12 Kendrick Lamar: GNX

I did it with integrity and niggas still try hate on me, just wait and see
More blood be spillin’, it’s just paint to me
Dangerously, nothin’ changed with me, still got pain in me
Flip a coin, want the shameless me or the famous me?
How annoying, does it angers me to know the lames can speak
On the origins of the game I breathe? That’s insane to me
It’s important, I deserve it all because it’s mine
Tell me why you think you deserve the greatest of all time, motherfucker

man at the garden

Yeah, could not be arsed with this album last year. It was released on November 22nd, which was already pushing it very tight for the December 1st deadline for inclusion on Necessary Evil 2024. The circumstances and context really made it feel like it was a bit of a rush release to capitalise on all the publicity surrounding the feud with Drake that we’ll likely be telling our grandchildren about.

yeah, I guess we’ll go back to speaking olde time language in the future. And writing in script. I dunno, man, that meme’s all over the place

I also heard how ‘GNX’ was, rather than an expansive and hugely intellectualised dissection of the black male psyche and how that very identity is being exploited by capitalism to be sold back to those very same people – the type of Kendricking that meant Mr Morale & the Big Steppers‘ was very much on-brand – it was a more back to basic, West Coast infused straight hip-hop album, I decided it probably wasn’t really worth the intense study it would require to see if it would make that year’s list. I’ll probably give it couple of spins after Christmas, I thought.

And I did. And holy shit this album’s incredible.

it take some tough skin just to deal with you

The Necessary Evil Hall of Fame: Gold Star Artists

  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown

I’ve been doing this dumb blog that nobody reads since my first post on the 1st December 2014 called the latest Pixies album an “especially grievous dirty protest”. 2024’s list was the tenth I’ve written in excruciating detail on the blog. The intelligent thing to do would be to call it a day after that. But then again the really intelligent thing to would have been to never start it in the first place. As a stupid person, I’m definitely conflicted. My (recorded) albums of the year go back to 2007. I’m not wanting to put too fine a point on it, nor am I at all pompous enough to ever overexaggerate my importance, but I think it’s fair to say that I am objectively the paramount and most respected voice on music of the last 15 years. And before that too, I just didn’t have a blog then.

But what about the artists themselves? They sometimes play a part in the psychosexual agitprop magic of this blog. We can obviously consider the artists whose work has appeared most in my year end lists, but that’s obviously going to be the Manics (eleven + one very decent JDB solo record and one dreadful Nick Wire one), Prince (eleven, and eventually all 42 of the fuckers) and Nick Cave (I think around eleven, over a variety of projects). Like, duh much? We can all agree without any argument at all that these are the three most important musical artists of all time. It’s like if someone says their favourite food is “crisps”. Like, of course it’s crisps. Crisps are amazing. Everyone loves crisps. But what does that tell you about them as a person?? No, we need a different gage to work out the real stars of Necessary Evil.

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