13 Lingua Ignota: SINNER GET READY

“Aren’t you concerned you could infect other people if you get sick inside?”

“No…”

“People who don’t go to this church-”

“No, I’m covered in Jesus’s blood. I’m covered in Jesus’s blood.”

Woman interviewed by CNN entering a church in April 2020, sampled at the beginning of THE SOLITARY BRETHREN OF EPHRATA

On her phenomenally intense and altogether astonishing latest album, Lingua Ignota/Kristen Haytor sticks her claws deeply and violently down the throat of Christian theology, pulling out bloodies entrails that even fellow damned theological researcher Nick Cave feel a little queasy. She highlights the duality and crazed hypocrisy of blind devotion, while also seeming to float the thought of requesting the all-powerful dominance (you could almost call it ‘biblical’) of that good old fashioned Old Testament God to help soother her own wounds by inflicting painful reckoning on the people that have hurt her. Well, I say ‘people’… Men. It’s not a nice story. It’s a grim and horrific story that seems to have been continued recently in her relationship with Daughters‘ frontman Alexis Marshall. I’m not going to cover any of this in detail in this piece, but I feel it is important to be aware of.

The anger and malicious retributory intent reaches such an apex on I WHO BEND THE TALL GRASS, when Hayter sems to collapse to her knees, shivering with rage as she references Corinthians 2:14 and begs God’s help to ‘Take hold of my gentle axe and split him open/Gather up my quiet hammer and nail him down/Use any of your heavenly means/Your golden scythe/Your holy sword/Your fiery arrows studded with stars’ before abandoning any pretence of deference and simply screaming ‘I don’t give a fuck/Just kill him/You have to/I’m not asking’. It’s an absolute fucking trip.

SINNER, GET READY TO READ MORE

Necessary Evil (47-43)

47 Blank Banshee: Metamorphosis

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Zzzzzzzzzzzzum, weeeeeeeeeeeear-kazummazum… Zzzzzzzzzzzzzzum-wenkwenkwenk, zzzzzzzzzzzzzzzdoo-baba-doo-baba-doo-baba-doo-baba. Sing along at the back.

‘Metamorphosis’ is a stunning 20 minutes of the most lushly created electronic music you’re likely to hear in 2019. I don’t want to be ‘that guy*’ again, but it’s really a piece of work that needs to be consumed through headphones (consumed… through headphones…?) to really appreciate the power and complexity of the music. Listening to the layered quasi-ambient beauty of ‘Metamorphosis’ you appreciate how far Blank Banshee has come since he was originally considered within the constraints of Vaporwave (or, indeed, ‘Vaportrap‘).

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You can no longer get the singular tracks, so just listen to the whole thing you lazy fucker

(*’that guy’ being someone who just points out facts. Don’t you fucking hate that guy??)

Yeah. How’s about that. Some proper fucking writing there, huh??

Metacritic: n/a

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NE2019 Prejaculate (The Best Songs of 2019 So Far That You Might Not Have Heard)

Why are we encouraged to state what ‘The Best [CULTURAL CONTENT] of the Year So Far’ is at the start of June? It isn’t half way through the year. It’s just over five months in. The Guardian stated what were the ‘Best albums of 2019 so far‘ on June 4th! That’s only 154 days into the year!! That’s only 42.19% of the way through!!! Unless I’ve forgotten how to work out percentages!!!! Which is very possible!!!!! Wow, I’m using a lot exclamation marks in this paragraph!!!!!!

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Well, anyway, I want in. I want a mouldy old piece of that rotten SEO pie, though released far closer to the actual year’s mid point of July 2nd. I’m not going to list the best albums of 2019 though, because I already often struggle to think of things to write come December, and I don’t want to waste that awesome simile I’ve devised to explain my thoughts on the new Jonas Brothers album six months early. Be patient. It’ll blow your mind. So I’ve decided to list the best songs of the year so far, similar to what I did in 2016. Although this time I didn’t just want to add my feeble, narcissistic voice to the chorus of intellectual critics praising songs like Old Town Road or Sweet but Psycho. You already know these songs are great, yeah? So I’ve tried to shine light on amazing songs by amazing artists off (mostly) amazing albums that there’s a chance you might not have previously heard. Get investigating, yeah? They’re in pretty much the order I remember to list them, because, seriously, fuck lists.

(If you can’t bother reading, there’s a handy Spotify playlist for the illiterates)

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40 Chris Al3x: Sonicwave

Ho-ho! Remember a while back when I joked about fake Vaporwave subgenres? Yeah, I know, it was fucking hilarious, wasn’t it? Absolute, first class satire, sending up the entire Vaporwave industry so mercilessly that it no doubt sent shivers throughout Ilidža*. The genre will likely never be the same again.

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(*yeah, I’ve decided that Ilidža, a small municipality near Sarajevo in Bosnia, is the cultural capital of Vaporwave. It probably isn’t, but I’ve not really got time to do much research. If you’re reading this, Chris Al3x, feel free to correct me. Ashton-under-Lyne hasn’t got much going for it, can we be the capital of Vaporwave?)

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65 NYSE:%

I was never even aware of the existence of the ‘Vaporwave’ genre maybe as recently as six months ago. Vaporwave is electronic music that utilises 1980s mood music and smooth jazz via tropes and distorted samples, mainly to provide a satiric commentary of some of capitalism’s and consumer culture’s worst excesses. It’s different, it’s making a statement, it’s at once disgusting and thrilling, it sounds quite unlike anything else, and it jumped immediately to being one of My Favourite Things. It’s experimental, it’s abrasive, it’s self-aware, it’s challenging, it’s exciting. I love it. I’d be proud, honoured and- dare I say it- woke if I were to be considered one of the notable early adopters of the movement.

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Unfortunately, that’s unlikely to be happen, as vaporwave has existed since the early 2010s after emerging as a more ironic take on ‘Chillwave’ (another genre I was not aware of). Me being considered an early adopter of vaporwave because of the handful of shouts on this list (and there will be more) is like me naming Brian Eno on my 2014 list marking me out as an integral part of the early success of Roxy Music. Yes, I know Mojo Magazine made that claim in a 2017 cover story, but I’ve actually attempted to distance myself from that article many time in the past. Anyway, in August the guy who used to be in The Monkees claimed himself a fan of the genre, so now it’s officially over.

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