Called it! Called it! Called it, called it, called it!

Ahem. I, erm, called it. I called it. No wonder I’m The Internet’s Most Trusted Voice.
Called it! Called it! Called it, called it, called it!

Ahem. I, erm, called it. I called it. No wonder I’m The Internet’s Most Trusted Voice.
Right now. Now. This time. The space in which we orbit. This particular mark along the 4th dimensional axis. This time. Now. Here. Right now. Right now is the best time ever to be a music fan. Fight me.

If your argument is that there isn’t as much good music around these days then, with all due respect, what the fuck are you talking about, you ugly sack of piss? There’s more good music in 2018 than there’s ever been before, and with more possible ways of hearing it than previously thought possible. Perhaps you want the days again when you’d read about The Mock Turtles being given record of the week in NME and then excitedly rushing off to Woolworths in Dorking to spend your 25p on the plexi vinyl, and the exhilarating trip home on the bus before you raced back to the record player in your bedroom and finally found out it was dog’s pish. Fair enough, but firstly that’s the world that you don’t like as much these days, not music, and secondly you can still take a trip out to Asda or somewhere and spend money on a record you’ve never heard that’s likely to be shit. ‘You Know I Know’ by Olly Murrs is number 10, they’ll probably have a copy of that and it’ll almost definitely be shit. Fancy doing that?
Jesus, this album. I could spend my time boring on about the sheer quality of the music here, of how it’s an album that deftly combines smooth hip-hop braggadocio with conscientious and thoughtful polemics, all backed with some of the slickest production of 2018. That’s not really my bag though, is it? Instead, the talking points and thought exercises thrown up by Jermaine Lamarr Cole’s fifth album KOD* are so numerous that I can only really take them on in bullet proof form. More after the jump! Click click click click! You’re all just cattle to me! Don’t forget to hit subscribe! Love you!

(*standing for ‘Kids On Drugs’. Or maybe ‘King OverDosed’. Also ‘Kill Our Demons’. And potentially ‘Karate’s Over, Dingus’. Or ‘Kelly Osbourne’s Demise’. Maybe even ‘Kayaking Over Detroit’. ‘Kissing Older Dentists’? J Cole can’t seem to decide what it stands for himself, so that seems to suggest it can stand for whatever the fuck you want)
How much do you think your life is governed by your own actions? How much do you believe it’s actually under the jurisdiction of outside forces that are not of your making, or even understanding? That’s right, it’s Boxing Day and, as Thomas scoffed at Jesus as he sceptically rolled his eyes, it’s time to talk about your locus of control.

See that picture there? Yeah, that pretty much explains what a ‘locus of control’ is. I’m going to explain it again here though because, I dunno, you might have a very specific type of blindness, or maybe your version of Netscape doesn’t support pictures. It’s important for me to explain it myself, because I don’t like to feel that a blog this insightful, inspirational and- dare I say it?- woke, could just as easily be written by pasting appropriate pictures from Google images. Also, my sponsor pays me by the word, so this completely superfluous paragraph has already made me a very rich man. Anyway, locus of control:
I forgot to write this review. It’s really good though, honest
We are all history now. Me writing this is creating an (unimaginably minuscule) part of history. When you read it and go on Twitter to gush to all your girl mates about how darn adorable I am, you’re creating history. Even when you hold your nightly WhatsApp reading group to debate the day’s findings on the Necessary Evil blog you are, in a small way, writing history. When Sarah Assbring (El Perro Del Mar’s guiding force) got tired of me direct messaging her with the latest “I’d like to bring your ass” play on words that I’d managed to think up, and successfully applied for a restraining order online, she became a part of history.

This is a fact. It has many positive consequences- I like making history all up in that prick Jamie’s face whenever he’s such an indefensible noob at COD- and many negative ones. For an example, I had to cancel my planned Christmas trip to Scandinavia because it would bring me within twelve hundred miles of Sarah Assbring’s Gothenburg home. I have also thought of exactly twenty seven new plays on her name that she might never get to hear. Oh! Twenty eight!
My mate Paul said he saw a serpent with feet one time. He says he saw it with his bare eyes, about thirteen foot long and around 350kg, dark olive brown with a white underside. I grew more sceptical as he sold me how this serpent with feet would feast on fish, gar and turtles, and was obviously cold-blooded judging by the amount of time this serpent with feet would spend lazing around in the sun. It was when Paul started excitedly pontificating to me of how this serpent with feet had incredibly strong muscles with which to snap shut its jaws, but relatively weak ones to open it, that I couldn’t help but intervene. Paul, I said, this ain’t no ‘serpent with feet’, you cretin, it’s a fucking crocodile. I’m not having you going around claiming to have seen a serpent with feet when all you’ve seen is some dumb crocodile.

Paul dismissed me, saying this serpent with feet had a far wider, U-shaped snout than you’d expect with a crocodile. Also, this serpent with feet definitely inhabited a freshwater marsh, and he was a little offended that I didn’t know crocodiles tended to live in saltwater. Through gritted teeth, I said fine, but I wondered whether he’d considered that this serpent with feet might have been an alligator. He scoffed, asking me where alligator’s usually live. After a quick internet search, I replied North America and parts of China. Then how could I have seen one?? He laughed, I’ve never even been to North America or China!
“Everyone is artificial/But that doesn’t mean they’re fake“
I’ve mentioned ‘kayfabe’ an ungodly amount of times on this blog for the last few years, despite the fact that I know extremely few of the people reading will know what it means and my writing becomes borderline unreadable as a result. Well, because it’s Christmas Eve as I write this I thought I’d actually go to the trouble of explaining what it actually is. Don’t let me hear you say I never get you any presents.

Kayfabe is ‘reality’ that professional wrestling creates. In WWE’s kayfabe, Dean Ambrose hates Seth Rollins because he feels that Seth’s partnership prevented him from truly reaching his potential as a wrestler, and anyway Dean still holds unresolved kayfabe issues with Seth because of him breaking up their amazingly successful tag-team The Shield in 2014. In the kayfabe, we can only possibly put an end to this bad blood if the two were to have a fight. A wrestling fight.
Continue reading “29 The Age: House Become Tombstones, Cities Become Graveyards”
I freaking love ‘Honey’. I just thought it important to let you know before I complain about it for 693 words.

(*I intentionally left that number blank until I’d written the piece. 552 words: boom! Unfortunately, I then had to write this completely superfluous parenthesised section here, so I had to then check the new word count and log that in. 590. However, I then chose to write this little extra bit on the end, which further enlarged the word count. I just wanted you to let you in on the artistic process. It’s fucking exhausting, isn’t it? Then I remembered I wanted to write a ‘past glories’ bit. Then I had to write about that bit here. Had to)
When I was ‘reviewing’ the extremely impressive and undeniable Noname album a few dozen entries back, her close musical conspirator Saba guesting on one track gave me an uncomfortable feeling all of a sudden. I had placed her compatriot’s album a full thirty five places higher on the list. Was it really that different and that much superior? Was I guilty of the ‘male glance’??

I’m sure I’ve talked about the ‘male glance’ on numerous occasions before, because it is something that I wholeheartedly believe exists and am extremely wary of being guilty of it myself. I’ll explain it again, because I can’t remember if I have before, and anyway this is the first post of this blog you’ve ever read, isn’t it? You’re only here because I added ‘keira knightley rim job’ as a tag. Not what you expected, I know, but still awesome, yeah?? Don’t forget to hit subscribe. I will explain what the ‘male gaze’ is after the jump, because bah gahd I need dem clicks: