25 EMA: The Future’s Void

Here we go again- technology breeds isolation, are we really happy in this new digital age? We’re just everyday robots on our phones aren’t we? I’ll forgive EMA (which as I’m sure you know stands for Every Mousketeer Attacks) for replaying over these slightly tired old subjects because Erika M Anderson’s third album is simply so good- juggling the genres of punk and electronica while at the same time making classics in either genre or simply both. Plus it’s not always anain’t technology a STINKER!?’ sermon, and when it is the lyrics are only occasionally embarrassing. Plus there’s no song here about a fucking baby elephant. There may not be an album released in 2014 as wonderfully and skilfully diverse as ‘The Future’s Void’, capable of convulsing your bones with bangers like So Blonde or poking your soul holes with lilting beauty like When She Comes, without the record ever lacking cohesion. Anderson’s voice too is a thing of beauty- wonderfully evocative yet bare and untreated with it’s cracked flaws perfectly presenting the songs as deeply affecting naked emotion.

Full album


I accept that just sitting here looking at that picture is the closest I’m ever going to get to an Oculus Rift.

‘Hmm, yeah, but isn’t modern life, like, already virtual reality, yeah?’

‘Jesus… anyone fancy a pint?’


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