On his debut Eric Bergland referred to himself as ‘ceo’ but now on this sophomore effort he feels confident enough to use to name ‘CEO’. If someone has such a shockingly casual disregard for the standard use of capitalisation you can only imagine what kind of crazy music he’s capable of. ‘Wonderland’ does not disappoint thankfully, painting with musical ribbons that often sound like you’ve violently thrown a packet of Crayolas hard into the face of the craziest guy at the asylum and angrily barked the instruction that you need a picture drawn of a clown riding a stegosaurus. Only, you know, in a good way. You’ll even forgive him naming a song OMG when the results are quite so fantastic and I can state with some confidence that there has been no song this year quite as well suited to whoop-whoop-a-whooping along to as Harikari. The only real problem with listening to Bergland’s second is that any record you listen to after it is going to sound ridiculously slight and undercooked in comparison- every wonderful song here (and they all are wonderful) is a gloriously bonkers kaleidoscope of sounds that frequently introduce noises you’d never previously known existed never mind not considered them songworthy. Well that’s not the only problem- I suppose I can imagine extended listens could possibly send you insane, but Jesus Christ what kind of nanny state is this?