kids away again, I promise I’ll behave!

“Oooh, look at that cheeky smile! What have you done??”

Right no more bloviating this time. Quick recap of part 1:

[EDIT: I started writing this on Saturday the 2nd September. That night, or perhaps early Sunday morning, a new part to this story was added which is now going to require some furious editing:

Wish me luck]

Right, we’re all on the same page now.

just saved you reading about 4000 words. you’re welcome

2 Sudan Archives: Athena

“When I was a little girl/I thought I could rule the world”

‘Athena’ is one of my favourite sounds. It’s the sound of an artist who has long been considered worthwhile and interesting deciding that, actually, they don’t just want to be considered ‘worthwhile and interesting’. It’s the sound of someone whose music may once have occupied the ‘You Might Not Have Heard…’ sections of reviews now putting forward that they should be covered in the highlight pieces. It’s the sound of an artist that may have once been cool to namedrop because few other people had heard of then wanting other people to have freaking heard of them!

Sudan-Archives-Parallax

I was a fan of the weird and discordant afro-futurism of Sudan Archives’ previous EP ‘Sink‘, but even in my praise I seemed to want to ghettoise her music by claiming that the best case scenario for it would be to be overplayed at artisan coffee shops and inspire several NPR beard strokes. It was very, very good, but there was a ceiling on exactly how good such beguiling and esoteric music could be. And also how big it could be- once it gets into those artisan coffee shops, there’s really nowhere else for it to go.

Continue reading “2 Sudan Archives: Athena”